Max Hattler’s 1923 & 1925: Q&A

Questions: How were you introduced to the Animation Workshop, and how did this collaboration come about? Norwegian animation theorist Joakim Pedersen – who I used… Read more

Jungeun Kim: Interview

Interview Most of our features on Motionographer are commercials and shorts we fall in love with and want to share. To shine the light a… Read more

On The Back Of A Tiger

One effect that I feel many of us can agree on when working in the commercial world is that it can be a bit of… Read more

Combo Post

Apologies for my near absence from Motionographer over the past week. I’ve been working like mad on a couple projects for school, and I haven’t… Read more

More Fallon, More Sony

Fallon’s latest (over-hyped) project for Sony follows a familiar formula: Take an urban setting, flood it with something that would otherwise be unremarkable and set… Read more

Orgesticulanismus

It’s rare to me to find a piece of work in our industry that seems to have true meaning to someone beyond just creative expression.… Read more

Interview: Lobo Does Dupont

A series of mood boards (PDF) The whole set of mood boards in one go Animatic, showing influences from Maeda and Vasarely (QT 6) An… Read more

Robert Seidel’s new work

Robert Seidel is one of my personal favorites in this industry. He utilizes the same tools that we are all accustomed to in order to… Read more

Galactic Mail

Supinfocom alumni Asterokid (Douglas Lassance) and Motraboy (Jonathan Vuillemin) teamed up to create an intergalactic space race that pits FedEx against UPS. Produced by The… Read more

Moth Collective: WWF Cursor Swarm

Moth is a London-based animation and illustration collective set up by three graduates of the Royal College of Art – David Prosser, Marie-Margaux Tsakiri-Scanatovits, and… Read more

Marcelo Garcia: IX Virtuosi

Ex-Lobo member Marcelo Garcia recently finished up a design campaign for the IX Virtuosi music festival in Brazil. The project included posters, ads, logotype and… Read more

The Truth

Sometimes simplicity is the best route. This ad is a year old, but I’ve only recently discovered it. It’s a fantastic example of how well-written… Read more

Book Review: Uncredited

As soon as I heard about Uncredited, a new book on the history and current state of film title design, I bought it. It came… Read more

Capacity: “Upgrade + Mobilize” Q&A

Click to watch “Upgrade + Mobilize” on Capacity’s site. Upgrade + Mobilize In the words of Capacity’s Ellerey Gave, “Before we became designers and animators… Read more