Paraiso Travel End Titles

[…] go down the road of importance that the title sequences have. As of right now, title sequences act as prologue to the film, setting… Read more

Chatting with The Action Cats

“The Experiment” by The Action Cats Storyboards for “The Experiment” Animatic for “The Experiment” Stop-motion experiments and source footage Back in April, when Adobe and… Read more

Max Groff

[…] by his bold, jewel-toned palettes. On the directing side, I love that Max isn’t afraid to make cuts and vary his shots in order… Read more

Mass Animation = Mass Exploitation?

[…] feature-length animated film “Planet 51” on November 20th. But my second charge—the ethical one—is still in tact. How’d They Do It? Through Facebook, Mass… Read more

Hornet & The Decemberists

[…] Peter Sluszka: Listening to the Hazards of Love, an animist theme becomes apparent very early on in the narrative. I wanted to explore this… Read more

Buck: Sherwin Breakdown

[…] obvious reasons, but a curse in that you may try to be too lofty in your creative goals. Did you find that you had… Read more

Prologue for Robin Hood

[…] list of work one thing began to become apparent to me, their role in film production has evolved. Prologue was once called upon to… Read more

F5 RE:PLAY FILMS 03

[…] with some DIY cosmetic surgery. I knew Sam could play the lead character. It was great to get Ed Rutherford on board to shoot… Read more

[Review] New York in Motion

[…] several months and ended up with more than 100 hours of footage – really fascinating and inspirational, much more than we had hoped for.… Read more

Nathan Love for Sweet N’ Low

[…] scripts into design frames, which were inspired by (and designed to be cohesive with) Sweet’N Low’s previous pattern-heavy print ad campaign. As we began… Read more