Simon Robson and Nexus Save the Children

[…] and lucid metaphors make this latest project a fine addition to his growing body of brilliant work. As one of Motionographer’s crew, Simon scooped… Read more

Justin Cone • 17 years ago

Dvein for TOCA ME

[…] for each of the speakers in the conference and we created a journey going from inside out revealing the monograms as characters of the… Read more

James Wignall • 17 years ago

Dstrukt / DixonBaxi for Sci-Fi Channel

[…] short personal projects. I really like the fact they didn’t go overboard with glitchy motion tricks, keeping it much more restrained. Regular audio partner… Read more

James Wignall • 16 years ago

Barbecue for Lexus Hybrid Drive

[…] goose bumps. Make sure to check out the rest of Barbecue’s work. Some top notch stuff in there! UPDATE: One of our readers found… Read more

Boca Ceravolo • 16 years ago

Back to Beijing with Eric Lerner

[…] on Mr. City Men was a much looser process, as stories and time frames were always changing and morphing. The music is excellent. What… Read more

Justin Cone • 16 years ago

Guilherme Marcondes: Bruce Parry Promo for BBC 2

[…] any high-end 3d/VFX wizardry. At the time of writing, Guilherme is working on his next project, the title sequence to the Film ‘Bunraku’. Check… Read more

Lilian Darmono • 16 years ago

Stink/Psyop: Audi “Synchronised”

[…] FX shoot with CG people animation. It was important to see the people close-up, see their faces, see their expressions. The spot starts by… Read more

Justin Cone • 16 years ago

The Mill : 2009 Showreel

[…] as it is subtle yet it lends itself so well to the edit and doesn’t get tired after several minutes. Be sure to also… Read more

Staff • 16 years ago

DUCK/Jamie Caliri: The United States of Tara

[…] on this one and I think it shows. We had fun. The United States of Tara is co-executive produced by Diablo Cody (Oscar-winning screenwriter… Read more

Justin Cone • 16 years ago

Sean Pecknold – Fleet Foxes ‘Mykonos’

[…] what I got out of it). The video was completed in four weeks using glass plane animation technique, with only two days for post.… Read more

Michelle Higa Fox • 16 years ago

Guilherme Marcondes Crafts Worlds for British Gas

[…] precisely distorted to look real with a cartoony edge. Check out some initial styleframes and making of photos on Guilherme’s Flickr page which give… Read more

Jake Sargeant • 16 years ago

Tintori and NABIL: Breaking your internets

[…] to many of the pixel explorers — please fill in any blanks in the comments. We were fortunate enough to get a thorough overview… Read more

Michelle Higa Fox • 16 years ago

Three Legged Legs for Wrigley’s

[…] to CG characters, is worth a second watch. However, the thing that all of us at Motionographer HQ can’t get enough of is Three… Read more

Matt Lambert • 16 years ago

Onesize: OFFF 2009 Sponsor Titles

[…] I encourage you to stick around until the end! An Eastern-Block archival video vibe sets the mood, while an impressive cameo from Onesize’s own… Read more

Matt Lambert • 15 years ago

Machu Picchu Post

[…] nearby. The painterly visuals feel like an oil painting brought to life, while the simplicity of the characters and environment set up clean, balanced… Read more

Tyquane Wright • 15 years ago

Supinfocom :: OCEANSIZE

[…] also boasts a very high level of skill in the technical department, with an awesome combined use of Realflow and the 3D Max plug-in,… Read more

Staff • 15 years ago

SyFy House of Imagination

[…] companion website for the House of Imagination (also created by MPC) teases me with just such a wish, but ends up being a collection… Read more

Justin Cone • 15 years ago

Motion Graphics meeting at SIGGRAPH 2009, Tuesday, August 4th

[…] graphics John Lepore, Perception, talking about the general workflow at Perception, with an emphasis on how they do beautiful work in really short time… Read more

Justin Cone • 15 years ago

Psyop Tips Its Hat to the Wild “West”

[…] airwaves with a rough ridin’ emphasis on theatrical swank and rip-roaring thrills, Psyop packs heat, and hangs em’ so high it would make Clint… Read more

Brandon Lori • 15 years ago

Jarrett Conaway: Turbo

[…] cart load of goodies for sale. Thanks to Nathan Boyd for the tip on this one! You might want to hit mute for this… Read more

Justin Cone • 15 years ago

HunterGatherer’s Signature Series for Fuel

[…] before we shot the sequences. We mapped out more ideas than we used, then edited down. Thanks, Todd. You can also catch a glimpse… Read more

Bran Dougherty-Johnson • 15 years ago

Shilo: Under Armour “ColdGear, Lindsey Vonn + Dick’s”

[…] before a giant apparatus that simulated the conditions she’d face on the mountain. Seemless vfx integration and a solid storyline makes this a campaign… Read more

Staff • 15 years ago

Superfad: Sony “Eye Candy”

[…] photography, Superfad chose spherical objects to represent the dot in “make.believe” and serve as a thread that runs throughout the piece. For an extra… Read more

Staff • 15 years ago

IBM’s Data Films

[…] it’s course when used as stylistic flourish. However, this immaculately executed “data” and it’s aesthetic components, play supporting fiddle to this campaign’s concept. Also,… Read more

Matt Lambert • 15 years ago