Layer Tennis gets into animation. Cool.
Layer Tennis gets into animation. Cool.
|
|
|
|
|
|
Want to be on Motionographer? Submit your work now! |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Get a daily digest of Motionographer's posts in your inbox. Subscribe now. |
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
||
|
November 20, 2009
No Comments
November 19, 2009
Enjoy a fascinating discussion about filmmaking and art in A Talk with Alfred Hitchcock (thanks Jimmy!). Brought to us by Luma, check out The Making of Standard Bank Global, from concept to execution. November 18, 2009
Also, dont miss out on his great list of stuff to live by. Shel Silverstein would be proud. London based director Scott Altman hits the ground running with a frenetic reel, and a slim but slick portfolio. As an extension of Asylum Visual Effects, Asylum Design is making its mark with three reels showcasing their work in main titles, screen design, and commercial productions. November 17, 2009
November 16, 2009
Ross Neil and Matt Clark direct an alternate “Strawberry Swing” music video. (See Shynola’s official video.) Thanks, Hector! November 14, 2009 Nikon Film Festival open for entries — closing 12/15. November 13, 2009 Toronto based Alchemy drops this wicked spot for MEDT (Ontario Ministry of Economic Development)
November 12, 2009
|
||
|
|
||
|
|
||
|
|
||
Layer Tennis gets into animation. Cool.
Nice new work over at Royal Pictures.
There’s something in the water
Robot High School is Xelor’s latest one-take music video.
After a year and a half in Sydney working at Engine, Patrick Da Cunha’s moved back to Melbourne to start full-time at Qube Konstrukt, and he’s taken the opportunity to update his site.
Crisp design, bold palettes and snappy animation give Pat’s work a sharpness that I dig. He’s not afraid to keep things simple—sometimes bordering on minimal—which buoys his whole portfolio with an unpretentious confidence.
If you’re in the LA area any time between now and February 11th, you might want to check out the Takashi Murakami show.
Murakami is arguably Japan’s most popular and successful contemporary artist. He’s shown his work at prestigious museums and galleries around the world, including the Gagosian, the MoMA and the Pompidou. Murakami blends Japanese pop iconography, anime, sculpture, painting, toys, fashion and—of course—animation to create a vast array of cute, obscene and puzzling art projects.
He doesn’t just limit himself to the rarefied white cubes of art galleries, though. Here’s a (cruddy but watchable) music video Murakami recently directed for Kanye West’s “Graduation”:
Murakami is interesting (and relevant) to us because he’s managed to blend his artistic endeavors with his commercial projects. He can design purses for Louis Vuitton, make a music video for Kanye West and sell mass manufactured toys and bobbles without tarnishing his artistic integrity. If anything, his commercial success bolsters his artistic success—a feat that may be partially responsible for some declaring him “The Warhol of Japan.”
Here’s a decent introduction to Murakami created for BBC’s documentary series, Japanorama, that gets at some of what I’m talking about:
The website for Murakami’s MOCA show has several more videos that give you a good feel for the breadth of his work. If anyone’s been to the show, please tell us what you thought about it.
Thanks to our friend Shaun Collings for the tippage.