HAPPY F5 – RE:PLAY FILMS 01
[…] Wednesdays from here on out. This first group includes work from Daniels, Kristoffer Borgli and Nomint. Each artist/studio has provided us a peek into…
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Brandon Lori • 14 years ago
TRON Legacy In-Depth with David Lewandowski
[…] to help. I’d say Bradley, Jake and I worked for a solid twelve months and everybody else anywhere from three weeks to five months.…
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Staff • 13 years ago
Challenging the Hold System
[…] of always reserving your first hold for yourself. This, of course, is not something you’d tell the producer. But it gives you, the freelancer,…
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Staff • 13 years ago
Psyop: Norton “Stuff Anthem”
Working with Smuggler for agency Leo Burnett Chicago, Psyop directed a lovable new spot for Norton, an anti-virus and personal data protection company. (Ah, anti-virus…
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Justin Cone • 13 years ago
Work/Life: PandaPanther on parenting, work and creating amazing spit
We’ve come to know NYC-based PandaPanther for their playful, character-driven work. Since 2006, Jonathan Garin and Naomi Nishimura have directed casts of colorful creatures on…
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Justin Cone • 13 years ago
Mercedes “Escape the Map”
Digital Domain teamed up with director Carl Rinsch, RSA and AMV BBDO for “Escape the Map,” a surreal POV journey into a world inspired by…
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Staff • 13 years ago
A Conversation with Mate Steinforth
[…] some brilliant work. A few of us at Motionographer were curious about how Sehsucht’s Berlin office came about. So we struck up a conversation…
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Ivan Cruz • 13 years ago
invade ALL OF THE humans!!!
[…] that they have more chance of taking over the world than I do not digressing on a post, but I digress… These two tiny…
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Simon Robson • 12 years ago
The Daniels: DJ Snake & Lil Jon “Turn Down for What” [NSFW]
[…] a hyper-sexual dance party that even the cops can’t resist. NSFW: While there’s no outright nudity, the rhythmic pulsing of certain body parts might…
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Justin Cone • 11 years ago
Superteam proves power of collaboration in title sequence for FITC Tokyo
[…] you know each other? We are a group of creatives, directors, designers, artists, animators and programmers. Some of us are long-time collaborators and others…
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Justin Cone • 10 years ago
Hybrid by birth: Getting to know Animade
[…] worth getting to know a little more. Q&A with Animade’s Tom Judd and Ed Barrett How long has Animade been around? And why was it…
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Justin Cone • 10 years ago
Motion design education: MoGraph Mentor
[…] with Motion Design Education,” looked at challenges facing students and educators through the lens of brick-and-mortar design schools. But over the last 20 years, online programs…
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Justin Cone • 10 years ago
NYC: An Evening with David OReilly at the MoMA
[…] and debut his latest short, The Horse Raised by Spheres. OReilly’s diverse body of work includes evocative short films like Please Say Something and The External World as well…
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Justin Cone • 10 years ago
User interface design: Why motion matters
For a presentation at CSSConf Australia 2015, Benjamin De Cock (no jokes, please) shared insights gleaned from years as an interactive designer with a penchant…
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Justin Cone • 9 years ago
Survival tips for women in motion design
I’ve been working in the field of motion design for 11 years. As a woman of non-Caucasian ethnicity, I’m definitely a minority in the field.…
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Lilian Darmono • 9 years ago
Blending the physical and the digital in “Building a Rocket”
[…] painstaking stop-motion of “Building a Rocket” is charming in itself, it’s the beautiful compositing of digital characters and elements that imbues the spot with a special magic. “All…
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Justin Cone • 9 years ago
Gunner, their new film “Mesh” and the importance of changing things up
Hailing from Detroit, Gunner is something special. Something that represents a shifting landscape which challenges the status quo and the big studio model: a small…
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Joe Donaldson • 8 years ago
Step by Step: Jake Armstrong
With the boom of hand-drawn animation in the world of motion design, it's a no-brainer that we do a Step by Step profile on the…
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Joe Donaldson • 8 years ago
Looking back, moving on…
Unlike most founders, I’ve never thought of Motionographer as “my baby.” But, like a parent, I’ve been shaped by Motionographer in countless ways. Even be…
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Justin Cone • 6 years ago
Gunner + Blend = 🔥
[…] you’d be hard-pressed to find a greater collaboration. The following is a brief Q&A with the team at Gunner about how they went about…
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Joe Donaldson • 5 years ago
Planet ID
Joe Donaldson • 8 years ago
Apple TV+ The Dark Matter Title Sequence: How We Created It Three Times
Dark Matter. Based on the novel of the same name by Blake Crouch, this sci-fi series promises to take viewers on a thrilling journey through…
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Staff • 5 months ago
Version2: AICP
[…] or something. Side-stepping the debate about whether or not any commercial work has a “soul,” there’s no doubt that an analog process will suggest…
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Justin Cone • 18 years ago
Yankeegal : Full film with Q&A
[…] that’s 8 hours of extreme stress! 4. How did you come up with the unique look of the fire? How was it created and…
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Lilian Darmono • 16 years ago
