Smith & Foulkes: “Paint It Black”

 […] finish. Evidently, the directors understand the nuances of great transitions and can intelligently craft a matrix of character subjects into one coherent aesthetic. As… Read more
Brandon Lori • 14 years ago

TELEPHONEME by MK12

 […] came across a Bell Labs-funded educational film called “The Alphabet Conspiracy,” which had pretty much the same content we were writing into our version. So we… Read more
Daniel Coutinho • 14 years ago

Jonny Kofoed, PAMS Q&A

 […] lot of the character into the image which meant Geoff could be a bit quirky with his animation style.You’re also afforded a few luxuries… Read more
Boca Ceravolo • 14 years ago

Gettysburg Address

 […] dark compositions, and tried to make the transitions between the sections as surprising as possible. The approach for the sound design was similar to… Read more
Matt Hunter Ross • 14 years ago

LAIKA/house for Planters

 […] a more quaint and charming style. There is also a making-of video which includes both a real making of and an additional mock making… Read more
Jon Saunders • 14 years ago

NOMINT: “The Holy Chicken of Life & Music”

 […] Marilena Vatseri Design: Christos Lefakis, Yannis Konstantinidis, Georgios Xanthos, Marilena Vatseri, Manolis Mavris, Andreas Helmis, Manos Gerogiannis Animation: Andreas Helmis, Konstantinos Diamantis, Konstantinos Petrou… Read more
Austin Shaw • 14 years ago

Shape Shifter

 […] not be scored to music but instead that it have a life and storyline of its own. Then lightning struck. We landed Gabriel Byrne… Read more
Daniel Coutinho • 14 years ago

Black Swan meets Sesame Street

 […] .The puppets were a good way to combine all the craft stuff into a story and that’s when we wrote the silly song. Also… Read more
Brandon Walter Irvine • 13 years ago

Art & Graft: Spectrum

 Art & Graft worked with Spectrum, a leading provider of autism services based in Cornwall, to create a complete visual rebrand including printed material, signage,… Read more
Michelle Higa Fox • 13 years ago

Amsterdam DNA revisited

 […] films. Next to this it also provided an impression of the flow. When everybody approved we locked it and started working on the shots.… Read more
Matt Hunter Ross • 13 years ago

RIP Chris Marker

 […] La Jetée. His films were always intensely personal and poetic, challenging the very notion of narrative, of documentary, and of memory. Marker used cartoons,… Read more
Dominique Elliott • 12 years ago

Buck: Flex Alert

 […] get to and from each part. Our animators had the biggest challenge as they needed to create an animation style that was simple, yet… Read more
Angelo Collazo • 12 years ago

invade ALL OF THE humans!!!

 […] What’s in store for ‘Invade ALL OF THE humans?’ Is Christian Bale slated to play the big black one? Yes. Christian Bale with his… Read more
Simon Robson • 12 years ago

Kaleb Lechowski: R’ha

 […] short’s assets in Blender and used Maya for shading, rigging, animation and most of the rendering (with Mental Ray). He leaned on zBrush for sculpting… Read more
Justin Cone • 12 years ago

To This Day is live!

 […] will have a far reaching and long lasting effect in confronting bullying. Animators and motion artists brought their unique styles to 20 second segments… Read more
Jorge R Canedo Estrada • 12 years ago

Chris Randall: Pilsner Urquell “Book of Legends”

 […] Animation: Natalie Bancroft, Adam Watts, Tristan Pritchard, Sarra Hornby, Jon Reynolds. Motion Control Operator: Matt Cusworth Studio Lighting/Rigging: Luke Unsworth Assistant Animators/Modellers: Lauren Newman,… Read more
Michelle Higa Fox • 11 years ago

Shynola: Dr. Easy

 […] because the film is “a prologue for a planned feature adaptation of ‘The Red Men,'” according to Shynola’s Vimeo page. The cry of “murderer”… Read more
Justin Cone • 11 years ago

Antibody: Tom Clancy’s Division

 […] the industry at large seems wary and economically less than stable, it’s great to see Clair and Antibody moving boldly forward, identifying and focusing… Read more
Michelle Higa Fox • 11 years ago