Clemens Habicht – UKTV “Watch When Things Come Together”

[…] how do you amp things up to the next level? I was impressed by the attention to detail in these UKTV idents directed by… Read more

Michelle Higa Fox • 14 years ago

Full Coverage: Talking Tron with Digital Domain

[…] a “prototype of an entertainment property.” Ed: Hollywood’s traditional way of developing material is with words on a page. Most major blockbusters start out… Read more

Justin Cone • 14 years ago

HAPPY F5 – FINAL SPEAKERS AND FULL LINE-UP/SCHEDULE

[…] There have been hundreds of recommendations – tons of outreach emails – and so many wonderful responses from artists who see F5 as the… Read more

Brandon Lori • 14 years ago

[Interview] Making “Amnesty International: 50 Years”

[…] several timing tests in the animatic before starting the shooting and the animation of the different sequences. Of course, music had to be custom-made… Read more

Staff • 13 years ago

Asylum vs Leo Burnett London: Where Do You Stand?

[…] Leo Burnett London responded on their blog, citing “misinformation”: We came up with the idea and the long, and highly-detailed, script for an ‘internal’… Read more

Staff • 12 years ago

Lucas Zanotto: The Real Bears

[…] the style which would work the best for the film. The basic Idea was to use the nordic icy landscape as a very subtile… Read more

Justin Cone • 12 years ago

In-Depth Coverage: Stylefames NY Opener

[…] audio deserves as bright a spotlight as the visuals — and in this case, the man behind the audio, John Black (CypherAudio) had a… Read more

Staff • 12 years ago

The Peach Kings “Mojo Thunder” [NSFW]

[…] time on newsprint — super wide — and just boarded stories that way. Eventually, we cut them all out and remixed it. Then, we… Read more

Justin Cone • 10 years ago

Illuminate by Nicolas Ménard

[…] abstract journey of miscommunication that is uniquely his own. From Ménard: It’s been a real blast to direct Tourist’s ‘Illuminate’ music video. Not only because… Read more

Joe Donaldson • 10 years ago

Superteam proves power of collaboration in title sequence for FITC Tokyo

[…] you know each other? We are a group of creatives, directors, designers, artists, animators and programmers. Some of us are long-time collaborators and others… Read more

Justin Cone • 10 years ago

Crafting graphics for the Oscars: An interview with Henry Hobson

[…] brief was really to keep it as visually interesting as possible, to make each category feel compelling and quick. I’m obviously happy that we… Read more

Justin Cone • 10 years ago

frankenSim, a weirdly entertaining web toy from Animade

[…] using React and Flux with SVG images to keep a consistently sharp appearance, frankenSim is geared to work on most devices and is incredibly… Read more

Justin Cone • 9 years ago

Artist Profile: Sean McClintock

[…] animation was mostly focused on navigation and page transitions. Site created for artist Elise Baldwin, circa 2008 As Flash gained the ability to embed… Read more

Justin Cone • 9 years ago

“The World of Autism,” a richly detailed mixed media journey into the mind of Jacob

Guilherme Marcondes is back at it again, this time for BBDO New York and the Ad Council’s beautiful new campaign for Autism Speaks, the autism… Read more

Boca Ceravolo • 9 years ago

School Profile: Ringling College of Art & Design

[…] to solving today’s client-based design challenges, students are provided with a supportive environment to develop experimental thinking by questioning, “What’s next?” We recognize that… Read more

Justin Cone • 9 years ago

Gunner, their new film “Mesh” and the importance of changing things up

[…] are you simply changing things up to keep things fresh? I guess it’s a product of combining some interests. Nick was super into expansive… Read more

Joe Donaldson • 8 years ago

7 Ways to Mix Frame-By-Frame and Rigged Animation

[…] joints connecting the body parts. Nest: Nested animation is a technique within animation software where animated objects on the main timeline contain separate timelines… Read more

Chris Cray • 2 years ago

Motionographer expands the Unexpected!

[…] evolution of this creative discipline. Motionographer has strived to be a beacon for an industry still in its infancy. It has never belonged to… Read more

Staff • 2 weeks ago

Interview: Superfad Uncensored

[…] “Hey, Superfad, we’ve got condoms, make them hump,” and then let you run with the creative reigns? Or, was there a story the agency… Read more

Justin Cone • 16 years ago

The Animated Life & Work of Jeff Scher

Jeff Scher: I Got My Job Through the NY Times. Short Documentary by Reid Rosefelt. Jeffery Noyes Scher was born in 1954 and graduated from… Read more

Mark Webster • 15 years ago

Not To Scale: LateRooms.com “Bubbles”

What was the brief for this project? Agency BMB approached us to make a commercial that had something of the same charm and appeal of… Read more

Justin Cone • 15 years ago

GEL 2010 T&F Q&A

The original styleframe board which T&F presented. What was the brief for this piece, and how did you approach coming up with the concept? The… Read more

Bran Dougherty-Johnson • 14 years ago

PES talks “Submarine Sandwich,” Garbage Pail Kids and the connectedness of things

[…] unexpected objects playing the roles of, well, other objects. As you watch and re-watch the films, a rich network of associations starts to surface.… Read more

Justin Cone • 10 years ago

In-Depth: Making the Best of Motionographer with Aran Quinn and Mill+

[…] joining The Mill as a creator of moving images, he started as a runner. A “runner” is a selective training position that involves all… Read more

Justin Cone • 9 years ago