Kyle Cooper in Atlanta, April 11th, 6pm
Kyle Cooper in Atlanta, April 11th, 6pm
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April 20, 2013
April 19, 2013
April 17, 2013
April 15, 2013 New stuff from Plenty! With these ID’s for NICK, they have created a nice “handmade look” combining frame-by-frame animation and 3D. You can check out more details of the project right here.
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April 10, 2013
April 9, 2013
April 5, 2013
April 4, 2013
April 2, 2013 A very well put together promo for the BBC by Pulse Films, directed by Anthony Dickenson.
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Tonight! Join us for See No Evil’s 4th birthday celebrations with talks from the amazing Richard Hogg, and BAFTA winner Mikey Please!
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March 29, 2013
NYC heavy-hitter Christopher Palazzo is back on the scene with a new site and grip of top notch projects.
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March 27, 2013
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March 26, 2013 Check out the impressive new reel by Brice Linane – the 3D wunderkind behind much of Buck’s output from the last few years March 25, 2013
March 21, 2013 Don’t we love looping animated GIFs? Well, check out this cool festival made just for them! May 31 from 9:00pm to 10:30 The Incredibly Short Film Festival in Sydney.
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Ultra-violent and possibly NSFW, this first-person POV music video for Biting Elbows’ “Bad Motherfucker” has racked up 5 million views in less than 3 days. Directed by Ilya Naishuller (Great Guns) as a follow up to “Insane Office Escape.” March 20, 2013 Join us for See No Evil’s 4th birthday celebrations with talks from the amazing Richard Hogg, and BAFTA winner Mikey Please!
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March 19, 2013
March 18, 2013
March 15, 2013 London duo Louis & McCourt create a futuristic Anime music video for Mat Zo & Porter Robinson’s “Easy”.
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Kyle Cooper in Atlanta, April 11th, 6pm
Reader Michael Kislovsky came across the work of Mark Coleran on mograph.net and passed the link our way.
Mark’s reel shows off an aspect of motion graphics that I’ve always found intriguing: the creation of interface graphics for film and television. Screen graphics often must convey a sense of complexity or (for lack of a better word) “high-techness” while still guiding the viewer’s eye to one or two key visual elements. They also have to convince viewers of something that may be normally impossible, like magnifying a security camera image to such an insane level of detail that you can read the watch on the villain’s wrist. (“Midnight, just before the bomb was detonated. That’s our man!”)
I’d like to do a beefier follow-up post on this, maybe even a feature. Perhaps I’ll interview Mark and some other folks working in this field. If you guys can help me round up studios/individuals that create screen graphics, that’d be great.
For the time being, check out Mark’s impressive body of work.
Mobifest Deadline: March 28th, Midnight (PST)
Helvetica: A Documentary Film by Gary Hurstwit
Strong editing in new reel from Digital Kitchen
Golden Cage by Geoff McFetridge (via Viewers Like You)
AGIdeas 2007, April 1st to 5th in Melbourne