“Motion Graphics” or “Motion Design”?

[…] underlying technologies evolve and our media landscape broadens. But some feel that “motion graphics” is an outdated term. For them, it’s a limited concept… Read more

Justin Cone • 16 years ago

Review: Art of the Modern Movie Poster

[…] binding and construction are built to last, and no expense was spared on the weight of the paper or the quality of the ink.… Read more

Justin Cone • 16 years ago

Shih-Ting Hung: Viola

[…] Everything in the film is based on that. Where did you get the idea for “Viola”? When I hear a song or walk on… Read more

Justin Cone • 16 years ago

Rachel Maddow and Charlie White to Present at F5

[…] a friend of F5. CHARLIE WHITE And now for something completely different. Over the last decade Charlie White has created some of the most… Read more

Justin Cone • 16 years ago

Gary: Another great Supinfocom short

[…] gems of information and techniques about their production not to be missed. Read it here. Make sure to go to the official Gary website… Read more

Jon Saunders • 16 years ago

David O’Reilly Interview: Please Say Something

[…] see how far you could strip it down without being cold and minimalist. This way of working was entirely influenced by Bresson’s ideas on… Read more

Justin Cone • 16 years ago

PostPanic: KPN Fiberoptic

[…] Toon van den Broek, Kevin Walenciak, Erwin van den Ijssel Edit: Mischa Rozema Rotoscoping: Cartoon Saloon, Ross Murray, Kairen Waloch, Diane Le Fever Tracking/Add.… Read more

Justin Cone • 16 years ago

Optix: Bontrust “Geldvermehrung” (NSFW)

Making of “Geldvermehrung” (“Increase In Currency”) Andreas Pohl, Creative Director, Optix When the agency came to us with the idea to show the increase of… Read more

Justin Cone • 15 years ago

Optix Digital for Bontrust and Inlingua

[…] (Wink, wink.) I wish we could get away with making this type of work in the States! For a little more behind the Bontrust… Read more

Staff • 15 years ago

Challenge Your World 20/20

[…] the artist In 1999 two Parisian mustaches met while studying graphic art at the ESAG/Penninghen. Guided by an irresistible desire to explore the endless… Read more

Justin Cone • 15 years ago

Egmont Mayer: Red Rabbit

[…] metered pace befitting the otherwise routine lives of its lead human characters. The lighting and rendering are wonderfully diffuse, creating a gauzy, dreamlike ambiance… Read more

Justin Cone • 15 years ago

Fernet Branca: An Interview With Laurent Barthelemy

[…] of information to convey. We wanted to say a lot without overwhelming the viewer. But we didn’t want to tell our story with a… Read more

Jon Saunders • 15 years ago

Alek Vacura: “Without Arms” Q&A

[…] VA. I always knew I wanted to go to graduate school, but I wasn’t sure that illustration was going to be enough for me.… Read more

Justin Cone • 15 years ago

I AM interview

[…] as we move forward. And I think as animals and human cultures become extinct, they are only going to live on through our memory,… Read more

John Cranston • 15 years ago

By and By Q&A

[…] stumbled upon on the internet and we were just fooling around with it. Then we started thinking: “What happens if, instead of doing this… Read more

Bran Dougherty-Johnson • 15 years ago

Tronic & Marco Brambilla – Spec Ops Game Trailer + Q&A

[…] a sense of architectural integrity to be believable. What was your favorite part of this project? I most enjoyed pre-visualizing the action sequences, when… Read more

Jake Sargeant • 15 years ago

Vinicius Costa Updates

[…] facebook page…), but rather he is giving everyone a glance into the creative process behind many of his projects. In this flickr page you… Read more

Jon Saunders • 15 years ago

Johnny Kelly and Matthew Cooper Q&A:

[…] the viewer. Mathew Cooper: This economy of animation was really liberating. Finding ways to communicate something the viewer is able to relate to using… Read more

Bran Dougherty-Johnson • 15 years ago

Book Review: The Language of Film

[…] such as a good story (obviously), the aesthetic choice of framing, light and camera. Furthermore, they deal with the topics semiotics, narrative, intertextuallity, ideology… Read more

Mate Steinforth • 14 years ago

Maxim Zhestkov “RECURSION”

[…] / Silence. Many / Few… visibility should be exaggerated to achieve this effect! Situations that put restrictions are the main engine of the imagination! Adherence to… Read more

Igor Sordokhonov • 14 years ago

MAKE: PSISF Opener – Q&A With Andrew Chesworth

[…] 101 Dalmatians also creates a synthesis between the animated characters and the environments, where the world is unified and the characters don’t feel so… Read more

Brandon Lori • 14 years ago

Sophie Gateau & Paranoid US: “White” for LG and LIGHTS

[…] old story —fancying a straightforward approach to create something elaborate, yet deceptively simple. Technically, the piece is exquisitely executed —so well that, on multiple… Read more

Brandon Lori • 14 years ago

Nicholas Weigel and LAIKA/house for Toys R Us

[…] director for “Naturally Juicy” created at Psyop. This time around, Weigel and team were tasked with bringing Toys R Us’ beloved mascot Geoffrey to… Read more

Justin Cone • 14 years ago

F5: Virtual Exhibition

[…] virtual exhibition within Roseland and throughout the streets of NYC. Once you’ve download the free GoldRun app, you’ll be able to discover animated objects… Read more

Staff • 14 years ago