The long journey to “Lostopolis,” an interview with PandaPanther
[…] them the experience — and confidence — to take on longer form storytelling. Their short film, “Lostopolis,” is a slice of a full length…
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Justin Cone • 9 years ago
Interview: Troika Design Group
[…] design solutions for almost every imaginable network. When it comes to broadcast design, Troika’s portfolio is one of the largest, most consistently successful of…
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Justin Cone • 17 years ago
Paraiso Travel End Titles
Credit sequences are becoming more of a norm in feature films, whether it be just a stylistic exploration that is done in the Harry Potter…
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Jon Saunders • 17 years ago
Chatting with The Action Cats
[…] – 3D + Animator Randy Stowell – Creative Director PJ Koll – Producer + Director of Motion Arts Department Justin: On Motionographer, we focus…
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Justin Cone • 17 years ago
Asif Mian “Fighting” for Woodhands
Director Asif Mian and Evaq Studios strike again, this time for The Woodhands new track, “I Wasn’t Made For Fighting.” Packed with a style and…
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Staff • 16 years ago
Blind’s Heart of Stone
[…] I’d weigh the opinions of our creative directors and executive producers to determine the overall benefit for us. What advice would you give to…
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Brian Gossett • 15 years ago
Hush for Marsh
Hush Studios delivers again with a beautiful piece for Marsh. A gorgeously minimal design paired with great animation make this a real treat. Director Jodi…
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Elliot Blanchard • 13 years ago
The Fantastic Flying Books of Mr. Morris Lessmore
I was introduced to “The Fantastic Flying Books of Mr. Morris Lessmore” iPad app by my friend’s five-year-old son while traveling the North Island of…
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Ivan Cruz • 13 years ago
FITC Amsterdam 2012 opening titles
[…] in and makes you think it’s a shame this is a festival title and not a short movie. A nice thing I also noticed…
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Harm van Zon • 13 years ago
The Games We Play Q&A
[…] hour to draw the initial set. One month to build and design the interiors of the set. One 24-hour day to deliver and assemble…
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Bran Dougherty-Johnson • 15 years ago
Prologue for Robin Hood
Prologue’s treatment for Robin Hood is a study in patient analogue work. Ridley Scott called on the studio create Legends to open the film as…
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Jon Saunders • 15 years ago
Sophie Gateau & Paranoid US: “White” for LG and LIGHTS
[…] motion graphics, utilized her skillset to the utmost degree. To sum it up: “Utilizing motion control to shoot the available 45 pre-production models ,…
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Brandon Lori • 14 years ago
Siggraph 2011: Damian Nenow “Paths of Hate”‘ Interview
[…] Escape, which I produced at the end of my second year of studies. I recorded my film on a DVD, packed my bag and…
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Michelle Higa Fox • 13 years ago
I, Pet Goat II
The Canadian studio Heliofant has crafted the breathtaking piece “I, Pet Goat II” which features some spectacular visuals through use of amazing lighting and shading. …
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Andres Weber • 12 years ago
Profile: Tom Rainford
[…] it can be really easy to lose sight of that. Tom has been a busy guy recently with updating his reel and website, and…
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Joe Donaldson • 10 years ago
The Sentinel
Set in a world where even gravity is broken, up and coming LA-based studio, Boketto, is off to a great start with this haunting trailer…
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Joe Donaldson • 8 years ago
Understanding Patrick Clair
[…] and his wife were expecting their first child. With so many things happening simultaneously, Patrick needed some stability. So he made the decision to…
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Nol Honig • 7 years ago
Elegantly executed piece by Heebok Lee
Check out this short film by Heebok Lee, based on a sad story of unrequited love. Visually it is beautiful and emotionally it delivers. I…
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John Cranston • 18 years ago
Reach Out
[…] interesting new PSA campaign by the Ad Council through DDB New York that attempts to raise awareness of teen suicide prevention with short films…
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Bran Dougherty-Johnson • 15 years ago
Cisma & Laurent Barthelemy: Xerox “A World Made Simpler…by Xerox”
An epic Xerox story by Cisma & Laurent Barthelemy.
Michelle Higa Fox • 13 years ago
HunterGatherer for AM Lab, “Schmutz!”
Greasy screens? Not if HunterGatherer has anything to do with it! In Schmutz!, the gang gets down and dirty with AM Lab: a Danish company with a long history…
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Brandon Lori • 11 years ago
Giant Ant, three films & three good causes
There’s no doubt that the vast majority of people in our industry have witnessed and felt the impact of Giant Ant. In a very short…
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Joe Donaldson • 8 years ago
Reliving The Past Motion Awards Winners! | Spider-Man: Homecoming / Perception
The vision for this sequence was a handmade, tactile aesthetic that feels like it could be a collection of high-school art class projects. Perception's talented…
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Staff • 3 months ago
Sydney Film Company + Fuel: Heineken
[…] of great writing, directing and vfx coalesce in this incredible Heineken spot produced by Sydney Film Company with post work from the wizards at…
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Justin Cone • 18 years ago