Elijah Raps for Shilo / Cartoon Network

Shilo recently directed and animated this nice little promo for Cartoon Network. A combination of traditional cel, 2D, 3D animation, together with hand-drawn imagery and… Read more

James Wignall • 17 years ago

Promax|BDA State of Design 2008

For those of you who attended my Promax|BDA State of Design presentation, I hope it was worth your time and that you had as much… Read more

Justin Cone • 16 years ago

Cartoon Network Spain

Great camera work and sense of space in this 2.5D Halloween journey from Cartoon Network Spain

Justin Cone • 16 years ago

State of Design 2009

Thanks for attending my State of Design presentation at Promax|BDA North America. Below you’ll find my playlist, including links to videos and credits. Again, I’d… Read more

Justin Cone • 15 years ago

40 more Instagram accounts you should be following

40 more Instagram accounts you should be following right now (according to Brian Gossett)

Brian Gossett • 8 years ago

Next Steps in Interactive: Marshmallow Laser Feast and Design I/O

Real-world projection mapping was all the rage in 2011. Many a building was seen breaking apart or getting filled up with geometric shapes. This technique… Read more

Michelle Higa Fox • 13 years ago

Superfad: Sony “Eye Candy”

Behind the Scenes Design Exploration Interview with Superfad’s Carlos Stevens What was the creative approach to this project? The creative approach defined by Sony and… Read more

Justin Cone • 15 years ago

La Linea & Estacao Sigma

La Linea is an Italian cartoon series created by Osvaldo Cavandoli. Bibi’s Blog already said everything you need to know about this series so I’ll… Read more

Justin Cone • 18 years ago

Mr. Magorium’s Wonder Emporium (Updated)

In the title sequence for Mr. Magorium’s Wonder Emporium, retro illustrations, cutout found elements, bold fields of color and about a dozen different typefaces all… Read more

Justin Cone • 17 years ago

Leroy and Clarkson for Bio

I’ve noticed that, by and large, motion graphics students don’t “get” network packaging. Yeah, they love flashy promos all blinged out to catch viewers’ eyeballs… Read more

Justin Cone • 17 years ago

Interview: Garson Yu of yU+co

“300” main-on-end titles Storyboards for “300” main-on-end titles Animatic for “300” sequence “Bee Movie” end credit sequence Storyboards for “Bee Movie” end credit sequence “Enchanted”… Read more

Justin Cone • 16 years ago

Mixtape Club for My Morning Jacket

Mixtape Club has been happily toiling away in their new home at Hornet. Last month, they released some character-based motion and print work for Nike/Foot… Read more

Justin Cone • 16 years ago

Coca Cola “Avatar”

[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/02/coke_avatar.mov 779 438] [Full post] Credits Coca Cola “Avatar” Duration: 1 x 60″, 1×30″ Air Date: 1 February 2009 CLIENT: Coca Cola Client contact: Pio… Read more

Justin Cone • 16 years ago

The Animated Life & Work of Jeff Scher

Jeff Scher: I Got My Job Through the NY Times. Short Documentary by Reid Rosefelt. Jeffery Noyes Scher was born in 1954 and graduated from… Read more

Mark Webster • 15 years ago

Edouard Salier: Massive Attack “Splitting the Atom”

The fixed moment of the catastrophe. The instant the atom bursts on the beast, the world freezes into a vitrified chaos. And we go through… Read more

Harm van Zon • 15 years ago

AICE Announces Membership Expansion to Include Design, Motion Graphics and Visual Effect Companies and Artists

AICE, the Association of Independent Creative Editors has updated its membership eligibility requirements to now include Design, Motion Graphic and Visual Effects Companies. See here… Read more

Bran Dougherty-Johnson • 15 years ago

Traveling without moving: Porta Estel·lar (Star Gate)

Projection mapped experiences hit a saturation point a few years ago, and it’s been a while since we’ve seen something that stopped us in our… Read more

Justin Cone • 9 years ago

HAPPY F5 – RE:PLAY FILMS 01

We’re very pleased to get this first batch of Happy F5 – RE:PLAY films online. We’ll be sharing three films at a time, one batch… Read more

Brandon Lori • 13 years ago

SXSW 2012: Beauty is Embarrassing

Disclaimer: Wayne White was a speaker at the 2011 F5 festival. His talk there makes an appearance at the end of this film. We covered… Read more

Michelle Higa Fox • 12 years ago

Playgrounds 2012

This is only the second time that the annual Playgrounds Digital Arts Festival in The Netherlands teams up with Submarine Channel to host a “warming… Read more

Harm van Zon • 12 years ago

Meindbender and Techno Image: UFCECÊ – for Gillette

The powerhouse duo of Meindbender and Techno Image have come together to create this masterpiece. It pairs director Pedro Conti’s style, voice, and flow with… Read more

Andres Weber • 11 years ago

Bot & Dolly: Box

“Box,” a new short film/performance from design and engineering studio Bot & Dolly produced in association with The Creators Project, takes projection mapping, well —… Read more

Justin Cone • 11 years ago

Q&A: Dark Noir

Maybe there's an approach to crowdsourcing that isn't creatively repulsive or ethically bankrupt. Here's how Red Knuckles, Rafael Grampá and Absolut worked with a few… Read more

Justin Cone • 10 years ago

Edmond Was a Donkey

From Director Franck Dion, a unique and moving story about a man in search of himself. Process and more at the project site. Credits Written, Designed,… Read more

Matt Hunter Ross • 10 years ago