Julia Pott: Belly

Julia Pott (Hornet) is one of those rarities: an animation director with a unique voice who can actually make you feel something. The common denominator… Read more

Maxim Zhestkov “RECURSION”

Q&A with Maxim Zhestkov by Igor Sordokhonov, with help from Lilian Darmono, Bran Dougherty-Johnson, Lauren Indovina, Brian Gossett and Sofia Radnabazarova. In your words, who… Read more

Royale for Flaunt/Diesel

The gents over at Royale have created this imaginatively experimental piece for Flaunt magazine which brands them alongside sponsor Diesel and will be included in… Read more

Artist Profile: Sean McClintock

With nearly 20 years experience under his belt, Sean McClintock has done a little bit of everything.  From the early days of Flash during the… Read more

On The Back Of A Tiger

One effect that I feel many of us can agree on when working in the commercial world is that it can be a bit of… Read more

Prologue: X Men

Director Simon Clowes shared some valuable insight on the title sequence with Motionographer: The majority of these big budget movies have elaborate visual effects and… Read more

Amsterdam DNA revisited

There has been a surge of motion media on the museum-going experience as of late — which will be elaborated on in a later post… Read more

Shilo: Winning the War

Watch “The War” Hand-drawn storyboards Shots from the blue screen shoot Style frames Stills from the finished product Motionographer’s Jon Saunders interviewed Andre Stringer and… Read more

Book Review: Uncredited

As soon as I heard about Uncredited, a new book on the history and current state of film title design, I bought it. It came… Read more

Inside SIGGRAPH 2006

Monster Samurai / Grace McNamee Doll Face / Andrew Huang Brush / Victoria Caution Fog (Niebla) / Santi Fort e-scape / Masakazu Takano Mask of… Read more