Ghost Robot: “Bonnaroo Line-Up”
Waaay back in July 2008, we posted a Quickie on Javan Ivey’s beautiful “My Paper Mind” video, produced using a self-devised method called “Stratastencil” (inspired…
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Boca Ceravolo • 15 years ago
Hornet & The Decemberists
We recently posted a trailer for Hornet’s visual-collaboration with The Decemberists. However, off the tails of Monday’s premier at UCLA’s Royce Hall, it seemed appropriate…
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Matt Lambert • 15 years ago
Nathan Love for Pop Secret “Dark Knight”
As Shakespeare said, “To thy own self be true.” In Pop Secret’s “Dark Knight,” Nathan Love gets back to basics, and back to what they…
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Brandon Lori • 14 years ago
Pixels Q&A with Patrick Jean
With over 2,026,435 views of the official film on Dailymotion in the six days since its release, Pixels has really spread far and wide very…
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Bran Dougherty-Johnson • 14 years ago
AE to C4D: A new (more comprehensive) solution
Some of you may be familiar with Paul Tuersley’s excellent scripts allowing for the importation of cameras and other objects from After Effects into Cinema…
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Justin Cone • 17 years ago
Michel Gagne: Ratatouille Taste Visualizations
If you’ve seen Ratatouille, then you’ve marveled at the expressionistic motion graphics sequences that accompany Remy (and later Emile) as they exalt the subtle pleasures…
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Justin Cone • 17 years ago
Ben & Julia: Dove Nets
Updated with Q&A A couple of weeks ago I posted a music video by Ben & Julia for The Main Drag‘s song ‘Dove Nets’. Ben…
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Lilian Darmono • 14 years ago
Fairness For Visual Effects Artists: Q&A
Q&A: Your letter to James Cameron this week has stirred up a lot of discussion in the Motion Design and Visual Effects fields about the…
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Bran Dougherty-Johnson • 14 years ago
GEL 2010 T&F Q&A
The original styleframe board which T&F presented. What was the brief for this piece, and how did you approach coming up with the concept? The…
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Bran Dougherty-Johnson • 14 years ago
In-Depth: Comedy Central Re-Brand
Editor: The following post is a guest entry from JaegerSloan Inc., a new venture headed up by Doug Jaeger and Kristin Sloan. For our first…
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JaegerSloan • 13 years ago
Shape Shifter
[qt:http://motionograph.wpengine.com/wp-content/uploads/2011/01/chrlx_shapeshifter.mov 960 540] Interview with Director Alex Weil First of all, would you talk a little bit about yourself, your background and your current position…
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Daniel Coutinho • 13 years ago
The Resale Right
Le droit de suite (The Resale Right) — VA from Pierre-Emmanuel Lyet on Vimeo (via Drawn). Time and again I have been moved by the…
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Lilian Darmono • 13 years ago
SXSW 2012: Film Title Design Awards
photo credit: Art of the Title The Film Title Design Awards program is unique among the SXSW screenings in that it opens with a panel…
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Michelle Higa Fox • 12 years ago
Paying To Work For Free
Last week VFX Soldier exposed a scheme by Digital Domain to offer students at their taxpayer-subsidized university program the opportunity to work for free on…
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Bran Dougherty-Johnson • 12 years ago
Superteam proves power of collaboration in title sequence for FITC Tokyo
To kick off the FITC Tokyo 2015 conference, a superteam of artists working around the world (and sometimes around the clock) created a sublimely glitchy…
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Justin Cone • 9 years ago
Interview: The Lessons Behind We Are Royale’s Manifesto
Surviving eight years as a motion design studio is no easy feat. In addition to riding the unpredictable ebb and flow of service work, motion design…
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Justin Cone • 9 years ago
Telltale’s “Minecraft: Story Mode:” Changing the Game?
Telltale explains how they blur the lines between gaming and storytelling in "Minecraft: Story Mode," and how they connect with their audiences online and offline.
Caitlin Campbell • 8 years ago
Dan Savage and the importance of community building
We are thrilled to bring you this month's guest post by none other than New York's very own, Dan Savage. Dan is an incredibly talented…
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Joe Donaldson • 8 years ago
Technical Breakdown: Seeing Without Sight
John Likens, from Method Studios, on pitching and creating the opening sequence for SEE Season Two. Recent winner of a Motion Award for best tv/streaming…
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John Likens • 3 years ago
Interview: Quayola
Quayola at MUV festival in Florence, Italy. Watch Architectural Density Watch Path to Abstraction – Live A/V show Rome – S. Agnese Lambda Print –…
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Babe Baker • 17 years ago
School of Motion’s Joey Korenman talks design education and work/life balance
Working out of his HQ in Sarasota, Florida, Joey is blazing his own path, one tutorial at a time
Justin Cone • 10 years ago
Siggraph 2011: Technical Papers Fast Forward
Hi Motionographers! We’re at SIGGRAPH 2011, here in beautiful Vancouver. SIGGRAPH is the Association for Computing Machinery’s annual conference on computer graphics, where you can find…
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Michelle Higa Fox • 13 years ago
“Interesting Ball” is, in fact, very interesting [NFSW]
Warning: Not safe for work (by most people’s standards) Directing duo Daniels have long been one our favorites here at Motionographer. Their latest short film,…
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Justin Cone • 10 years ago
In a great big world, dare to be little
In their new campaign for Tic Tac, Hue&Cry take you on an escapade that is equal parts fun, cute and outrageous.
Joe Donaldson • 8 years ago