Kris Moyes, Expatriate and more

Kris Moyes’ latest video for Expatriate is a monochromatic playground of slow-mo fun. The piece is comprised of long, flowing black-and-white shots, each beautifully composed.… Read more

The Unsung Art of Screenwashes

About a month before Inspire, we realized we needed something on the screens between presentations and during introductions. “Yeah, like one of those looped animation… Read more

Just a Friendly Reminder

Just want to remind everybody of a few ground rules that have always been in place at Motionographer. Most of this stuff is on the… Read more

Matt Lavoy

While his work focuses more on compositing, particle generation and vfx supervision than most of the folks we talk about here on Motionographer, LA-based Matt… Read more

ANNY: Ukiyo-e

QuickTime Version I’m always curious about Japanese motion graphics studios. I know so little about how Asian studios in general are set up, and yet… Read more

Trailer Thrash

First and foremost, kudos to Justin for running this amazing website and acting as the provider to all of us in the motion world, no… Read more

Ghost Robot: “Bonnaroo Line-Up”

Waaay back in July 2008, we posted a Quickie on Javan Ivey’s beautiful “My Paper Mind” video, produced using a self-devised method called “Stratastencil” (inspired… Read more

Going Nitro

Last week, you may have noticed some downtime here at Motionographer. I’m glad to say that those times are behind us, and we are now… Read more

Alex Roman: TheThird&TheSeventh

Some philosophies of aesthetics enumerate seven primary art forms derived from Georg Wilhelm Friedrich Hegel’s “Lectures on the Aesthetics” and the writings of film theorist… Read more

Twenty120 NYC Premiere

One can easily say that motion graphics has become one of the most tantalizing careers for the creative minded. The opportunity to make art utilizing… Read more

Twenty120 Interview

Twenty120 is around the corner and we have a few announcements that we would like to share. Firstly, as a reminder, this Thursday night at… Read more