Seagulls Fly “Adobe CS5 – Production Premium”

[…] the failures that would happen in an unprofessional shooting with the cardboard burrs, luster, real hands, the lantern etc. Were there any new tools/techniques… Read more

Michelle Higa Fox • 15 years ago

Prologue: Iron Man 2

[…] film’s most intense sequences. But the real co-stars—the real palladium in Iron Man’s chest—are the ubiquitous motion design elements laced throughout the entire narrative.… Read more

Justin Cone • 14 years ago

OK Go “End Love” – Masters of the One Take Music Video, by Gunther and Lieberman

[…] It came down to a combination of techniques. In the first section we go from real-time into 4x (meaning every 4 seconds recorded becomes… Read more

Ryan Rothermel • 14 years ago

Bill Sneed for Outside Royalty

[…] Charley Harper, and more current illustrators like Matthew Lyons and Jon Klassen who make me jealous every day. The band gave me a very… Read more

Brian Gossett • 14 years ago

Clemens Habicht – UKTV “Watch When Things Come Together”

[…] how do you amp things up to the next level? I was impressed by the attention to detail in these UKTV idents directed by… Read more

Michelle Higa Fox • 14 years ago

Clemens Habicht – UKTV “Watch When Things Come Together”

[…] how do you amp things up to the next level? I was impressed by the attention to detail in these UKTV idents directed by… Read more

Michelle Higa Fox • 14 years ago

Full Coverage: Talking Tron with Digital Domain

[…] a “prototype of an entertainment property.” Ed: Hollywood’s traditional way of developing material is with words on a page. Most major blockbusters start out… Read more

Justin Cone • 14 years ago

HAPPY F5 – FINAL SPEAKERS AND FULL LINE-UP/SCHEDULE

[…] There have been hundreds of recommendations – tons of outreach emails – and so many wonderful responses from artists who see F5 as the… Read more

Brandon Lori • 14 years ago

[Interview] Making “Amnesty International: 50 Years”

[…] several timing tests in the animatic before starting the shooting and the animation of the different sequences. Of course, music had to be custom-made… Read more

Staff • 13 years ago

[Going Deep] Doc2Dock “Save Our Supplies” Process

[…] its own sake. EVOLUTION AND IMPLEMENTATION MC: It took a bit of experimentation to refine the voice that the graphics would take. If the… Read more

Justin Cone • 13 years ago

Work/Life: The 40 Hour Work Week

[…] I do it a lot, and I’ve never burned out. And like so many Americans, I’ve prided myself on the number of hours I’ve… Read more

Justin Cone • 13 years ago

Asylum vs Leo Burnett London: Where Do You Stand?

[…] Leo Burnett London responded on their blog, citing “misinformation”: We came up with the idea and the long, and highly-detailed, script for an ‘internal’… Read more

Staff • 12 years ago

In-Depth Coverage: Stylefames NY Opener

[…] audio deserves as bright a spotlight as the visuals — and in this case, the man behind the audio, John Black (CypherAudio) had a… Read more

Staff • 12 years ago

Q&A: Disassembling Assembly

[…] Lead Developer Jeff Nusz joining the team. It’s exciting jumping onto jobs like the V Motion Project, where the outcome is something new and… Read more

Justin Cone • 11 years ago

The Peach Kings “Mojo Thunder” [NSFW]

[…] time on newsprint — super wide — and just boarded stories that way. Eventually, we cut them all out and remixed it. Then, we… Read more

Justin Cone • 10 years ago

Illuminate by Nicolas Ménard

[…] abstract journey of miscommunication that is uniquely his own. From Ménard: It’s been a real blast to direct Tourist’s ‘Illuminate’ music video. Not only because… Read more

Joe Donaldson • 10 years ago

Superteam proves power of collaboration in title sequence for FITC Tokyo

To kick off the FITC Tokyo 2015 conference, a superteam of artists working around the world (and sometimes around the clock) created a sublimely glitchy… Read more

Justin Cone • 10 years ago

Crafting graphics for the Oscars: An interview with Henry Hobson

[…] brief was really to keep it as visually interesting as possible, to make each category feel compelling and quick. I’m obviously happy that we… Read more

Justin Cone • 10 years ago

Tendril, relaunching and repositioning in a shifting landscape

[…] it’s the diversity of the team members or the diversity in the work Tendril does. At the heart of the emojis is the communication… Read more

Justin Cone • 10 years ago

frankenSim, a weirdly entertaining web toy from Animade

[…] using React and Flux with SVG images to keep a consistently sharp appearance, frankenSim is geared to work on most devices and is incredibly… Read more

Justin Cone • 9 years ago

Artist Profile: Sean McClintock

[…] animation was mostly focused on navigation and page transitions. Site created for artist Elise Baldwin, circa 2008 As Flash gained the ability to embed… Read more

Justin Cone • 9 years ago

“The World of Autism,” a richly detailed mixed media journey into the mind of Jacob

[…] love, and I rarely have a chance to do it in a commercial context. It is also stimulating for a director when you are… Read more

Boca Ceravolo • 9 years ago

Sehsucht explains how they created a real-time, VR-friendly advent calendar

[…] For the resolutions project, we wanted to have something quick, without much hassle, that our artists could handle themselves. We looked at a couple… Read more

Justin Cone • 9 years ago

Jack Cunningham and the White House build an AR tour powered by a buck

[…] the People’s house. To see their work, just download the free iPhone or Android app. Then point your phone towards a one dollar bill… Read more

Erica Gorochow • 8 years ago