Artist Profile: Fletcher Moules

[…] Tartakovsky (creator of Dexter’s Laboratory, Samurai Jack and Star Wars: Clone Wars) was also a huge influence. When I was directing interstitials for Cartoon Network,… Read more

Justin Cone • 10 years ago

Jimmy Simpson: Modern Love

[…] on tackling a narrative before I made the jump from Philly to Ny. It took a few weeks to lock down the right article… Read more

Joe Donaldson • 10 years ago

Making “Party Pooper,” a browser-based game from Animade

[…] had a game called Goblins in the 90s and dabbled in The Secret of Monkey Island. A scene from “The Secret of Monkey Island”… Read more

Justin Cone • 8 years ago

What does heart-based leadership have to do with my creative potential?

[…] universe of infinite possibilities: your imagination. To be creative is to be able to envision what it could be. Creativity is a capability that… Read more

Marie Reig Florensa • 4 months ago

Marco Brambilla: Civilization

[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/03/civilization_final.mov 960 540] Installation Credits Title: Civilization (MEGAPLEX), 2008 By: Marco Brambilla Client: The Standard Hotel, New York Editor/Research Assistant: Beau Dickson Assistant: Swapna Tamhane… Read more

Justin Cone • 16 years ago

An interactive love story: Making Jeff Buckley’s “Just like a Woman”

Coders create an infinite love story machine. Motion designers tackle user experience challenges. These are the times we live in. We dive into the process… Read more

Justin Cone • 9 years ago

On my way to class?

[…] especially like the animated, marker-drawn sequences near the beginning. I noticed some Mun2 work in there. I wonder if he worked with Chris Palazzo… Read more

Justin Cone • 19 years ago

Interview: Kylie Matulick and Todd Mueller of Psyop

[…] and the animation team really thought a lot about it. The syncopation of movement, going from fast things to slow things, and making sure… Read more

Justin Cone • 18 years ago

Two More Envelope-Pushers

[…] up the volume a bit by essentially creating a real-time motion-graphics engine that you control with your keyboard. In essence, as a viewer, you’re… Read more

Justin Cone • 18 years ago

fantastic PSA

[…] is exiting the dudes mouth when he hits the kid on the bike, or the bits of glass cutting the skin. It’s all very… Read more

Tread • 18 years ago

Tronic for Target

[…] The fourth is a longer form live-action piece featuring graffiti artists Mr. Jago and Kofie One. I’m more into the marble pieces, though. They’re… Read more

Justin Cone • 18 years ago

Interview: 72andSunny and Fulltank

[…] what were the steps you took to create the final script? Any interesting brainstorming techniques? Initially, we were only given the theme of sharing… Read more

Jon Saunders • 17 years ago

Superfad’s badass PS3 spot

Superfad just dropped this….umm super rad spot for Playstation 3. Really solid 3d work. Makes me want to break something. I had a chance to… Read more

Jon Saunders • 17 years ago

Interview: Garson Yu of yU+co

[…] movie titles have been to “set the mood” or to introduce the audience to certain narrative elements before the actual film begins. What role(s)… Read more

Justin Cone • 17 years ago

A Day at the 2nd Motion Graphics Review

[…] Uhrich) selected to be screened, and since the bosses here at Thank You were cool enough to let me take a couple days off… Read more

Boca Ceravolo • 16 years ago

21-19 Finally Launch.

[…] work exercise, it is beautifully composed and paced, with a wonderful sequence of vignettes that reveal layers of gorgeous fluid motion behind a game… Read more

Jon Gorman • 16 years ago

5’th Annual Typophile Film Festival: Opening Title

[…] conscious decision to avoid CG, and in turn, conceive a work on the flip side of high-end. When the dust settles, the effect, with… Read more

Brandon Lori • 15 years ago

Psyop: In-Depth with Tony Barbieri

[…] The challenges differed in each spot more in the storytelling than anything else. How to fit a story in 30 seconds, actually 25 seconds,… Read more

Brandon Lori • 15 years ago

By and By Q&A

[…] in this place. When did you first come across the mini-planet idea? Was it something you knew you wanted to include in a music… Read more

Bran Dougherty-Johnson • 15 years ago

EP Banter: Talent, Trends & Technique

[…] dinosaurs who need £10k a day to bitch and moan and then hand it off as soon as the 35mm stock runs out. This… Read more

Matt Lambert • 15 years ago

Honda’s “Everything”: Cuts As Craft

[…] via Wave. I often drone on about this industry having recently hit some visual and technical peaks. However, that does not mean we’re done… Read more

Matt Lambert • 15 years ago

Blind’s Heart of Stone

[…] relate to the song and the band. One of my interns, showed me a series of images produced for the Zurich Chamber Orchestra, where… Read more

Brian Gossett • 15 years ago

Stephen Panicara’s DPTV Rebrand

[…] for a couple of weeks, I decided to focus on the fact that all of DPTV’s programming was educational in one way or another,… Read more

Bran Dougherty-Johnson • 15 years ago

Announcing Motionographer Studios

[…] to be confirmed. But true to form, Cone promises the studio launches will certainly be something to remember. “We can confirm that Vampire Weekend… Read more

Bran Dougherty-Johnson • 15 years ago