DEPT® – Henry Daubrez | KITSUNE

KITSUNE is a tale of love born from loneliness, a story of two souls connected by their shared ache for belonging. For director Henry Daubrez, it’s a film that feels both timeless and deeply personal, a blend of nostalgia and innovation. Growing up, Henry was glued to the screen, rewinding Don Bluth’s timeless treasures and early 90s anime until his VHS tapes frayed. Later, Studio Ghibli became his sanctuary. He knows Hayao Miyazaki would likely disapprove of this film—100%—but Henry isn’t just seeking approval. He’s chasing that electric spark of wonder he felt as a kid, and KITSUNE is his love letter to that feeling.

The creation of KITSUNE was no simple feat. Using Google’s #VEO2, Henry sifted through thousands of AI-generated sequences, curating 1,700+ shots that made the final cut. Sound design, music, and endless hours of editing brought the film to life. Yes, there are flaws—quirks and glitches that remind you it’s not perfect. But perfection was never the goal. For Henry, KITSUNE is about emotion, not algorithms, and it’s proof that AI can be a tool, not a replacement, for human creativity.

At its core, KITSUNE is Henry’s love letter to storytelling. It’s a reminder that even in a world of technology, heart and vision are what truly matter. For Henry, a lifelong creative who grew up in front of the TV, it’s a testament to the power of persistence and passion. AI didn’t make this film—he did. And if it resonates with audiences, it’s not because of the tech. It’s because of the feeling.