New reel from Gabriel Dietrich, created mostly at Lobo
New reel from Gabriel Dietrich, created mostly at Lobo
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November 6, 2009
November 5, 2009
The crew at Corgan Media Lab create a wilderness of type and triangulated polygons in the AICP Southwest Sponsor Reel. November 4, 2009
Pantural crushes out this awesome reel showcasing his 3D car skills, storytelling abilities and sense of humor.
November 3, 2009
November 2, 2009
October 31, 2009 Nuru International puts a typographic spin on erasing extreme poverty in this visual essay, How Nuru Works. In a hauntingly beautiful short film, Jean-Julien Pous submits this number to the Louis Vuitton’s Journeys Awards. October 30, 2009 In My Turn, director Tomek Ducki summons a hoard of dancing bears in this new music video from Basement Jaxx, featuring vocals from Dev ‘Lightspeed Champion’ Hynes. October 29, 2009 With essay and explanation by Justin Hilden, take an insightful look into color design for the animated classic, It’s The Great Pumpkin, Charlie Brown. October 28, 2009
Another Gobelins masterpiece: The Lighthouse Keeper (and be sure to check out the creators’ blogs for insight into their process) |
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New reel from Gabriel Dietrich, created mostly at Lobo

Check out this short film by Heebok Lee, based on a sad story of unrequited love. Visually it is beautiful and emotionally it delivers. I thought I would never see another “coming out of an eye” transition that I liked, but the transition from the nerves flowing from the typography that transition into the eye made it ok in my book.
Lee has worked with Yu+co, Pittard Sullivan, Troika, Wall to Wall Studios and currently Prologue, and he’s got some great work posted here
Thanks to Babe at Spirit Form for the heads up.
Following up on the success of the Cingular BlackJack spot, Shilo has created a slick new Cingular ad, this time featuring two phones. Because they had to feature extensive sports clips, it’s a little less flashy than the BlackJack spot, but I still think it’s just as sexy.
It looks to me like the hand animation is smoother, a little more believable. What do you guys think?

I love 100 ft. tall robots crashing through cities as much as the next guy, but sometimes the old eyeballs want something more graphic. Transistor recently completed an all-new rebrand of MTV PRIME, with simple, boldly colored shapes animating on and off screen – creating a retro-futuristic world of delicious eye-candy. What I like best about these pieces is that they’re energetic, adventurous and upbeat – they’re a way to get information on the screen, but somehow they become more about shape and pattern, color and contrast. Each night has a different look and color palette, but they all form a cohesive package that gives the channel a distinctive, fresh look. James Price directed the pieces, with animation and design credited to by Jack Myers, Mitch Paone, Daniel Oeffinger, Tonya Smay and Chad Colby. Tasty.

You may remember recently Daniel Garcia, the dark master of motion graphics, directed videos for MF Doom and the late, legendary J. Dilla. He’s back at it again this time with a video for El-P Featuring Trent Reznor. The video was co-directed with Nathan Love, who you should also have your eye on.Currently it’s an Adult Swim exclusive so you’ll have to head over to their site to view it.
Be sure to check out Daniel’s new website to see some amazing promos recently Completed for Cartoon Network.

Based on Kurt Shwitters “Thesis on Typography”, Julien Vallee has created this meld of stop-motion and motion-graphic typography all with influences pouring in from the Dada movement. Vallee states that the underlying idea is that the over-use of graphical elements in a typographical piece may cause the content to become unreadable.
The piece is an excellent merging of analog, organic elements mixed with dirty, digital garble. In a nutshell, I like.

Universal Everything and Proud Creative collaborated on this intriguing series of IDs for Welsh channel S4C directed by Simon Ratigan. Each spot centers around concepts of swarming and attraction, creating surrealistic vignettes that seem almost possible. Each ID is backed by the ace sound design of Freefarm.
Thanks to my friend Chris Martz for the tip.