Max Hattler’s 1923 & 1925: Q&A
Questions: How were you introduced to the Animation Workshop, and how did this collaboration come about? Norwegian animation theorist Joakim Pedersen – who I used…
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Bran Dougherty-Johnson • 15 years ago
PanicRoom
PanicRoom Films presented by Matt Lambert Moray McClaren “ We Got Time” dir. David Wilson Blink Ink , London We Have Band “You Came Out”…
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Matt Lambert • 15 years ago
Rise and Fall Q&A:
Boards Interactive Magazine – Walkthrough Questions: How did this project come about? What was the initial brief from ‘boards magazine? We were contacted by Nexus…
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Bran Dougherty-Johnson • 15 years ago
Rebranding by Scott Benson Q&A:
Questions: What inspired you to make this particular piece? Hey, thanks so much for asking. The concept of questioning of how passive creatives in this…
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Bran Dougherty-Johnson • 15 years ago
Motionographer Studios to Shutter Stat
Very unexpected news from headquarters today: Motionographer Studios will be shutting down immediately. Production on the London Olympics Rebrand headed by Brian Gossett and Orange…
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Bran Dougherty-Johnson • 15 years ago
Pixels Q&A with Patrick Jean
With over 2,026,435 views of the official film on Dailymotion in the six days since its release, Pixels has really spread far and wide very…
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Bran Dougherty-Johnson • 14 years ago
Oh, Hello for SIFF
Seattle based studio Oh, Hello bring their signature style of cel animation to the Seattle International Film Fest. Like their previous work for the Pacific…
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Ryan Rothermel • 14 years ago
Jungeun Kim: Interview
Interview Most of our features on Motionographer are commercials and shorts we fall in love with and want to share. To shine the light a…
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Staff • 14 years ago
NFL on Fox Sports Redesign by Michael Cina Q&A
Can you give us a little background on how this project started and the approach you took with it? Around four years ago we were…
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Bran Dougherty-Johnson • 14 years ago
Maxim Zhestkov “RECURSION”
Q&A with Maxim Zhestkov by Igor Sordokhonov, with help from Lilian Darmono, Bran Dougherty-Johnson, Lauren Indovina, Brian Gossett and Sofia Radnabazarova. In your words, who…
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Igor Sordokhonov • 14 years ago
Bill Sneed for Outside Royalty
[qt:http://motionograph.wpengine.com/wp-content/uploads/2010/07/ohio.mov 720 405] How did this collaboration between you and Outside Royalty come to happen? I’d heard of the band while working in London and,…
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Brian Gossett • 14 years ago
Jonny Kofoed, PAMS Q&A
What was the initial pitch brief from the agency, and how did you choose to answer it? (I.e. by sticking closely to their wish list…
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Boca Ceravolo • 14 years ago
Dael Oates for City of Satellites
Dael Oates (Mothership/Digital Domain) for City of Satellites
Matt Lambert • 14 years ago
CANADA: Scissor Sisters Invisible Light (NSFW)
Barcelona-based directing collective CANADA have been rocking quite a lot of people’s worlds for the past few months, with their breakthrough music video for El…
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David Wilson • 14 years ago
Andrew S. Allen: The Thomas Beale Cipher
There’s a lot of striking moments in Andrew S. Allen‘s “The Thomas Beale Cipher“. I love the re-purposed textures (herringbone fabric and washed-out wood), the…
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Michelle Higa Fox • 14 years ago
F5 SPEAKERS – ROUND 2
Part two of the three-part speaker trilogy! This second group of artists speak directly to the larger design community in their breadth and approach.…
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Brandon Lori • 14 years ago
Gmunk Returns
I still remember the first time I saw Bradley (GMUNK) Munkowitz’s experimental short, “Finn.” It was in 2002, and I was working as a web…
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Justin Cone • 13 years ago
Database Marketing
Back in June 2004, Reason Magazine printed a custom cover for every issue of their magazine (circulation: 40,000). Each subscriber received a magazine with a…
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Michelle Higa Fox • 13 years ago
Work/Life: From the Comments
Carol Browne Our recent interview with Ash Thorp sparked an intense discussion here and elsewhere on the web that went well beyond Ash’s personal take…
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Justin Cone • 13 years ago
Siggraph 2011: Damian Nenow “Paths of Hate”‘ Interview
The trailer for Paths of Hate showcased its effortless combination of comic book visual style with dynamic dogfighting camera motion and kinetic editing. The film…
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Michelle Higa Fox • 13 years ago
Passion Pictures: Red Bull Music Academy World Tour
If you’ve got a month-long tour of events spanning from Berlin to Toronto, from Melbourne to Detroit, how do you visually convey the magnitude of…
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Michelle Higa Fox • 13 years ago
Work/Life: PandaPanther on parenting, work and creating amazing spit
We’ve come to know NYC-based PandaPanther for their playful, character-driven work. Since 2006, Jonathan Garin and Naomi Nishimura have directed casts of colorful creatures on…
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Justin Cone • 13 years ago
Hush for Marsh
Hush Studios delivers again with a beautiful piece for Marsh. A gorgeously minimal design paired with great animation make this a real treat. Director Jodi…
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Elliot Blanchard • 13 years ago
The Mill: “Mother Bird” for Hallmark and The Mill/Glassworks: “Positively Charged” for Range Rover
POSITIVELY CHARGED Agency : RKCR/Y&R Advertiser : Land Rover Product Range : Rover Sport Creative Director : Brian Fraser Creative Team : Steve Williams Creative…
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Brandon Lori • 13 years ago