feature

*ONLY ON* Extraweg’s Severance Season 2 Titlles: When to Kill Your (Brain) Babies

"The goat painting represents a shift from conscious thought into subconscious chaos. It adds to the disorientation and surreal logic of the sequence. I reused… Read more

*…BREAKDOWN!* Cunningham & Ménard’s TRIPLE BILL: The Wild West of Hybrid Filmmaking

"We think there’s something fundamentally different in a picture shot in camera - the imperfections and the intricacies of real light and dust grounds the… Read more

*UNSUNG HEROES* Box of Toys

"Asking the team, it seems we don’t have any stand out influences, just that we love most film, anime, TV, games and music. There’s almost… Read more

*ONLY ON* Ben Berman’s ‘HEADS’ The Inside Scoop – Dark Comedy, Jump Cuts & the Joy of Making Audiences Say ‘WTF’?

"The idea from the start was simple: document Jack’s work and animate his heads speaking. I’ve used this animation style in one or two of… Read more

motion design vs. Motion Design: What’s the Big Deal?

Alright, let’s break this down without getting too fancy. The difference between lowercase motion design and uppercase Motion Design isn’t just about grammar—it’s about perception,… Read more

25 (+1) for 2025: Motionographer’s Crystal Ball Motion Design Predictions – and Pt 4

Ah yes, it’s that magical time of year when we dust off our Motionographer®’s semi-reliable crystal ball (now with added AI-powered glitter) and peer into… Read more

25 (+1) for 2025: Motionographer’s Crystal Ball Motion Design Predictions – Pt 3

Ah yes, it’s that magical time of year when we dust off our Motionographer®’s semi-reliable crystal ball (now with added AI-powered glitter) and peer into… Read more

*UNSUNG HEROES* Lost Machine

"The art that I like to look at and hang on my studio walls is the album art by a US easy listening label from… Read more

Discussing music videos and diversity in design with Kris Merc

In this Motionographer Q&A, we have an inspiring and honest chat with Kris Merc about his latest music video for De La Sol, his Puerto… Read more

Johnny Kelly and the making of his new film FERN

What happens when a taxidermied kangaroo paw helps to inspire a film? In this Motionographer Q&A, we chat with Johnny Kelly about the making of… Read more

The other half with Antfood

Behind every great animation is great sound. The Other Half is a new series where we hope to focus on many of the amazing companies… Read more

Step by Step: Cabeza Patata

Our Step by Step series is back, this time with the amazing illustrative 3D work of Cabeza Patata!

Mograph goes through puberty

Grab a cup of coffee, silence your phone, and take a trip down motion design memory lane to bask in some nostalgia and get a… Read more

How I learned to stop worrying and love the bomb

In this Motionographer Guest Post by Joyce N. Ho, find out what it's like to take on one of the biggest jobs in our industry,… Read more

Introducing Holdframe

In this Motionographer Guest Post, meet Holdframe, a new platform for the animation and motion design community to share, learn, and support their fellow artists.

SPECTRUM: Rheea Aranha

For this month's SPECTRUM profile, we talked with London-based Creative Director Rheea Aranha about her studio's work in Film UI, strategies useful to women in… Read more

Transparency and a financial year in review with Zack Lovatt

In this Motionographer Guest Post, we're thrilled to bring you some financial insight from LA-based tool developer and technical director, Zack Lovatt.

Ch-ch-ch-ch-changes

As life and our priorities constantly change, so too does our path through this ever-evolving industry. In this month's Guest Post we get an insightful… Read more

Growing a business, the hard way: The expanded post

In this Motionographer Q&A Erica Gorochow chats with James Chambers of Animade and Boords about what it's like running a studio in the ever-changing design… Read more