Remember Burning Safari, well now you can see the making of!
Remember Burning Safari? Well now you can see the making of.
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November 6, 2009
November 5, 2009
The crew at Corgan Media Lab create a wilderness of type and triangulated polygons in the AICP Southwest Sponsor Reel. November 4, 2009
Pantural crushes out this awesome reel showcasing his 3D car skills, storytelling abilities and sense of humor.
November 3, 2009
November 2, 2009
October 31, 2009 Nuru International puts a typographic spin on erasing extreme poverty in this visual essay, How Nuru Works. In a hauntingly beautiful short film, Jean-Julien Pous submits this number to the Louis Vuitton’s Journeys Awards. October 30, 2009 In My Turn, director Tomek Ducki summons a hoard of dancing bears in this new music video from Basement Jaxx, featuring vocals from Dev ‘Lightspeed Champion’ Hynes. October 29, 2009 With essay and explanation by Justin Hilden, take an insightful look into color design for the animated classic, It’s The Great Pumpkin, Charlie Brown. October 28, 2009
Another Gobelins masterpiece: The Lighthouse Keeper (and be sure to check out the creators’ blogs for insight into their process) |
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It’s been really interesting seeing what new mediums motion graphic design spreads to. Clothing company, Diesel, recently implemented some holographic technology to use in a runway show in Italy, displaying floating images that interact with, supplement, and transition the live models. While the technology itself isn’t insanely new (The Gorillaz have used it for their live performances), it seems fitting that a company like diesel, who pushes the boundaries of design and many aspects, would use it in such an interesting way. Check out this link which contains a short write up about it and a you tube video showing the 17 minute show.
Spanish animation studio DVein created the animation, and denmark company Vizoo headed up stage production.
Found via mograph.net
low poly jesus with lasers, shooting from his eyes

Gault just put up a fresh and moody new reel. A lot of very nice work cut to the lingeringly slow pace of his chosen track. All the elements meld together quite well in his reel to create something that is a bit different than the usual poppy montages that are currently out there.
I very much enjoy the choice of a borderless animation on a black page with zero ui, especially for the segments in his reel where Gault decides to fade everything to black. Gault uses this blackness to his advantage to dictate the energy and overall feel throughout. By not being bound by a single aspect ratio he is able to alternate the scale and framing to affect the energy without changing the overall pacing of his reel. This decision allows him to keep the slow track but still offer those moments of excitement, it also gives his montage solidarity that does not solely rely on the track like many others tend to do.
In most cases, when a reel is cut to a slower track it can easily turn into a very lackluster experience. The choices Gault made and the work that he showcases makes the difference for this well rounded reel.
I’m not sure how long these have been up, but I just noticed that Buck has posted a series of bumper-ish pieces they created for Comcast Shortz.
These are beautifully crafted little gems. Visually, they’re not overwrought with detail. The point here is to set up a joke and deliver the punchline quickly and with maximum oomph. As with all humor, the success of these spots boils down to timing.
Buck, thankfully, has incredible timing.