TiRA for ASTRA

 From London-based This is Real Art comes a project that hits all my soft spots:  space tech, information graphics, and a reserved, modern design aesthetic.… Read more
Matt Hunter Ross • 14 years ago

Prologue for Robin Hood

 Prologue’s treatment for Robin Hood is a study in patient analogue work. Ridley Scott called on the studio create Legends to open the film as… Read more
Jon Saunders • 14 years ago

PES: The Deep

 How did Showtime and PES come together for “The Deep”? One day I woke up and had an invitation via email to be part of… Read more
Brandon Lori • 14 years ago

Colin Hesterly: Lovaganza 2015

 Director Colin Hesterly (recently added to The Academy’s roster) blends geometric illustrations with vintage textures to promote the interesting Lovaganza 2015 event coming this September.… Read more
Justin Cone • 10 years ago

Mistborn

 JM Blay's Magical Quest: Translating Mistborn from Page to Screen - Breaking Free from Constraints to Unleash Creativity
Staff • 6 months ago

DEFASTEN – AEXEX

 While browsing the link collection – I came to a long time favorite which I have not visited for quite some time – and to… Read more
SGr • 17 years ago

Adobe Cards

 As you scrub through this little gem from Mike Kellog for Adobe, make sure to hang out at some of the “keyframe” points along the… Read more
Justin Cone • 17 years ago

Interview: Superfad Uncensored

 [qt:http://motionograph.wpengine.com/wp-content/uploads/2009/02/making_of_durex_x264.mov 786 443] A Little Pillow Talk with Superfad What follows is an intimate interview between Superfad and Motionographer’s Lauren Indovina (with input from the… Read more
Justin Cone • 16 years ago

Framestore: AT&T “Up & UP”

 [qt:https://motionograph.wpengine.com/wp-content/uploads/2010/02/att_up_and_up_601.mov 960 540] AT& UP&UP Agency: BBDO New York Client: AT&T Spot Title: “Up & Up” Year: 2010 Airdate: 2/12/2010 Chief Creative Officer: David Lubars… Read more
Brandon Lori • 15 years ago

More Data from Motion Theory

 Here are two new gorgeous spots from Motion Theory for IBM. Data Energy visualizes a holographic field of data around real-world objects, envisioning a near-future… Read more
Bran Dougherty-Johnson • 14 years ago

Jonny Kofoed, PAMS Q&A

 What was the initial pitch brief from the agency, and how did you choose to answer it? (I.e. by sticking closely to their wish list… Read more
Boca Ceravolo • 14 years ago

Matthias Hoegg: Thursday

 Matthias Hoegg recently joined us to answer some questions about his short film, Thursday. It’s an everyday love story in the not so distant future,… Read more
Michelle Higa Fox • 14 years ago

THERE’S MORE

   The response to the full line-up of Happy F5 has been phenomenal. You – the creative community – are so psyched to just get… Read more
Brandon Lori • 13 years ago