In a time when creative pitches are falling flat and AI is rewriting the rules, your real edge isn’t a clever tagline, it’s your taste. Aesthetic Intelligence (AQ) is your ability to sense what resonates, articulate your value, and lead with clarity. Discover why AQ is becoming the must-have skill for creative leaders in 2025, and how to tap into it to stand out, build trust, and drive change.
As The Motion Awards™ launches its final submission stage, we reflect on a global journey that’s spanned thousands of entries, countless stories, and one unwavering mission: to celebrate the craft of Motion Design. Watch the 60-second recap, and join us before August 25 for your chance to be part of what comes next.
For Being Queer in… Music we hear from UK musician Dylan Holloway. Dylan discusses how his experience as a trans guy led him into a life in music, why being labeled as “gay” was easier for people to understand, and how lockdown changed everything.
Over the last twenty years, my work, my sexuality, and my heritage have intertwined to inform my creativity and drive me on my mission to help serve the communities I am a part of. But it wasn’t always like that…
Reconstructing a historical past on screen is no easy task. Making moving images feel increasingly authentic, whether in film or television, requires a careful orchestration of multiple creative disciplines.
For our series Being Queer in… we’ve hand-selected some incredible people to tell their stories and give us candid accounts of the queer experience in the creative industries. Being Queer in… is inspiring, raw, and dripping with authenticity.
“MOUVO has always aimed to be a small, intimate event, not a large and impersonal gathering. We’ve focused on creating a friendly, personal environment where everyone feels welcome, finds something meaningful, leaves inspired, and returns has always been part of our big dream for MOUVO. We believe it has come true.”
“Yet, whether that truly qualifies as “feeling” is another matter. Feelings, as I see them, are more than responses—they’re deeply entwined with experience, memory, and context, elements that a machine would struggle to truly comprehend without having a human’s lived experiences.”
At his first student-film showcase he screened a slap-stick comedy short to stone silence, just crickets and no laughs, while the crowd reacted to arty films and tortured dramas. “Bombing that hard was liberating,” he grins. Translation: if nobody’s clapping anyway, you might as well break stuff.
