Simon Robson: “Taking Liberties”

 This is what I’m talking about. Or rather, what I already talked about at Offf Barcelona. Simon Robson (Nexus Productions) has created four brilliant animated… Read more
Justin Cone • 18 years ago

Optimus for Boards Magazine

 Optimus in Chicago whipped up this piece for the Boards Magazine’s opening sponsor reel for their conference in August. They were able to take a… Read more
John Cranston • 17 years ago

PandaPanther “Masks” Credits

 Zune Arts Film “Masksâ€? 2:00 Credit List Completed: 11/08/07 Live on Web: 11/13/07 Agency, 72andSunny, Los Angeles Creative Director: Glenn Cole Executive Producer: Sam Baerwald… Read more
Justin Cone • 17 years ago

MassMarket/Psyop for Infiniti Credits

 Titles: Gift 1, Gift 2 Client: Infiniti Agency: TBWA\Chiat\Day, Los Angeles Executive Creative Director: Rob Schwartz Creative Director: Dennis Lim ACD, Art Director: Bob Rayburn… Read more
Justin Cone • 17 years ago

MassMarket/Psyop for Infiniti

 I think it was back around the summer of 2005 when Psyop first posted a three-spot series for Infiniti in which cars motored through majestically… Read more
Justin Cone • 17 years ago

Federico

 Federico Saenz-Recio is now on the loose in the mean streets of New York. He recently left Version 2 to pursue life as a freelance… Read more
Jon Saunders • 17 years ago

31 Days of Oscar

 This spot for Turner Classic Movies by Fresh Paint is full of subtle and effective visual effects that tie together a montage of classic movie… Read more
Bran Dougherty-Johnson • 17 years ago

Do I Have Your Attention?

 Laundry! finished this video for the Blood Arm over the holidays and it was just released. It’s got sweet cel-animated type and a grab bag… Read more
Bran Dougherty-Johnson • 17 years ago

Elephant Girl

 A nice enchanting short film from New York based David Lobser. As this film is Part 2 of a 1 Part series, you know things… Read more
James Wignall • 17 years ago

Peter Saville: Optical Illusions

 This Transport for London PSA proves that simplicity can create a serious impact (pardon the pun). There are two levels of contrast working in favor… Read more
Justin Cone • 17 years ago

Nervo for Timex

 QuickTime version (960 x 540) Nervo’s posted a new project for Timex that I want to share here for two main reasons: 1) the process… Read more
Justin Cone • 17 years ago

Christopher Mills for The Acorn

 [flv:http://motionograph.wpengine.com/media/curious/mills_theacorn.flv 468 263]QuickTime 960×540 | QuickTime 640×360 Curious Pictures’ Christopher Mills brought his lively directorial style to bear on “Flood Pt. 1,” a lively new… Read more
Justin Cone • 17 years ago

Crush: R.E.M. “Hollow Man”

 Watching the work of Toronto-based Crush is refreshing. They exercise a decidedly straightforward approach to motion graphics: no 3D (not even 2.5D), no crazy camera… Read more
Justin Cone • 17 years ago

Sacha Feiner reignites Gremlins fans’ lust

 Sacha Feiner reignites Gremlins fans’ lust with an incredible Gremlins 2 “Film Break” Alternate DVD Version (and don’t miss his Making Of video!)
Matt Hunter Ross • 16 years ago

Quayola Natures

 Quayola teamed up with Mira Calix to work on a 2 Screens Video Installation commissioned by Faster Than Sound. They went out to “explore the… Read more
Mate Steinforth • 16 years ago

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Justin Cone • 16 years ago