Ned Wenlock: “Apache” for Danger Beach

[…] a divide). 4. Getting rid of the divide altogether, paring it down. 5. Designing the ends so that the imagery dissolves from one side… Read more

Brandon Lori • 13 years ago

Tuesday McGowan updates

Tuesday McGowan updates with new work. Picture 6

Staff • 13 years ago

Playgrounds Audiovisual Arts Festival

[…] Dvein, Post Panic and Pleix are more or less house-guests and if they’re not too busy they will try to come. The festival will… Read more

Harm van Zon • 13 years ago

Work/Life: A Conversation with Ash Thorp

[…] strongly about or have a passion to work with. And I want to do this all while spending as much time as possible with… Read more

Justin Cone • 13 years ago

November: Pictoplasma NYC

[…] by giving away one free pass via a random drawing. Leave your name and an e-mail address in the comments below before 12 pm… Read more

Justin Cone • 13 years ago

Amsterdam DNA revisited

[…] of the age add luster to the scenes. Real instruments were used during the recordings in London: Anne Frank by Lennert Busch Final score… Read more

Matt Hunter Ross • 13 years ago

Jim Henson for Linit Fabric Finish (1967)

Here’s a classic quickie from Jim Henson, featuring Sir Linit, circa 1967. Screen Shot 2012-07-13 at 6.20.21 PM

Elliot Blanchard • 12 years ago

Virgilio Villoresi: John Mayer “Walt Grace’s Submarine Test, January 1967”

Milan-based Virgilio Villoresi uses the pre-cinema technique, ombro cinema, to animate the drawings made by Virginia Mori. Everything was filmed in live-action, no post production… Read more

Michelle Higa Fox • 11 years ago

Art&Graft: “Trip” The Virgin Atlantic Safety Film

[…] approach with exciting 3D and 2D animation techniques. All the character animation was produced using a traditional frame-by-frame technique – very labour intensive, especially… Read more

Staff • 11 years ago

Q&A: Dark Noir

[…] Facebook Fans: Scene 1: Adriano Antonini Scene 2: David Jesus Vignolli Scene 3: Greg Fenwick Scene 4: Nina Robra Scene 5: Anton Kovalenko &… Read more

Justin Cone • 10 years ago

School of Motion’s Joey Korenman talks design education and work/life balance

[…] My audience certainly overlaps with theirs, but someone who has the means and desire for a 4-year Motion Design program isn’t going to be… Read more

Justin Cone • 10 years ago

Q&A: Gergely Wootsch demystifies the Magna Carta

[…] now, I’m in the midst of planning my move to Barcelona. After the London solar-eclipse fiasco this morning, I decided I’ve had enough. (Kidding,… Read more

Justin Cone • 10 years ago

67th Primetime Emmy Awards adds Motion Design category

[…] entry in the Motion Design category has been extended to May 15th. See below for more details. The Motion Design category is making its… Read more

Justin Cone • 9 years ago

Colin Hesterly directs Škoda “Tour De France”

Director Colin Hesterly crafted a charming hand-drawn tale of Škoda inspired by vintage automobile advertising and the Czech car manufacturer’s own 120 year history. Not To… Read more

Justin Cone • 9 years ago

Lessons learned: Daniel Coutinho’s journey from Brazil to Buck

[…] these studios were and still are for our industry. When was that? It was around 2004. Soon, I was devouring an instructional book on… Read more

Justin Cone • 9 years ago

DEmark 2015 Opening Titles

Nord Collective’s quirky titles for the DEmark 2015 titles feature a literal interpretation of the event’s theme, “Touch of Design.” Combining a custom tailored typeface… Read more

Justin Cone • 9 years ago

Buck for Nike Hypervenom

[…] CG work, but these two spots from Buck take things an entirely different direction. Featuring mind-bending transitions and non-stop action, both spots sport deceptively… Read more

Justin Cone • 9 years ago

Playgrounds Festival 2015 [NSFW]

[…] before knows how much work it can be.) The result is one happy, random, neatly designed mess — with the only constant being the wonderful… Read more

Harm van Zon • 9 years ago

My Darling’s Shadow

[…] with art director Eric Pautz from Roof in NYC). Conor’s portfolio is full of more refined line work and elegant animation. Credits Design and Animation by… Read more

Justin Cone • 9 years ago

School Profile: CalArts

Editor’s note: This is part of a series of school profiles on Motionographer. The following profile was compiled in late 2015. Conceived by Walt Disney in 19… Read more

Justin Cone • 9 years ago

FITC Toronto 2016 Titles

[…] Animation: Henrique Barone, Jorge R. Canedo, Jay Grandin 3D Modelling & Animation: Nicholas Ferreira, Matt James, Conor Whelan, Shawn Hight Music & SFX: Antfood… Read more

Justin Cone • 8 years ago

Psyop jumps in the VR game with “Kismet”

[…] but to step inside of it, and to invite the rest of the world inside with me.” How to get “Kismet” Kismet is now… Read more

Justin Cone • 8 years ago

Review: Division05’s “Snapdragon”

[…] chunk of my education. For me, “Snapdragon” is that chunk. Up to this point, Carey’s been giving his tutorials away for free (via YouTube).… Read more

Justin Cone • 8 years ago

Crafting a digital comic: Q&A with André Bergs

[…] gave me the giggles for hours. As for the digital comic format, I’ve been fantasizing about digital comics from the moment I got my… Read more

Justin Cone • 7 years ago