The Move Is Complete… I Think
Hey, everyone. We should be on the Media Temple Grid now. Woo hoo! If you discover any weirdness, please let me know.
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February 9, 2012 Stimulant has created LoopLoop, a visual musical sequencer that runs on the Sifteo cubes. LoopLoop uses an animated visual language as well as touch, motion, and placement of the cubes to create music. Very cool. Comments February 8, 2012 Istanbul creative agency Antilop created this audio-visual and interactive installation for Coca-Cola’s 125th Anniversary Exhibition’s Future Room concept for Turkish modern-art museum santralistanbul. Check out these five short, sweet and video-artsy pieces by Canadian motion designer Nicolas Ménard: Futile Devices.
February 7, 2012 Bold patterned designs on Gretel’s classy visual package for Vh1 Critics’ Choice Movie Awards 2012. February 6, 2012 John Whitney: Permutations Produced in 1966. Written in GRAF and FORTRAN, and recorded in black and white from the monitor of an IBM 360 mainframe. Color was added afterwards using an optical printer. February 5, 2012
February 4, 2012 February 3, 2012 London-based production studio Nearly Normal construct a brooding and introspective short film using papercraft models in The Wolf I Used To Be. Audiovisual design studio No-Domain put together this refreshing video piece titled Lullaby Crocodile. For the exhibition at the Royal Castle in Warsaw, Poland, Novinastudio created this animation to tell the story of the famed castle: The Royal Castle – from Destruction to Reconstruction. February 2, 2012 Herb Lubalin demystifies the process and opens up about the creation of his famed PBS logo. Straight from the AT&T vault, Saul Bass’s 26 Minute pitch video to AT&T, introducing the new look: the largest corporate identity design in American history, at the time. February 1, 2012 New shop on the block, Sebas and Clim, pop onto the scene with Tiny Story: a spiffy little motion piece to celebrate the launch of their official website. Animator Alasdair Willson hits a grand slam with a fresh, new website packed with big-name projects. Watch a five-year-old identify an array of corporate logos and offer insight into their brand in Fresh Impressions on Brandmarks (from my 5-year-old). Filmmaker Danny Cooke has documented the dying art of letterpress in a short film titled Upside Down, Left to Right: A Letterpress Film. January 31, 2012 Los Angeles-based designer Michael Lozada Tello shows a range of snazzy work on his website, HelloTello.com. January 30, 2012
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Hey, everyone. We should be on the Media Temple Grid now. Woo hoo! If you discover any weirdness, please let me know.
In Last Place is the work of Kaori Sohma, formerly of VH1 and Lifelong Friendship Society. All her work for television, print as well as boards are here, including directing work for SmileFaucet and a charming collection of films that are little snippets of her life – observed. And perhaps the best of those VH1 montage – animation spots that we all know and love. Can You Dig It?
EDIT: Douglas emiled me this comment: “This posting deserves mention of how well thought out simplicity can communicate a good idea. Very nice work!” And you can’t say better than that.
woops… wrong earth ending issue.
click3x, MTV and Dr. Octagon, attempt to save the planet. Whilst the whole thing is riding the thin line of cheezy, it’s good cause overrides. It’s a little light hearted for such a serious matter, if you ask me. I like to be kicked in the stomach, keeling over to the ground while getting yelled at about the issue at hand, and then told, with enthusiasm, what can be done, rather than have some kid lip sync a rap song about it. Anyway, at least the message is there, which is why I post it. It actually airs on TRL, wednesday Nov. 1st.
“Onnazuri: or men, women, & capitalism” is a great animated short by Yusuke Murakami. Beautifully hand-drawn, Yusuke’s character animation is subtle and understated. One has to wonder how the docks are cleaned at the end of the day, however…
The new Gears of War trailer is noteworthy for several reasons. One, it’s directed by one of my favorite CG-centric filmmakers, Joseph Kosinski, formerly of KDLAB.
Two, although some of the visuals are probably what you’d expect for a shoot ‘em up action game, the soundtrack isn’t. Gary Jules’ hauntingly beautiful “Mad World” (which you may recognize from the Donnie Darko soundtrack) is a daring choice. Some may not like it, but I think it’s super.
Three, according to the short blurb on Kosinski’s site, the spot was “created entirely within the Unreal 3 Game Engine.” I remember reading about the Unreal 3 engine over two years ago when it was still in development and being astounded by it then. I had no idea it was capable of this kind of graphical beauty, though. It’s a testament to the power of the Xbox 360. (Despite that, I’m holding out for a Wii.)
Big thanks to Mark Mitchell for the tip.
Yeah, it’s a bit long, but damn Parasol Island’s new reel is good. Loads of stylistic variety, some nice design work and a fun mix of music. The only bummer is that it’s not available as a download.
EDIT: Here’s a Quicktime version (50mb)
Thanks to Seth for the tip.
INTERspectacular wrote and directed a series of chuckle-worthy spots for the Science Channel, a new arm of the Discovery Channel. I love it when design studios have a head for writing. It separates them from the pack and discourages them from devolving into agency monkeys and eye-candy factories.
The style for these spots is great, too. It reminds me of a specific cartoon from my youth, but the name of it is eluding me. It had something to do with cowboys, I think… anyone have any idea what I’m talking about?