Hasraf HaZ Dulull updates

Director/compositor/vfx artist Hasraf HaZ Dulull updates with new work (including several breakdowns)
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November 6, 2009
November 5, 2009
The crew at Corgan Media Lab create a wilderness of type and triangulated polygons in the AICP Southwest Sponsor Reel. November 4, 2009
Pantural crushes out this awesome reel showcasing his 3D car skills, storytelling abilities and sense of humor.
November 3, 2009
November 2, 2009
October 31, 2009 Nuru International puts a typographic spin on erasing extreme poverty in this visual essay, How Nuru Works. In a hauntingly beautiful short film, Jean-Julien Pous submits this number to the Louis Vuitton’s Journeys Awards. October 30, 2009 In My Turn, director Tomek Ducki summons a hoard of dancing bears in this new music video from Basement Jaxx, featuring vocals from Dev ‘Lightspeed Champion’ Hynes. October 29, 2009 With essay and explanation by Justin Hilden, take an insightful look into color design for the animated classic, It’s The Great Pumpkin, Charlie Brown. October 28, 2009
Another Gobelins masterpiece: The Lighthouse Keeper (and be sure to check out the creators’ blogs for insight into their process) |
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Director/compositor/vfx artist Hasraf HaZ Dulull updates with new work (including several breakdowns)

SCAD students Phil Guthrie and Phil Bichsel mixed stop-action and 3D to tell the story of paper production in “The Paper Mill”

Supinfocom Arles students take us on an action-packed ride through candy land in “Miam!” Making-of video on the Miam! site.

David Wilson has been a busy guy recently since dropping back-to-back videos for We Have Band and We Got Time. However, this recent piece for Little Boots’ “Remedy” caught my attention for a different reason.
I know most of you are thinking, “not another kaleidoscope video.” Well yes, it is. However, I’m posting this as proof that a process, even as tired as the kaleidoscope effect, can be pushed back into relevance. It fits right in with his growing body of work that explores pattern, composition and meticulous planning.
Rather than leaning on this stock After Effects plug-in, David has a crafted an intricate structure of visuals that directly connect to the effect he is using. Take a moment to examine some of the detail and synchronization in the effects shots and you’ll see the great attention to detail that must have gone into the pre-production of this shoot. If every idea has been done, just do it better…

The release of this one slipped under my radar, but hopefully its new to many of you as well.
For the release of Audi’s new Economy Drive, Ne-o and BBH, London use the analogous form of a bulb to represent the energy saved by the car’s engine stopping when it does.
This black and white piece is packed with stunning cinematic moments as well more human vignettes that fit with Ne-o’s past work. I personally love what they’ve done with the shadow-play on the environment. It’s an added visual layer that really pushes the theme of light to the next level.
White Box by Makota Yabuki via Drawn
Everyone, everywhere: The Ebeling Group and Stink join forces