The Games We Play Q&A
Watch Moto Watch Running Watch Fitness Watch Golf Questions: What was your process like at the concepting stage? Your films require the viewer to connect-the-dots…
Read more
Bran Dougherty-Johnson • 15 years ago
Fairness For Visual Effects Artists: Q&A
[…] harder choices. For instance, is it better to have higher wages or better benefits? Of course, you’d LIKE higher wages and benefits…but what if…
Read more
Bran Dougherty-Johnson • 15 years ago
6 challenges facing motion design education
[…] post is the first in a series exploring the state of motion design education. We’ll look at the issue from multiple angles, asking ourselves and the…
Read more
Justin Cone • 10 years ago
Ask Between the Keyframes IV
Ask Between the Keyframes answers your most troubling Motion Design questions. Our question this week is what would you suggest are 3 key points to…
Read more
Staff • 2 years ago
Ask Between the Keyframes I
Ask Between the Keyframes answers your most troubling Motion Design questions. This week: How deep do you dive on pitches before winning projects?
Staff • 3 years ago
Siggraph 2011: Technical Papers Fast Forward
Hi Motionographers! We’re at SIGGRAPH 2011, here in beautiful Vancouver. SIGGRAPH is the Association for Computing Machinery’s annual conference on computer graphics, where you can find…
Read more
Michelle Higa Fox • 13 years ago
Interview: Superfad Uncensored
A Little Pillow Talk with Superfad What follows is an intimate interview between Superfad and Motionographer’s Lauren Indovina (with input from the Motionographer team). “Lubed”…
Read more
Justin Cone • 16 years ago
The Lost Thing: Interview With Shaun Tan
[…] the character and his motivation and dilemma and subsequently how he was meant to sound and that really was in essence to try NOT to…
Read more
Lilian Darmono • 14 years ago
Matthias Hoegg: Thursday
Matthias Hoegg recently joined us to answer some questions about his short film, Thursday. It’s an everyday love story in the not so distant future,…
Read more
Michelle Higa Fox • 14 years ago
Work/Life: The 40 Hour Work Week
Photo by adesigna The headline for this post probably strikes most of you as a joke — at least those of you working in motion…
Read more
Justin Cone • 13 years ago
SXSW 2013: What the Leap means to Motion Graphics
[…] SXSW 2013. The super precise motion-sensing device can track up to ten fingers within a three-feet area. Setting aside the obvious opportunities that the…
Read more
Michelle Higa Fox • 12 years ago
How to make your skin crawl, the story of “Teeth” with Holbrooks
After a successful run in the festival circuit, including a premiere at the 2015 Sundance Film Festival and a Special Jury Recognition award from the…
Read more
Justin Cone • 9 years ago
Promax/BDA From the Inside Out
[…] day. Brett and I had already decided to conduct the session as an interview, and we thought it’d be a good idea to run…
Read more
Justin Cone • 18 years ago
Interview: Kylie Matulick and Todd Mueller of Psyop
[…] actually have it figured out, how something should move, so we try to collaborate. One more question about the spot, and then just a…
Read more
Justin Cone • 18 years ago
Alaska Nanooks 2010 Hockey Intro
[…] values and animation of the bear while adding even more explosions. We had a chance to discuss the new project with both Jon Dorfman…
Read more
Bran Dougherty-Johnson • 15 years ago
Bob Nelson on Joining Eyeball
[…] as President. Given his ties with the agency world, Mr. Nelson’s new role caught our attention here at Motionographer HQ, so we emailed him…
Read more
Justin Cone • 15 years ago
Josh Raskin for Google
[…] James Braithwaite, but then gives way to a looser style that to my eye is new for Raskin. So I thought I’d fire him…
Read more
Simon Robson • 12 years ago
How I Learned To Stop Worrying and Start Loving the Graph Editor
[…] Nol Honig, co-founder of The Drawing Room and part-time professor at Parsons. Nol’s refreshingly honest story proves the value of lifelong learning, regardless of age or…
Read more
Nol Honig • 9 years ago
School Profile: Savannah College of Art & Design
[…] environment where each student can develop to the peak of their potential – with as much support as it is possible to provide. Why…
Read more
Justin Cone • 9 years ago
Diversity in Character Design: 7 Steps to Designing a Convincing Persona
Character design is not just about drawing pretty pictures; it’s about creating life in all its shades and breathing it into their world. To design…
Read more
Hana Eunjin Yean • 3 years ago
Work/Life: From the Comments
[…] It needs to be brought into the open and discussed in as much detail as possible. In many ways, this frustration is not new.…
Read more
Justin Cone • 13 years ago
How Firstborn became an agency without losing its soul
[…] Flash developer. Firstborn’s current homepage (as of 2015) Despite snagging a spot on Ad Age’s A-List and the #2 place under Fast Company’s Top…
Read more
Justin Cone • 9 years ago
MK12 Interview: Making “Man of Action! II: Ashes of Vengeance”
For many, MK12 is where it all started. Just as Kyle Cooper’s iconic title sequence for Se7en signaled a renaissance for the craft of opening credits,…
Read more
Justin Cone • 9 years ago
