Our Bodies. Our Choice. Our Voice.
We invited creative content studio Duke & Duck to talk about their recent showcase with the Dupont Underground Art Gallery. In the shadow Roe V.…
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Stuart Groves • 1 year ago
Friendly Fire’s “Skeleton Boy”
Friendly Fire’s “Skeleton Boy” directed by Clemens Habicht for Nexus Productions.
Brian Gossett • 15 years ago
TRONIC creates a new experience for Comcast/Sony
Tronic Studio’s 3HD theatrical trailer-style spot plays across the world’s biggest hi-definition (25×80-foot, 4mm) LED screen in the Comcast Center (Philadelphia) to herald the launch…
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Staff • 15 years ago
Motion Theory’s “In it”
Check out some new work from Motion Theory including “In It” for Samsung and the NFL.
Brian Gossett • 14 years ago
Ada Bligaard Søby & Brian Lee Hughes: Thee Oh Sees – “Meat Step Lively”
Ada Bligaard Søby & Brian Lee Hughes: Thee Oh Sees – “Meat Step Lively”
Matt Lambert • 14 years ago
Siggraph 2011: Damian Nenow “Paths of Hate” Interview
The trailer for Paths of Hate showcased its effortless combination of comic book visual style with dynamic dogfighting camera motion and kinetic editing. The film…
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Michelle Higa Fox • 13 years ago
IKEA Catalogue 2.0
This new interactive video/catalogue for IKEA is simply brilliant. From a purely cinematographic perspective, the quick-cut intro sequences followed by ultra slow-motion shots convey the…
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Justin Cone • 16 years ago
Welcome to Motionographer 2.0
Welcome to Motionographer’s refreshed look. There’s still plenty of work to be done, but it’s time we went ahead and pushed this baby out. Some…
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Justin Cone • 16 years ago
Royale 2.0 launches
Royale relaunches with loads of new work and a podcast of their portfolio
Justin Cone • 16 years ago
Greg Herman: More Chi 2.0
It’s been a long time coming, but Motionographer’s very own Greg Herman has finally relaunched his web presence, More Chi. It was totally worth the…
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Justin Cone • 15 years ago
Sebastian Lange: Flickermood 2.0
Sebastian Lange revisits his Flickermood project
Justin Cone • 15 years ago
Motionographer Jobs 2.0
Photo by Marius Kallhardt Last week, the Motionographer Jobs database went kaput, and we lost all of the job listings. After pulling out my hair,…
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Justin Cone • 15 years ago
Work/Life: The 40 Hour Work Week
Photo by adesigna The headline for this post probably strikes most of you as a joke — at least those of you working in motion…
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Justin Cone • 13 years ago
The Nature Between Us: Q&A with Will Campbell and Jett Steiger
Back in 2007, as students at the Savannah College of Art and Design, William Campbell teamed up with Anh Vu to create The Lemon Tree,…
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Justin Cone • 15 years ago
Must Drink More Milk [Credits]
Title of spot(s): Cell Phone Charms Client: BC Dairy Foundation PRODUCTION COMPANY Production Company/City/State: Bent Image Lab, Portland, OR Supervising Director: Rob Shaw Director: Jun…
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Justin Cone • 16 years ago
“Metamorphosis” by Tell No One
A luminous retelling of Titian’s Metamorphosis by Tell No One. Nice performances by Anna Friel and Ed Speleers.
Elliot Blanchard • 12 years ago
Phillip Van and Method Studios: “And She Stares Longingly At What She Has Lost”
I don’t often get tingles from the work posted here, but this new short film directed by Phillip Van had my entire body covered in…
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Justin Cone • 16 years ago
Sundance is offering Smith & Foulkes’ ‘This Way Up’ as a free iTunes download through Jan. 25
Sundance is offering Smith & Foulkes’ ‘This Way Up’ as a free iTunes download through Jan. 25.
Michelle Higa Fox • 15 years ago
Rafael Saadiq “100 Yard Dash”
Perception channels Reid Miles for Raphael Saadiq’s “100 Yard Dash” directed by Maurice Marable.
Brian Gossett • 15 years ago
Crush: Hellmann’s “It’s Time for Real”
Nice mix of metaphor and infographics in this visual essay from Crush and Sons and Daughters’ Steve Gordan urging Canadians to eat local
Justin Cone • 15 years ago
