Interview: Kylie Matulick and Todd Mueller of Psyop
[…] and the animation team really thought a lot about it. The syncopation of movement, going from fast things to slow things, and making sure…
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Justin Cone • 18 years ago
fantastic PSA
[…] is exiting the dudes mouth when he hits the kid on the bike, or the bits of glass cutting the skin. It’s all very…
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Tread • 18 years ago
Interview: Freestyle Collective
[…] an experimetnal short, “Zoo Room” About a month ago, long-time Cream O’ the Croppers Freestyle Collective proposed that we have a little discussion about…
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Justin Cone • 18 years ago
Tronic for Target
[…] The fourth is a longer form live-action piece featuring graffiti artists Mr. Jago and Kofie One. I’m more into the marble pieces, though. They’re…
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Justin Cone • 18 years ago
Interview: 72andSunny and Fulltank
[…] what were the steps you took to create the final script? Any interesting brainstorming techniques? Initially, we were only given the theme of sharing…
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Jon Saunders • 17 years ago
Interview: Troika Design Group
[…] behind the different music genres. Our intent is that the viewer will have the opportunity to discover something new on repeated viewings. Unlike many…
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Justin Cone • 17 years ago
Superfad’s badass PS3 spot
Superfad just dropped this….umm super rad spot for Playstation 3. Really solid 3d work. Makes me want to break something. I had a chance to…
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Jon Saunders • 17 years ago
A Day at the 2nd Motion Graphics Review
[…] Uhrich) selected to be screened, and since the bosses here at Thank You were cool enough to let me take a couple days off…
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Boca Ceravolo • 16 years ago
21-19 Finally Launch.
[…] work exercise, it is beautifully composed and paced, with a wonderful sequence of vignettes that reveal layers of gorgeous fluid motion behind a game…
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Jon Gorman • 16 years ago
5’th Annual Typophile Film Festival: Opening Title
[…] conscious decision to avoid CG, and in turn, conceive a work on the flip side of high-end. When the dust settles, the effect, with…
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Brandon Lori • 15 years ago
Psyop: In-Depth with Tony Barbieri
[…] The challenges differed in each spot more in the storytelling than anything else. How to fit a story in 30 seconds, actually 25 seconds,…
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Brandon Lori • 15 years ago
By and By Q&A
[…] in this place. When did you first come across the mini-planet idea? Was it something you knew you wanted to include in a music…
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Bran Dougherty-Johnson • 15 years ago
(Geek Alert!) The Esquire AR Issue
[…] their custom nerd voodoo that powers the Psyop-made content featuring cover boy Robert Downey Jr., actor Jeremy Renner and hottie Gillian Jacobs. Do you…
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Dave Skaff • 15 years ago
Impactist: Nerdmask and Open Your Face and Make Words Q&A
[…] and personally. As our creative interests span a few areas, they easily incorporate into our lives. Even when we’re not officially working, it’s easy…
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Bran Dougherty-Johnson • 15 years ago
Honda’s “Everything”: Cuts As Craft
[…] via Wave. I often drone on about this industry having recently hit some visual and technical peaks. However, that does not mean we’re done…
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Matt Lambert • 15 years ago
Blind’s Heart of Stone
[…] relate to the song and the band. One of my interns, showed me a series of images produced for the Zurich Chamber Orchestra, where…
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Brian Gossett • 15 years ago
Stephen Panicara’s DPTV Rebrand
[…] for a couple of weeks, I decided to focus on the fact that all of DPTV’s programming was educational in one way or another,…
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Bran Dougherty-Johnson • 15 years ago
Announcing Motionographer Studios
[…] to be confirmed. But true to form, Cone promises the studio launches will certainly be something to remember. “We can confirm that Vampire Weekend…
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Bran Dougherty-Johnson • 15 years ago
Seagulls Fly “Adobe CS5 – Production Premium”
[…] the failures that would happen in an unprofessional shooting with the cardboard burrs, luster, real hands, the lantern etc. Were there any new tools/techniques…
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Michelle Higa Fox • 15 years ago
Prologue: Iron Man 2
[…] film’s most intense sequences. But the real co-stars—the real palladium in Iron Man’s chest—are the ubiquitous motion design elements laced throughout the entire narrative.…
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Justin Cone • 14 years ago
OK Go “End Love” – Masters of the One Take Music Video, by Gunther and Lieberman
[…] It came down to a combination of techniques. In the first section we go from real-time into 4x (meaning every 4 seconds recorded becomes…
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Ryan Rothermel • 14 years ago
Bill Sneed for Outside Royalty
[…] Charley Harper, and more current illustrators like Matthew Lyons and Jon Klassen who make me jealous every day. The band gave me a very…
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Brian Gossett • 14 years ago
Moving Picture Company: “Polar Bear” for Nissan Leaf
[…] showing an arctic bear fleeing from its eroding habitat in search of a better home. The result is strangely moving, while at the same…
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Brandon Lori • 14 years ago
Clemens Habicht – UKTV “Watch When Things Come Together”
[…] how do you amp things up to the next level? I was impressed by the attention to detail in these UKTV idents directed by…
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Michelle Higa Fox • 14 years ago