Celebrating the 2021 Winners | Far Cry 6 » Antibody
TMA 2021 winner for best Gaming Title Sequence
Staff • 2 years ago
Celebrating the 2021 Winners | K/DA – VILLAIN » Oriol Puig
TMA 2021 winner for best Gaming Promo
Staff • 2 years ago
Live With YouTube Gaming
Joe Donaldson • 8 years ago
Combo Post
[…] be a blast. Maybe in the fututure organic modeling will actually be easier than non-organic modeling. (Thanks again to Babe for sharing his radar…
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Justin Cone • 18 years ago
Superfad’s badass PS3 spot
[…] an ever-changing cluster which formed itself out of the playstation itself. We were charged with the task of highlighting the myriad entertainment possibilities of…
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Jon Saunders • 17 years ago
PostPanic Goes Mysterious for McDonald’s
[…] of tasty compositing, some beautiful typographic work and a visual tone that’s a cross between Lost and The Matrix. The trailers are for The…
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Justin Cone • 17 years ago
NFL on Fox Sports Redesign by Michael Cina Q&A
[…] let’s say there is a touchdown, how does the new data function in the layout? What if they want to feature a player or…
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Bran Dougherty-Johnson • 15 years ago
NYC: An Evening with David OReilly at the MoMA
[…] Her and guest direction of the Adventure Time episode “A Glitch Is a Glitch.” He’s been featured on Motionographer numerous times, interviewed most recently…
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Justin Cone • 10 years ago
VR without goggles: “Field Trip to Mars” sends a souped up school bus to space
[…] Framestore was in our genius spot, able to tackle the brief with artists, creatives and technologists from across the business. Mapping Mars First, we…
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Justin Cone • 8 years ago
ESPN Taps The SYNDICATE to launch MONDAY NIGHT FOOTBALL
[…] had them approach companies with high-end commercial and feature film experience. The Syndicate’s visually rich concept of a photoreal city, which transforms to become…
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Justin Cone • 18 years ago
Blood Trail Interview
[…] and ferocity of the creatures. A major reference for us was the work of a guy named Cameron Fielding, who did some amazing animation…
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Lauren Indovina • 15 years ago
SXSW 2012: Film Title Design Awards
[…] waiver, there’s even more sense of accomplishment. The panel was followed by a screening of the twenty finalists. The styles ranged from epic powerhouse…
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Michelle Higa Fox • 13 years ago
Team Fortress 2: Meet the Pyro
[…] shift your perspective and voila! — the world is a magical place. “Meet the Pyro” is part of the long-running Meet the Team video…
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Staff • 12 years ago
Code and motion, exploring new frontiers with Marcus Eckert
[…] know where to strip away complexity, where to reduce options and where to still leave people with opportunities to customize. UIKit, Apple’s UI framework,…
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Justin Cone • 10 years ago
SPECTRUM: Yussef Cole
[…] design and animation communities who have interesting and unusual perspectives to offer. Guest name: Yussef Cole Describes himself as: A New Yorker, a nerd…
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Lilian Darmono • 8 years ago
Truba x Game of Thrones
Joe Donaldson • 6 years ago
Marco Brambilla: Civilization
[…] the physics of elevator travel and we wanted to go from a hellish landscape to a heavenly one. We began with exploring the idea…
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Justin Cone • 16 years ago
Civilization by Marco Brambilla (featuring Crush)
[…] is well-known for in his work. This particular project came with some special technical challenges, though. Crush explains: We began with exploring the idea…
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Justin Cone • 15 years ago
HALO 4: Forward Unto Dawn – Title Sequence + Q&A – Polynoid
[…] piece,” Bitzer noted. Polynoid and Blacklist collaborated with 343 Industries every step of the way, carefully guarding production from the massive press surrounding “Halo…
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Andres Weber • 12 years ago
Moonbot Studios: Chipotle “The Scarecrow”
[…] While both films are emotionally powerful, “The Scarecrow” feels more like a mini-feature film, executed with the same scale and grandeur as a Pixar…
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Staff • 11 years ago
Mike Edel: “The Closer”
[…] Edel’s own life: It’s a story about a pitcher in a small town, a lot like the one I grew up in, who is…
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Justin Cone • 10 years ago
VR storytelling wars begin, but will anyone be watching?
[…] VR systems require, at the very least, a set of goggles and a computer powerful enough to supply them with high-resolution, real-time graphics. Unless you’re…
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Justin Cone • 10 years ago
Crafting graphics for the Oscars: An interview with Henry Hobson
[…] frame. Then, you build the transitions into that. So the Grand Budapest Hotel becomes a wanted poster which then changes to a top secret British government file decoded…
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Justin Cone • 10 years ago
What is web animation? Rachel Nabors explains it all.
[…] for all these things: web-first technologies like CSS, JavaScript, HTML, Canvas, WebG, SVG that don’t require plugins. using said technologies to animate things from…
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Justin Cone • 9 years ago