6 motion design industry predictions for 2015
[…] slow process. So… hooray? (To see this cycle played out in full, just rewind to the early 2000s, when desktop animation and compositing tools…
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Justin Cone • 10 years ago
Jack Black explains why he loves California, and it is awesome
[…] were you working alone or with a team? It was a tight schedule. The project timeline was 4 weeks. I planned 1 week for…
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Justin Cone • 10 years ago
See No Evil February
Tuesday 3rd February See No Evil presents an evening with wunderkind director Greg Barth.
James Wignall • 10 years ago
Motionographer Podcast: Making “Anomaly”
[…] Slaybaugh. The ambitious film began as a mood reel pitched to Kickstarter to raise the funds to produce their vision. The two filmmakers initially set out…
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Brian Gossett • 10 years ago
See No Evil April
Tuesday 7th April See No Evil presents an evening with director Doug Hindson & Red Knuckles studio. Plus music from DJ D.Vyzor and your chance…
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James Wignall • 10 years ago
How I Learned To Stop Worrying and Start Loving the Graph Editor
[…] to be so fluid?,” and of course, “What do these talented jerks know that I don’t?” Self-education, a beginning I first started playing with…
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Nol Honig • 9 years ago
Lessons learned: Daniel Coutinho’s journey from Brazil to Buck
[…] to do motion design? Or did you discover that path later? I didn’t know at all and I actually went through a long period—…
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Justin Cone • 9 years ago
VR without goggles: “Field Trip to Mars” sends a souped up school bus to space
Here we are at the dawn of virtual reality’s triumphant comeback, and already we’re bored. But “Field Trip to Mars” isn’t the usual 360-degree branded “experience” that’s…
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Justin Cone • 8 years ago
See No Evil
Carlos El Asmar • 7 years ago
NYC Mograph Meetup
Carlos El Asmar • 7 years ago
STZAP #9
Joe Donaldson • 6 years ago
MTV Ident by César Pelizer
Joe Donaldson • 5 years ago
FX / Marvel – Legion
Joe Donaldson • 5 years ago
Nickelodeon Global Rebrand | Project Breakdown
[…] Rob Modini, who never thought twice about grinding on this one with me. The greater creative team was a BIG mix. The project was…
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Staff • 8 months ago
Capitu Titles
So, due to popular demand, I’m pleased to re-present (as a full post) the title sequence to ‘Capitu’–a TV miniseries, based on a 19th century…
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Lilian Darmono • 16 years ago
4 Web Design Tips for Motion Graphics Sites
[…] basement. Only put your shining examples of brilliance online. A searchable archive is fine, but don’t put it at the same hierarchical level as…
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Justin Cone • 16 years ago
Comcast “Rabbit”
[…] Director Michael Halford Lead Compositor: Nicholas Ponzoni CG Lead: Andrew Jackson CG Lead: Andreas Wanda On-Line: Brickyard VFX 2D Artist: Patrick Poulatian Producer: Diana…
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Justin Cone • 16 years ago
Encoding Video for the Web with QuickTime Pro
[…] with Automatic for Key Frames. And always keep Frame Reordering enabled for web viewing. For the Data Rate, you want to keep the Restrict…
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Justin Cone • 16 years ago
The Nature Between Us: Q&A with Will Campbell and Jett Steiger
[…] a tv pilot and lots of music videos. We hope to start production on another short this summer, we are trying to narrow it…
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Justin Cone • 15 years ago
Psyop: In-Depth with Tony Barbieri
[…] which was a whole different beast in itself. The challenges differed in each spot more in the storytelling than anything else. How to fit…
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Brandon Lori • 15 years ago
Halogen: Branding a Network from the Ground Up
[…] television viewing experience. In other words, we were asked to develop on air package that acknowledged and communicated to a unique audience: the target…
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Dominique Elliott • 15 years ago
Rebranding by Scott Benson Q&A:
[…] – I was laid off because the owner quite literally had a vision where an angel told him to fire me. The company laid…
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Bran Dougherty-Johnson • 15 years ago
Shape Shifter
[…] One of our analog multi-layered pieces was a video for the band, The Cars: “You Might Think”. That video won MTV’s first video music…
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Daniel Coutinho • 14 years ago
