Hasraf HaZ Dulull updates

Director/compositor/vfx artist Hasraf HaZ Dulull updates with new work (including several breakdowns)
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November 20, 2009
No Comments
November 19, 2009
Enjoy a fascinating discussion about filmmaking and art in A Talk with Alfred Hitchcock (thanks Jimmy!). Brought to us by Luma, check out The Making of Standard Bank Global, from concept to execution. November 18, 2009
Also, dont miss out on his great list of stuff to live by. Shel Silverstein would be proud. London based director Scott Altman hits the ground running with a frenetic reel, and a slim but slick portfolio. As an extension of Asylum Visual Effects, Asylum Design is making its mark with three reels showcasing their work in main titles, screen design, and commercial productions. November 17, 2009
November 16, 2009
Ross Neil and Matt Clark direct an alternate “Strawberry Swing” music video. (See Shynola’s official video.) Thanks, Hector! November 14, 2009 Nikon Film Festival open for entries — closing 12/15. November 13, 2009 Toronto based Alchemy drops this wicked spot for MEDT (Ontario Ministry of Economic Development)
November 12, 2009
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Director/compositor/vfx artist Hasraf HaZ Dulull updates with new work (including several breakdowns)

SCAD students Phil Guthrie and Phil Bichsel mixed stop-action and 3D to tell the story of paper production in “The Paper Mill”

Supinfocom Arles students take us on an action-packed ride through candy land in “Miam!” Making-of video on the Miam! site.

David Wilson has been a busy guy recently since dropping back-to-back videos for We Have Band and We Got Time. However, this recent piece for Little Boots’ “Remedy” caught my attention for a different reason.
I know most of you are thinking, “not another kaleidoscope video.” Well yes, it is. However, I’m posting this as proof that a process, even as tired as the kaleidoscope effect, can be pushed back into relevance. It fits right in with his growing body of work that explores pattern, composition and meticulous planning.
Rather than leaning on this stock After Effects plug-in, David has a crafted an intricate structure of visuals that directly connect to the effect he is using. Take a moment to examine some of the detail and synchronization in the effects shots and you’ll see the great attention to detail that must have gone into the pre-production of this shoot. If every idea has been done, just do it better…

The release of this one slipped under my radar, but hopefully its new to many of you as well.
For the release of Audi’s new Economy Drive, Ne-o and BBH, London use the analogous form of a bulb to represent the energy saved by the car’s engine stopping when it does.
This black and white piece is packed with stunning cinematic moments as well more human vignettes that fit with Ne-o’s past work. I personally love what they’ve done with the shadow-play on the environment. It’s an added visual layer that really pushes the theme of light to the next level.
White Box by Makota Yabuki via Drawn
Everyone, everywhere: The Ebeling Group and Stink join forces