Marcelo Garcia: IX Virtuosi

 […] along with images of recife, brazil (where the festival took place) inspired me to design layouts and contexts where i could let creatures and… Read more
Justin Cone • 18 years ago

The Brothers Saunders

 Chris and Jon both used to work at Stardust LA, until Chirs went freelance and Jon relocated to NY. Their sites, www.cobracoil.tv and www.jonsaunders.tv both… Read more
Jon Gorman • 18 years ago

Smith & Foulkes for PLATFORM

 […] lonely little white box. Some semi-technical details: “Smith & Foulkes used a Canon Digital SLR camera linked up to a laptop allowing them to… Read more
Justin Cone • 17 years ago

Interview: Troika Design Group

 […] behind the different music genres. Our intent is that the viewer will have the opportunity to discover something new on repeated viewings. Unlike many… Read more
Justin Cone • 17 years ago

Echolab/Shilo for Lucozade Alert

 […] into a huge chamber around 00:19. So nice. (The soundtrack, by the way, wasn’t composed by Echolab; it’s from a band called “Switches.”) I… Read more
Justin Cone • 17 years ago

Sony vs. Kozyndan Update

 […] Kozyndan about a year prior to this Bravia spot. This has raised suspicions that maybe Passion kept this work on tap and referenced it… Read more
Justin Cone • 17 years ago

Nervo and Barbarian Group for FOX Japan

 […] By creating reusable software to solve the problem, the Barbarian Group gave Nervo more options than one-off animations could provide. Software engines also encourage… Read more
Justin Cone • 17 years ago

Cisma: Handmade

 […] mostly through irksome metaphors that stick with you long after the film has ended. Color is hugely important, too. Each scene has a chromatic… Read more
Justin Cone • 16 years ago

Selling Space: Architectural Filmmaking

 […] on accurately representing reality, the reality of their design. We’re not interested in participating in this stage because filmmaking, experimentation, abstraction and narrative do… Read more
Justin Cone • 16 years ago

Tim Lovett/Oddfew: LUNATIK

 […] to the edges of sanity. The film tumbles from scene to scene, shifting suddenly between internal “imagined” places and external “real” places. Although it… Read more
Justin Cone • 16 years ago

Dante’s Inferno Trailer

 […] out the scenes the best we could. TECH ASPECTS LI: There are a lot of cinematic acrobatics involved in the cameras and editorial sequences,… Read more
Justin Cone • 16 years ago

Thank You

 […] to the event. You traveled from every corner of the globe to be there, and we want you to know how deeply we appreciate… Read more
Justin Cone • 15 years ago

Google’s Chrome Shorts

 […] Whole Wide World Default Office: 9-5 8.5×11 To echo a constantly recurring theme in my recent posts; this is yet another example of web-based… Read more
Matt Lambert • 15 years ago

Soy Tu Aire

 […] the internet, but it is an amazing example of how much more powerful our work becomes when a viewer can actually interact with it.… Read more
Jon Saunders • 15 years ago

Mekanism: CaT Conference Opener

 […] animation shot by Feldman features the use of a unique real-time visual application developed and coded specifically for the CaT project which gave Feldman… Read more
Justin Cone • 15 years ago

Ne-o Lights Up the Night for Audi

 […] piece is packed with stunning cinematic moments as well more human vignettes that fit with Ne-o’s past work. I personally love what they’ve done… Read more
Matt Lambert • 15 years ago