ESPN Taps The SYNDICATE to launch MONDAY NIGHT FOOTBALL
Santa Monica, CA September 11, 2006 ÂÂAfter ESPN scored the NFL’s Monday Night Football franchise, TV’s largest sports broadcast package, the cable network sought an…
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Justin Cone • 18 years ago
Kris Moyes, Expatriate and more
Kris Moyes’ latest video for Expatriate is a monochromatic playground of slow-mo fun. The piece is comprised of long, flowing black-and-white shots, each beautifully composed.…
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daniel • 18 years ago
STUDIOaka: VARMINTS Trailer & New Site
Studio AKA, the London-based masters of the quirky character, have finally launched a new site and also posted this trailer for their newest short film…
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Matt Lambert • 16 years ago
Gaelle Denis and MassMarket for DuPont
I read an essay once by Steven Millhauser that explained why miniatures are so engaging. In a nutshell, he says that miniatures enchant us by…
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Justin Cone • 16 years ago
Anima Istanbul: IF 2009 “Zoetrope”
For Instanbul’s IF 2009 independent film festival, Ayse Unal of Anima Istanbul teamed up with compositor Ilhan Poyraz to reinterpret the experience of watching a…
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Justin Cone • 16 years ago
Mighty Nice: Melbourne Writers Festival
Typographic animation, it’s everywhere. You now get a free typographic animation with a box of breakfast cereal, and word has it that there’s an iPhone…
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Justin Cone • 15 years ago
Onesize: Playground Fest Main Titles
The main title for this year’s Playgrounds Festival, created by Dutch design powerhouse, Onesize, offers us a first-hand look at an action-packed playground battle in…
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Staff • 15 years ago
HunterGatherer’s Signature Series for Fuel
[qt:https://motionograph.wpengine.com/wp-content/uploads/2009/10/HunterGatherer_960_30.mov 960 540] Q&A with Todd St. John, HunterGatherer: 1. The Fuel Signature Series is pretty wide-open, allowing artists a blank canvas to express themselves…
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Bran Dougherty-Johnson • 15 years ago
School of Motion’s Joey Korenman talks design education and work/life balance
Working out of his HQ in Sarasota, Florida, Joey is blazing his own path, one tutorial at a time
Justin Cone • 10 years ago
How I Learned To Stop Worrying and Start Loving the Graph Editor
Editor’s note: As part of our ongoing education series, we present a guest post from Nol Honig, co-founder of The Drawing Room and part-time professor…
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Nol Honig • 9 years ago
Space Channel Refresh
For a Space Channel refresh, Toronto-based studio Tendril crafted immaculately detailed IDs that blend the mystery of science fiction with the delight of discovery. While the two…
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Justin Cone • 9 years ago
Gretel’s Fox College Football package is all kinds of smart
NY-based Gretel produces some of the most consistently well-designed brand work of any studio in the US. Their latest toolkit for Fox College Football is no exception.…
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Justin Cone • 9 years ago
Apple TV+ The Dark Matter Title Sequence: How We Created It Three Times
Dark Matter. Based on the novel of the same name by Blake Crouch, this sci-fi series promises to take viewers on a thrilling journey through…
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Staff • 4 months ago
Le Cadeau du Temps
[…] looking which is very very helpful to the story.There’s lots more information on his process and the production on the spot at Cory’s blog…
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Bran Dougherty-Johnson • 17 years ago
David O’Reilly Interview: Please Say Something
[…] from the idea of economy. I wanted to make something in 3d but the fastest way possible and with no decoration whatsoever. Practically it…
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Justin Cone • 16 years ago
EP Banter: Talent, Trends & Technique
[…] seen as innovative, which of course it is) of all kinds. And lots more shooting in London on a shoestring, if that is a…
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Matt Lambert • 15 years ago
Work/Life: The 40 Hour Work Week
[…] a reality for yourself or your organization? Devil’s advocates are welcome. Comment away! For those who are interested, Meier uses the Agile system of…
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Justin Cone • 13 years ago
HALO 4: Forward Unto Dawn – Title Sequence + Q&A – Polynoid
[…] given? JB: The time we spent on the characters was mostly targeted towards Cortana’s appearance. Master Chief was an easier task – he came…
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Andres Weber • 12 years ago
Elastic: MTV Video Music Awards 2014 (case study + interview)
[…] the energy, pace and colours of the nominees. Raoul’s team R&D’d a technique of spinning music visuals out into chaotic yet beautiful 3D structures…
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Brandon Lori • 10 years ago
How Google uses motion design to make tangible tech
[…] select phones and tablets near the end of 2014. Now, Material Design is making its way to more apps and devices — even on iOS,…
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Justin Cone • 10 years ago
VR storytelling wars begin, but will anyone be watching?
[…] and easy measures of success (or failure). But if pioneers don’t leave a trail or return to share their discoveries, they can easily be lost to…
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Justin Cone • 10 years ago
MK12 Interview: Making “Man of Action! II: Ashes of Vengeance”
[…] Getting it to still feel painterly in motion, along with the live action, was the tough part. We experimented with different ways of smudging…
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Justin Cone • 9 years ago
May/June Events Roundup
Photo by Victoria Peckham There’s a lot going over the next month. I’ll try to round up a few of the relevant events here. Stay…
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Justin Cone • 15 years ago
Lucky by EB Hu
Lucky is a film that was made for Twenty120 earlier in the year. Attentive readers may already have seen it, but it’s really too gorgeous…
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Bran Dougherty-Johnson • 15 years ago