Supinfocom: Cafe Serre

 […] The camera work, while mostly stationary, moves the story forward with confidence, using simple two-shots, close-ups and some subtle rack-focus to keep the action… Read more
Justin Cone • 15 years ago

Nathan Love’s Suicidal Cabbage

 […] anything else out there. The team is always experimenting with new styles and techniques to showcase our animation and storytelling skills.  The idea was… Read more
Lauren Indovina • 15 years ago

Universal Everything Refreshes MTV

 […] MTV logo. The logo will dictate and direct all on-screen activity: the ‘EPG’ inspired timeline will be anchored by the logo, (in this case… Read more
Bran Dougherty-Johnson • 15 years ago

Alex Roman: TheThird&TheSeventh

 […] work, AfterEffects for compositing and color grading and Adobe Premiere for edit it all. My desktop PC (i7 920) it’s now the only hardware… Read more
Justin Cone • 15 years ago

By and By Q&A

 […] a range of lighting setups so she would feel as part of each scene. I love the shots of the train, taxis and people… Read more
Bran Dougherty-Johnson • 15 years ago

Rise and Fall Q&A:

 […] Rise and Fall are dynamically generated so we were constantly battling with trying do a lot visually but still keep the app running fast… Read more
Bran Dougherty-Johnson • 15 years ago

I Am Not An Artist

 […] GIF Paranoia About Nonstop Design Workers, illustrates the process of design as hard and sometimes painful work using stop-motion and animated sequences that are… Read more
Bran Dougherty-Johnson • 15 years ago

Rebranding by Scott Benson Q&A:

 […] it without benefit of introduction and become very uncomfortable with what they were just passively agreeing with. This is partly to show the power… Read more
Bran Dougherty-Johnson • 15 years ago

YMCA: Head Gear Animation

 […] positive mission statement to reclaim our community) work so well together in driving the message home. The simply brilliant message stays with me long… Read more
Lilian Darmono • 15 years ago

MAKE: PSISF Opener “Palm Springs”

 […] of drawing.   In several scenes, assistants in-betweened and touched up the drawings of key animators, and finished animation was passed on to the colorists… Read more
Brandon Lori • 14 years ago

Charlex: Shape Shifter

 […] of space was given for creative input from the whole team (up to 15 artists), in an example of “an extremely collaborative effort”, as… Read more
Daniel Coutinho • 14 years ago

PES: The Deep

 […] or CGI. In the end I decided to go the live-action route. I shot footage of dust particles against a black backdrop at different… Read more
Brandon Lori • 14 years ago

Bot & Dolly: Box

 […] content, Bot & Dolly brought on none other than Bradley G Munkowitz, no stranger to Motionographer. His trademark attention to detail is on full… Read more
Justin Cone • 11 years ago

Louis Morton: Passer Passer

 […] animation. Amazing sound design provided by Katie Gately. For more of Louis’s work, check out Shape Dance (co-directed with Amy Lee Ketchum, the deliciously… Read more
Michelle Higa Fox • 11 years ago

“Black Gold” by PES

 […] and the inevitable entropy that ultimately returns us all to nature. With shots of ants crawling out of a breast and a giant grasshopper… Read more
Justin Cone • 11 years ago

The Peach Kings “Mojo Thunder” [NSFW]

 […] Abuli/Bernet’s “Torpedo”, “Sin City,” and goofier yet still unsettling work like Michael Deforge and Max Fleischer’s weirdest Bimbo/Betty/Koko stuff. Once we nailed the final… Read more
Justin Cone • 10 years ago