The Mill: Feel Everything

 […] notice the amount of detail that is put into each frame. You can almost feel the slippery texture on the creatures. Be sure to… Read more
Onur Aksoy • 18 years ago

Logan is unstoppable.

 […] will be gibberish, so just go and bask in the warm glowing glow of their new stuff (Only one quicktime at the moment, the… Read more
Jon Gorman • 18 years ago

Stop Motion Goodness

 […] heavily desaturated look, “Samsonâ€Â? creates a fanciful world of paper which reads like a pop-up book using intricate cut-outs and origami. Opening with drawings… Read more
Tread • 18 years ago

AICP MoMA show sponsor sequence

 […] a new motion graphics company on the street in NY, a company quite worthy of its peers.’ Art Director Federico Saenz commented, ‘As you… Read more
Tread • 18 years ago

Marcelo Garcia: IX Virtuosi

 […] created in an unconventional and abstract manner from contemporary composers to eighteen-century dance music notations. i edited several sequences using these stills and those… Read more
Justin Cone • 18 years ago

Exopolis: Turner Classic Movies

 […] Max. To achieve the stylized painting effect in scenes featuring people, and to give the characters an almost realistic, lifelike quality, several layers of… Read more
Justin Cone • 17 years ago

The Making of “Get the Glass”

 […] much attention to detail and wonderful typography. Don’t miss the test animations waaaaaay down at the bottom of the page. And the light gray… Read more
Justin Cone • 17 years ago

Timewatch “Bloody Omaha”

 […] like there are hundreds of men landing on the beach – rather than just three. Later they will drop in beach obstacles and landing… Read more
Justin Cone • 17 years ago

SHOWstudio for YSL

 […] in which the content of the screens is often treated as a design element. In the still above, for example, the symmetrical layout is… Read more
Justin Cone • 17 years ago

Book Review: Uncredited

 […] design in films, from the dawn of cinema to the present day,” its impressive mass lends it an air of authority. As you can… Read more
Justin Cone • 17 years ago

Christopher Mills for The Acorn

 […] uncertainly on a scene before leaping backwards and lurching into a new setting reminds me the way memory works. We scan our mental landscapes,… Read more
Justin Cone • 17 years ago

LeMob for IWC Watches

 […] Divided” project leaves off. With only two 3D elements (the seashell and metal Da Vinci clockwork), everything else is 2.5D, consisting of footage provided… Read more
Justin Cone • 16 years ago

Universal Everything / Nokia

 […] the theme of “What is over the horizon” for the cell animations, including migratory birds, 747 takeoffs and rolling valleys. To collect the 500+… Read more
James Wignall • 16 years ago

Knife Party Updates

 […] currently in production. Simon is obsessed with metaphor, and that’s one of the biggest reasons I like his work so much. He searches high… Read more
Justin Cone • 16 years ago

Michael Langan: Doxology

 […] of a slew of amazing filmmakers who have pushed technical and conceptual boundaries in their work. The films of Norman McLaren (Pixilation experiments, having… Read more
Michelle Higa Fox • 16 years ago