Alberta oil-sand mining exposed: La Moustache for H2Oil
Happy Friday, Mographer fans! And what better way to celebrate the end of the week, than with a timely dose of ‘issue’ animation. La Moustache,…
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Simon Robson • 15 years ago
Tronic & Marco Brambilla – Spec Ops Game Trailer + Q&A
View trailer on Vimeo Q&A with Jesse Seppi and Vivian Rosenthal of Tronic From scouring through your previous work, this appears to be Tronic’s first…
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Jake Sargeant • 15 years ago
Fairness For Visual Effects Artists: Q&A
Q&A: Your letter to James Cameron this week has stirred up a lot of discussion in the Motion Design and Visual Effects fields about the…
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Bran Dougherty-Johnson • 15 years ago
Max Hattler’s 1923 & 1925: Q&A
Questions: How were you introduced to the Animation Workshop, and how did this collaboration come about? Norwegian animation theorist Joakim Pedersen – who I used…
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Bran Dougherty-Johnson • 15 years ago
Oh, Hello for SIFF
Seattle based studio Oh, Hello bring their signature style of cel animation to the Seattle International Film Fest. Like their previous work for the Pacific…
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Ryan Rothermel • 14 years ago
RIP Boards Mag
As of less than an hour ago, every form of industry chatter has been focused on one thing: the end of Boards Mag. It has…
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Matt Lambert • 14 years ago
Sometimes The Stars: Ari Gibson & Jason Pamment
Ari Gibson and Jason Pamment (Director and Art Director of The Cat Piano–read also our post on that award-winning film here.) teamed up again, this…
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Lilian Darmono • 14 years ago
Psyop: Norton “Stuff Anthem”
Working with Smuggler for agency Leo Burnett Chicago, Psyop directed a lovable new spot for Norton, an anti-virus and personal data protection company. (Ah, anti-virus…
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Justin Cone • 13 years ago
Motion Plus Design: “What is Motion Design?”
I’m pretty sure my mom still doesn’t know exactly what I do. Mom, if you’re reading this, please watch the video above (French version here).…
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Justin Cone • 13 years ago
AICP Southwest 2011 Sponsor Reel
Dallas-based Element X Creative garners a trainload of nostalgia for the AICP Southwest Awards Show with their 2011 Sponsor Reel. Through a mixture of blood,…
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Matt Hunter Ross • 13 years ago
SXSW 2012: Film Title Design Awards
photo credit: Art of the Title The Film Title Design Awards program is unique among the SXSW screenings in that it opens with a panel…
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Michelle Higa Fox • 13 years ago
Nathan Love Updates: McGraw Hill and Ring Force
Nathan Love for McGraw Hill: “Wonders” With their latest batch of work, Nathan Love gets in touch with their inner child by rolling out two…
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Brandon Lori • 12 years ago
invade ALL OF THE humans!!!
Attention Human-ographers. Your puny planet is under attack. Lay down your Wacoms and surrender to the awesome might of PX Micron and Calculord 3! Don’t…
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Simon Robson • 12 years ago
Gabe Askew: “Goat and Aaron”
Gabe Askew (Hornet) is no stranger to Motionographer. We posted his first break-out project here, an unofficial music video for Grizzly Bears “Two Weeks” that…
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Staff • 12 years ago
Michel Gondry and Boris Vian: a match made in heaven
There has been much talk this week about the woes of the visual effects industry. Snubs at the Oscars did not go unnoticed, including that…
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Dominique Elliott • 12 years ago
Q&A: Disassembling Assembly
New Zealand-based Assembly is an intriguing shop. Headquartered on a tiny (but beautiful) island nation, their portfolio ranges across character work, high-end vfx and interactive…
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Justin Cone • 11 years ago
Way to Go, a VR-friendly walk through the woods
Shortly after we were musing on the state of storytelling for emerging virtual reality platforms here on Motionographer, the National Film Board of Canada released Way…
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Justin Cone • 10 years ago
The Mill tackles monstrous VR challenges for Google ATAP
The pioneers of VR continue making progress, despite (or perhaps because of) the incredible technical and creative challenges it poses. One of the latest projects…
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Justin Cone • 9 years ago
Uncovering the Grammar of VR with Saschka Unseld
The emerging master of virtual reality storytelling, Saschka Unseld, is back again. As always, he delivers practical insights for the evolving art form of real-time storytelling, gleaned…
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Justin Cone • 9 years ago
Making “Uncanny Valley,” an eye-popping sci-fi short about a very possible future
The sci-fi short "Uncanny Valley" presents a grim but very possible future in an eye-popping style laced with beautiful VFX work. Our chat with the…
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Justin Cone • 9 years ago
CG still lifes and art direction from Rafa Merino
When Rafa Merino posted "Reborn" on Facebook, I froze. Initially struck by its surreal beauty, I then wondered what I was looking at: A photograph?…
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Justin Cone • 9 years ago
How to make your skin crawl, the story of “Teeth” with Holbrooks
After a successful run in the festival circuit, including a premiere at the 2015 Sundance Film Festival and a Special Jury Recognition award from the…
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Justin Cone • 9 years ago
SPECTRUM: Yussef Cole
For this month's SPECTRUM profile, we talked with Bronx-based motion designer Yussef Cole about experimentation, critical thinking and questioning meritocracy.
Lilian Darmono • 8 years ago
Late Night Work Club is here to save 2016
Let's face it, 2016 has been a weird and divisive year. Thankfully, Late Night Work Club is back to instill hope and unite us all…
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Joe Donaldson • 8 years ago