The Daily Show Nails News Promos
The Daily Show Nails News Promos
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April 2, 2013
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Tonight! Join us for See No Evil’s 4th birthday celebrations with talks from the amazing Richard Hogg, and BAFTA winner Mikey Please!
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March 29, 2013
NYC heavy-hitter Christopher Palazzo is back on the scene with a new site and grip of top notch projects.
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March 27, 2013
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March 26, 2013 Check out the impressive new reel by Brice Linane – the 3D wunderkind behind much of Buck’s output from the last few years March 25, 2013
March 21, 2013 Don’t we love looping animated GIFs? Well, check out this cool festival made just for them! May 31 from 9:00pm to 10:30 The Incredibly Short Film Festival in Sydney.
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Ultra-violent and possibly NSFW, this first-person POV music video for Biting Elbows’ “Bad Motherfucker” has racked up 5 million views in less than 3 days. Directed by Ilya Naishuller (Great Guns) as a follow up to “Insane Office Escape.” March 20, 2013 Join us for See No Evil’s 4th birthday celebrations with talks from the amazing Richard Hogg, and BAFTA winner Mikey Please!
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March 19, 2013
March 18, 2013
March 15, 2013 London duo Louis & McCourt create a futuristic Anime music video for Mat Zo & Porter Robinson’s “Easy”.
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March 13, 2013
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March 7, 2013 It’s not secret that I am a huge fan of 90 Degrees West. Based in St Louis, this groups of creatives has been producing consistently strong, intelligent and whimsical work. Here’s another great “piece that even an industry full of adults with ADHD can sit through.” See full credits and context article here. February 25, 2013
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February 20, 2013
February 18, 2013 Marco Iozzi has just posted an update of his latest work in visual effects design, look development, traditional photography and digital environments. Spectacular as always, including environment work for the recently posted God Of War trailer.
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February 17, 2013 Cheerful and abstract with loads and loads of particles. New personal work form Joost Korngold (aka Renascent). And family project since the audio is done by his brothers. February 14, 2013
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February 12, 2013 SCAD’s Professor Michael Betancourt has penned the first (that I know of) comprehensive history of motion graphics: The History of Motion Graphics: From Avant-Garde to Industry in the United States. February 11, 2013
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The Daily Show Nails News Promos
Grow a stache for a good cause this November… er Movember
I’m probably going to regret this later, but I’m a couple beers into the night, so what the hell. I’m going to use the word “delightful” in a completely non-ironic way. As in, Mac Guff’s new “Smiles” spot for Acura is simply delightful.
*Cringe* I know, I know. But it really is a delightful little ad.
I haven’t been posting much vfx work over the last, oh, year or so. I’m in what I might call my post-Citroen era. You know the spot I’m talking about: a seemingly innocent Citroen parked in a desolate parking lot suddenly bursts into Transformer mode so it can heat up the asphalt with some tasty break-dancing for no apparent reason whatsoever.
That was a turning point for me. Since then, vfx-centric ads have tried to surprise me with similar transformations or seduce me into impossible worlds, but I usually find myself uninterested.
Instead, I like spots like “Smile” that rely on a simple but charming concept to get the message across. The vfx work is almost transparent, although there’s quite a bit of it going on. From the release:
The challenge in “Smiles” was to integrate live action photography into natural-looking smiles. Mac Guff’s team used 2D & 3D matte painting to manipulate the landscape — creating and repairing the roads, enhancing mountains, adding and integrating brush. Most of the overhead shots were filmed with no “hero car,” meaning Mac Guff’s artists had to remove existing traffic on the roads before inserting a CGI car.
But you don’t think about all that when you’re watching the spot. You just watch it. You let the joke unfold without paying attention to the props and elaborate setup. I like that.
Sweeet work over at Pepper Melon
Mainframe’s new reel is definitely worth checking out
United Visual Artists have some new work to show off. First up: the visuals they created for the Chemical Bothers concert in Trafalgar Square. These graphics are interesting enough as a visual piece, but to learn that “the content is code-based, generative 3D vector art using software we’ve written in-house” by UVA and that they created a “set of generative, realtime graphics for the show finale” brings them to a whole new level.
Next is a site specific piece they created called Triptych. Three large sculptures that respond and flux with the movement of the viewer, set up for Nuite Blanche, these sculptures create a beautiful juxtaposition against the old Parisian Architecture. This project represents UVA’s sensitive understanding of site specific work and their growing knowledge of how light can interact with a specific environment.

If you are dying for more, UVA also released their first live action based music video for Battles new single, Tonto.