Interview: Superfad Uncensored

 […] initial client brief? Did Durex say “Hey, Superfad, we’ve got condoms, make them hump,” and then let you run with the creative reigns? Or,… Read more
Justin Cone • 16 years ago

David O’Reilly: Please Say Something

 […] of art, and we’re glad to hoist it up and interview the man himself. Unlike Octocat (O’Reilly’s output under a teenage pseudonym), Please Say Something… Read more
Lauren Indovina • 16 years ago

Microsoft Sustainability

 […] still a lot of trickery and cheating that was required to make their actions match up with what was supposed to happening in the… Read more
Justin Cone • 16 years ago

Dvein: F5 Titles

 […] turbines, microscopes, lights, smoke, lamb rib cage, French bulldog… The speakers didn’t know what their answers would be used for, but they were the… Read more
Justin Cone • 16 years ago

David Ochs: “Who’s Hungry?”

 […] the CalArts Character Animation Producer’s Show 2009, and with good reason. While the sketchy animation style is well executed for a freshman student flying… Read more
Justin Cone • 16 years ago

Supinfocom: Cafe Serre

 […] Drink in the architectural details of the interior and the soft interplay of light on its various surfaces. Lovely. The camera work, while mostly… Read more
Justin Cone • 16 years ago

McBess Wood [NSFW]

 […] is about the best company to be in. The whole piece is visually beautiful in its reduced colour palette and soft shadows, and at… Read more
Mate Steinforth • 15 years ago

Supinfocom :: La Peste

 […] a town filled with dead corpses. The haunting look and feel of this piece sets a perfect mood for this disturbing allegory of demise… Read more
Staff • 15 years ago

Zwei Sterben by Marc Ruhl

 […] action characters in the first scene, and so on. The acting was pretty decent too, but the best part is the TWIST at the… Read more
Lilian Darmono • 15 years ago

Supinfocom: Great Glutton Island

 […] twist on a fisherman’s routine. In all the Supinfocom work we’ve seen, I’m impressed not only by the technical ability from these young filmmakers,… Read more
Staff • 15 years ago

Mass Animation: A Guest Rebuttal

 […] my points against Mass Animation, not everyone felt that spec-work competitions like Mass Animation are a bad thing. To help flesh out the other… Read more
Justin Cone • 15 years ago

When Graphic Plays Beyond Narrative

 […] everything being made up of typographic fonts. They continued with Remind Me for Royksopp, subverting the graphic language of user manuals and info graphics… Read more
Mark Webster • 15 years ago

Gravity: Pelephone “Music”

 […] viewers’ imaginations as they are by the characters. In the process, Gravity has created a fully realized “brand world” for Pelephone that’s equal parts… Read more
Justin Cone • 15 years ago

Board Summit: Day 2 Round-Up

 […] he spoke about a company before the individual and building a strong culture. He went on to say, regardless of platform changes, new media,… Read more
Matt Lambert • 15 years ago

Offline by Matthew Santoro

 […] me move forward. Everything is still up in the air as of right now. How did your process begin? Did you have a world… Read more
Jon Saunders • 15 years ago

We Were Monkey’s Land of Talk

 […] Davide Di Saro), construct a dreamlike landscape inhabited by Amazonian Queen, Antiope, for Land of Talk’s “It’s Okay.” Abstract, yet immersive; this piece evokes.… Read more
Matt Lambert • 15 years ago