Make PSIF – Final Animatic

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Prologue: ESPN World Cup 2010

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Psyop: “Whole New World”

CREDITS: AT&T – “Whole New World” Agency: BBDO New York Chairman, Chief Creative Officer, North America: David Lubars Copywriter, Executive Creative Director: Greg Hahn Executive… Read more

Bill Sneed for Outside Royalty

How did this collaboration between you and Outside Royalty come to happen? I’d heard of the band while working in London and, being a fan… Read more

Paranoid US: “White” for LG and LIGHTS

Title: LG dLite Brilliant Together Client: LG Electronics Assoc. VP, Consumer, Trade & Insights Marketing: Tim O’Brien Agency: DOJO Executive Creative Director/Partner: Mauro Alencar Executive… Read more

The Mill for Pokerstars

CREDITS: Agency:  PokerStars Creatives:  James Vigar Producer:  Ben Exley Production Company:  Partizan Director:  Niall Downing Editing Company:  Marshall Street Editor:   Charlie Roberts Post Production:  The… Read more

yU+Co: Yogi Bear Title Sequence

Credits Creative Credits: Project: Yogi Bear main-on-end titles Client: Warner Bros. Design/Animation: yU+Co., Hollywood, CA Creative Director: Garson Yu Art Director/Design lead: Synderela Peng VFX… Read more

Shape Shifter

Interview with Director Alex Weil First of all, would you talk a little bit about yourself, your background and your current position at CHARLEX? As… Read more

Transistor for Kraken Rum

  “THE KRAKEN: THE BOTTLE, THE LEGEND” Credits: Project Title: “The Kraken: The Bottle, The Legend” Date Live: 03/14/11 Client: Proximo Spirits Agency: Dead As… Read more

Psyop: Fage “Plain”

  What was CG and what was live action? Early in the project, we learned we only had two weeks for post production. This time… Read more

TRS: Volkswagen Blue Motion

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ELASTIC: GAME OF THRONES

Angus, first off we wanted to congratulate you for the well deserved Oscar for your hard work alongside Kirk Baxter for The Social Network. It’s… Read more

Charlex and SS+K: MSNBC.com

Charlex recently posted a new spot for MSNBC. com that sports some elegantly seamless transitions. Stylistically and conceptually, the spot is strongly reminiscent of Lobo’s… Read more