Miwa Matreyek

Anima tor/performance artist Miwa Matryek incorporates the silhouette of her own body into projections of her lush animations. Having seen her perform at last year’s… Read more

Michelle Higa Fox • 11 years ago

ALMA MATER creates The Lego Movie Main-On-End Titles

Awesome work from LA based Alma Mater, on the MOE titles of The Lego Movie. Check out behind the scenes and interview action via The… Read more

Staff • 11 years ago

It’s Not About the Grades

[…] my benefit than for anyone else’s, but I’ve made a blog entitled “It’s Not About the Grades.” I’m going to post my schoolwork on… Read more

Justin Cone • 18 years ago

Motion Theory’s directors Mathew Cullen and Mark Kudsi for John Hancock

Motion Theory’s directors Mathew Cullen and Mark Kudsi for John Hancock

Igor Sordokhonov • 17 years ago

ANNY: Ukiyo-e

[…] short film brimming with wonderful ideas. I wanted to know more about it. Thankfully, a mutual friend connected me with Pasha Alpeyev, who agreed… Read more

Justin Cone • 16 years ago

Cream O’ the Crop Criteria

[…] thing to understand is that this a highly subjective process. There’s no formula or black-and-white matrix of criteria we can use. Having said that,… Read more

Justin Cone • 16 years ago

Selling Space: Architectural Filmmaking

[…] subjects of the films, but they’re presented in a way that invites the imaginative participation of the viewer. I asked Vivian and Jesse at… Read more

Justin Cone • 16 years ago

1st Ave. Machine: Audi ‘Unboxed’

[…] 2D drawn character. Aaron was kind enough to answer a couple questions: How did you coordinate between the cel and 3D animation? The first… Read more

Michelle Higa Fox • 16 years ago

Microsoft Sustainability

[…] understand the rich nuances of time-based experienced will be well-positioned to succeed. Nathan Barr of Oh, Hello was kind enough to answer some of… Read more

Justin Cone • 16 years ago

Nathan Love’s Suicidal Cabbage

[…] Denis Kozyrev, Sylvia Apostol, Anca Risca Pipeline TD’s: Sarah Elizabeth Clemens, Jesse Clemens, Jessica Monteiro Sound Designer: Drew Skinner Music Composer: Drew Skinner Voice-Over… Read more

Lauren Indovina • 15 years ago

Stephen Panicara’s DPTV Rebrand

[…] in Detroit, Michigan, where I’m studying graphic design, and minoring in animation. What was the assignment for this project? It was an identity/rebrand project.… Read more

Bran Dougherty-Johnson • 15 years ago

[Review] New York in Motion

[…] York that so strongly attracts such a virtually based industry. What are some things you discovered in the process? I think we found many… Read more

Staff • 13 years ago

Work/Life: A Conversation with Ash Thorp

[…] break my family and behind every great man is his family. I can’t break that bond. So was it worth it? Last year really… Read more

Justin Cone • 13 years ago

Blur Talks: “The Girl with the Dragon Tattoo” Titles

[…] inform it. And I mean everything, right from day one. To have this piece of the puzzle in place was huge and it answered… Read more

Staff • 13 years ago

Lagoa Launches, Blows Minds

[…] of the first time I collaborated edited a Google Doc. Except in this case, it was a 3D scene, which only made it that… Read more

Justin Cone • 12 years ago

Destiny: Mars Opening Sequence, Q&A with the Directors

Prologue's opener for "Destiny" kicks off one of the most anticipated games of 2014. Motionographer goes deep with its co-directors, Ilya V. Abulkhanov and Simon… Read more

Justin Cone • 10 years ago

Literature and motion design: Crossing the boundaries with Warren Lehrer’s “A Life in Books”

[…] that he was blazing a new path, proving that motion design and literature (among other things) need not be strangers. Warren was kind enough… Read more

Justin Cone • 10 years ago

Interview: A Behind-the-Scenes look at Vectorpark’s “Metamorphabet”

[…] us hope to be an expert in design or animation or interaction. Metamorphabet is a masterpiece because of it aces all three. I asked… Read more

Erica Gorochow • 10 years ago

Q&A: Gergely Wootsch demystifies the Magna Carta

[…] and coats of arms, while watercolor-like textures and painterly brushstrokes ground everything in the same humanistic spirit as the great document itself. Gergely was kind enough… Read more

Justin Cone • 10 years ago

Adam Plouff: Building Tools for Animators

[…] After Effects plugin that makes pliable character rigs a snap. I was interested in how Adam started down the tool-building path, so I asked… Read more

Erica Gorochow • 9 years ago

Ash Thorp remixes Adobe in this psychedelic journey through the creative process

Take an inter-dimensional voyage through the creative process with Ash Thorp's latest for Adobe

Justin Cone • 9 years ago

✌️Farewell Motionographer✌️

"Farewell has a sweet sound of reluctance. Good-by is short and final, a word with teeth sharp to bite through the string that ties past… Read more

Joe Donaldson • 5 years ago

Perception: More Than Meets the Eye

[…] early concepts Playing with 3D space Another early concept using scale to create visual interest Animation test, experimenting with pacing and camera movement Mapping… Read more

Justin Cone • 18 years ago

Mark Coleran and the Art of Screen Graphics

[…] on mograph.net and passed the link our way. Mark’s reel shows off an aspect of motion graphics that I’ve always found intriguing: the creation… Read more

Justin Cone • 18 years ago