Impactist: New Work

 Impactist (on Hornet’s roster) has recently completed some new work, including a beautiful spot for Peace Corps. The spot has a wonderful texture and pace… Read more
Justin Cone • 18 years ago

Simon Robson: “Taking Liberties”

 This is what I’m talking about. Or rather, what I already talked about at Offf Barcelona. Simon Robson (Nexus Productions) has created four brilliant animated… Read more
Justin Cone • 17 years ago

Lucas Zanotto for TUI

 What can you make with paper cut-outs, fishing line, a hole puncher, and a Canon 7D? Lucas Zanotto shows us with his live action animation… Read more
Austin Shaw • 14 years ago

Latest from Lindsay Daniels

 […] behind the visuals but also shows a welcome confidence behind the ideas. As a former creative director at Favorite Color and one of those… Read more
Jake Sargeant • 16 years ago

Hemlock by Tyson Ibele

 […] they took you to draw and if can you talk about the importance in your work flow, no matter how they look? Heh, well… Read more
Babe Baker • 16 years ago

Gary film interview

 […] idea was inspired by the story of Romain Gary, a writer who won the “prix goncourt” twice ( It’s a french literature prize that… Read more
Jon Saunders • 16 years ago

Nokia N900: “Focus Group”

 […] as the Nokia N900 campaign, albeit with a much slicker production value. It’s the J.J. Abrams school of advertising, with phones instead of “mystery… Read more
Justin Cone • 15 years ago

The Games We Play Q&A

 […] everyone learned what to do and we could get it all in one take. I had to stay next to the jib operator and… Read more
Bran Dougherty-Johnson • 15 years ago

The Mothership Has Landed

 […] birth. The idea is to gather visionary filmmakers and turbo-charge their talent using Mothership’s resources—the same resources enjoyed by sister company Digital Domain (which… Read more
Justin Cone • 15 years ago

Vinicius Costa Updates

 […] page…), but rather he is giving everyone a glance into the creative process behind many of his projects. In this flickr page you will… Read more
Jon Saunders • 15 years ago

Blind’s Heart of Stone

 […] get this dark and gritty mechanical world, with flourishes of these poetic and subliminal moments. For example, if you look at the design of… Read more
Brian Gossett • 15 years ago

Contest Policy

 […] or Industry Award Competitions For showcase contests, contestants submit work that’s already been completed (presumably for a paying client or self-initiated) in the hopes… Read more
Justin Cone • 14 years ago

ELASTIC: GAME OF THRONES

 […] also completely deserved the award in my humble opinion. Thanks.  I couldn’t agree more.  We had a wonderful time that night until we found… Read more
Brian Gossett • 13 years ago

SXSW 2012: Animated Shorts

 […] Robert & James Dastoli’s Machines of the Working Class, and Rebecca Sloan & Joseph Pelling’s Don’t Hug Me I’m Scared. Sloan and Pelling’s short… Read more
Michelle Higa Fox • 13 years ago