Ed Harcourt Video with Tom Gauld
[…] contacted Dirty UK to see how this process took place. Our conversation fell flat in the water. That’s why I’m unable to provide you…
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Justin Cone • 18 years ago
Paraiso Travel End Titles
[…] go down the road of importance that the title sequences have. As of right now, title sequences act as prologue to the film, setting…
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Jon Saunders • 17 years ago
Two diverse spots, one diverse dude, Daniel Garcia
[…] videos today often neglect their ability to serve as a time capsules for generations. This video for Mates of State by director Daniel Garcia…
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Justin Cone • 17 years ago
Chatting with The Action Cats
“The Experiment” by The Action Cats Storyboards for “The Experiment” Animatic for “The Experiment” Stop-motion experiments and source footage Back in April, when Adobe and…
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Justin Cone • 16 years ago
Max Groff
[…] by his bold, jewel-toned palettes. On the directing side, I love that Max isn’t afraid to make cuts and vary his shots in order…
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Justin Cone • 16 years ago
Largo al Factotum a la Dougal Wilson
[…] video for a piece of classical music. Classical and opera music don’t have the same structure that most pop songs have – it’s usually…
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Matt Lambert • 16 years ago
Tintori and NABIL: Breaking your internets
[…] to Heartbreak” music video from Ghost Town Media. A special thanks to Matt Primm and everyone at Ghost Town for taking the time to…
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Michelle Higa Fox • 16 years ago
Mass Animation = Mass Exploitation?
[…] feature-length animated film “Planet 51” on November 20th. But my second charge—the ethical one—is still in tact. How’d They Do It? Through Facebook, Mass…
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Justin Cone • 15 years ago
Marco Iozzi: Look Development Portfolio
[…] I study. It’s not anymore about HOW things are made, it’s more about WHY…It’s more about why something works on screen and give you…
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Tyquane Wright • 15 years ago
The Animated Life & Work of Jeff Scher
Jeff Scher: I Got My Job Through the NY Times. Short Documentary by Reid Rosefelt. Jeffery Noyes Scher was born in 1954 and graduated from…
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Mark Webster • 15 years ago
Hornet & The Decemberists
[…] Peter Sluszka: Listening to the Hazards of Love, an animist theme becomes apparent very early on in the narrative. I wanted to explore this…
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Matt Lambert • 15 years ago
WeWereMonkeys: Land of Talk “It’s Okay”
[…] we get from the music as our inspiration. The idea of the Antiope came from our amazing producer Marcella Moser. Together, the three of…
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Matt Lambert • 15 years ago
Pantural crushes out this awesome reel showcasing his 3D car skills and storytelling abilities.
Pantural crushes out this awesome reel showcasing his 3D car skills, storytelling abilities and sense of humor.
Staff • 15 years ago
Smithson v. Oeffinger Layer Tennis Recap Q&A:
[…] limiting time was a really good motivator, you don’t have to worry about anything being perfect. In one night I got to come up…
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Bran Dougherty-Johnson • 15 years ago
Buck: Sherwin Breakdown
[…] obvious reasons, but a curse in that you may try to be too lofty in your creative goals. Did you find that you had…
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Jon Saunders • 15 years ago
Prologue for Robin Hood
[…] list of work one thing began to become apparent to me, their role in film production has evolved. Prologue was once called upon to…
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Jon Saunders • 14 years ago
Mauro Carraro, Raphael Calamote, & Jeremy Pasquet: Matatoro
[…] being from Supinfocom Arles) are constantly achieving new ways to tastefully combine traditional illustration styles with 3D. What sets this film apart for me…
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Michelle Higa Fox • 14 years ago
F5 RE:PLAY FILMS 03
[…] with some DIY cosmetic surgery. I knew Sam could play the lead character. It was great to get Ed Rutherford on board to shoot…
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Brandon Lori • 14 years ago
[Review] New York in Motion
[…] several months and ended up with more than 100 hours of footage – really fascinating and inspirational, much more than we had hoped for.…
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Staff • 13 years ago
Psyop: Norton “Stuff Anthem”
[…] the taxi takes off and heads to the town. I think it’s great that it’s a mixed bag of old and new techniques. It’s…
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Justin Cone • 13 years ago
Siggraph 2011: Damian Nenow “Paths of Hate”‘ Interview
[…] the promotion and festival distribution of Great Escape, and then the full production of my next film — Paths of Hate. What are the…
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Michelle Higa Fox • 13 years ago
2011 Ottawa International Animation Festival: Student Films
[…] weekly screenings, there’s always something to take away from every piece, be it a small visual idea or maybe a different take on how…
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Michelle Higa Fox • 13 years ago
Nathan Love for Sweet N’ Low
[…] scripts into design frames, which were inspired by (and designed to be cohesive with) Sweet’N Low’s previous pattern-heavy print ad campaign. As we began…
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Brandon Lori • 13 years ago
Nathan Love Updates: McGraw Hill and Ring Force
[…] Nathan Love gets in touch with their inner child by rolling out two projects that not only showcase their strength as an animation studio,…
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Brandon Lori • 12 years ago