Style Frames

Justin Cone • 8 years ago

100 Frames: The A to Z of London

Justin Cone • 8 years ago

Style Frames Opening Titles

Justin Cone • 8 years ago

109 lovingly hand-painted frames for MTV

Joe Donaldson • 8 years ago

No Clear Path to Profit for Online Video, Say Executives

Cnet.com’s coverage of last week’s RBC Technology, Media and Communications Conference paints a bleak picture for the current—and perhaps future—state of online video publishers’ ongoing… Read more

Justin Cone • 16 years ago

Martin Allais, ARD & ZDF “Caveman”

[…] the feeling of the drawing actually being made onto the cave walls. We did all the animation using traditional techniques with Adobe Flash. Then… Read more

Boca Ceravolo • 15 years ago

Shape Shifter

[…] with the character’s motions. We wanted to have complete control over how the shards behaved and decided early on that most of the shards… Read more

Daniel Coutinho • 14 years ago

Mauro Carraro, Raphael Calamote, & Jeremy Pasquet: Matatoro

[…] was all that I searched for in an animation film. The balance between the watercolor textures and dimensionality is really stunning. There are many… Read more

Michelle Higa Fox • 14 years ago

Process: Psyop’s Prequels for Dishonored

[…] prior to launch. Each video contributes to the backstory of the game, but the visual style was intentionally a departure from the look of… Read more

Elliot Blanchard • 12 years ago

Interactive experiences at the human scale: Making CenterStage with Andrew Bell and Lutz Vogel

[…] limitations of Flash, but Cinder was able to get through them. If you see the two versions side by side, it’s a really striking difference.… Read more

Justin Cone • 10 years ago

Ash Thorp remixes Adobe in this psychedelic journey through the creative process

[…] in the idea The Axiom – Realization in physical space – Emanating from the subconscious Alpha – Logo – The underpinning of the creative… Read more

Justin Cone • 9 years ago

6 motion design industry predictions for 2015

Somehow, 2015 is here. So I dug up my crystal ball (a Times Square snow globe from 1987), put on some trance-inducing music and visited the… Read more

Justin Cone • 10 years ago

User interface design: Why motion matters

For a presentation at CSSConf Australia 2015, Benjamin De Cock (no jokes, please) shared insights gleaned from years as an interactive designer with a penchant… Read more

Justin Cone • 9 years ago

Adam Plouff: Building Tools for Animators

[…] more obscure features in After Effects and a weirdo obsession with mathematical phenomena,” explained Adam Plouff. Recently, the Atlanta-based animator has been expanding his skill… Read more

Erica Gorochow • 9 years ago

More shapes, more Google, more fun by none other than Jordan Scott!

Joe Donaldson • 7 years ago

Anima Istanbul: IF 2009 “Zoetrope”

[…] shot by turning on a turntable, the angles match. So if the zoetrope is at its correct speed to see the animation, the figures… Read more

Justin Cone • 16 years ago

Psyop: In-Depth with Tony Barbieri

[…] caches and brought them into Maya. From there, I wrote a few Python tools to extract edge loops and convert them to closed curve… Read more

Brandon Lori • 15 years ago

Going Deeper: Modest Mouse “Whale Song”

[…] a similar richness. The footage ranges from time-lapses that were shot at a rate of 6 stills per minute, all the way to high-speed… Read more

Justin Cone • 15 years ago

Johnny Kelly and Matthew Cooper Q&A:

[…] (also based in Barcelona), who in addition to being graduates of the college are also teachers there too! They’ve also put together a poster… Read more

Bran Dougherty-Johnson • 15 years ago

Clemens Kogler’s Phonovideo

[…] see the animations only in the camera but not on the device itself. The camera was set to a really high shutter speed and… Read more

Bran Dougherty-Johnson • 14 years ago

In-Depth Coverage: Stylefames NY Opener

[…] high. A Meeting of the Minds Enter co-directors Anthony Scott Burns and Chris Bahry of Tendril, who created an epic, sci-fi noir opener for… Read more

Staff • 12 years ago

Nico Casavecchia: “A Boy And His Atom” The World’s Smallest Movie

[…] animation. A single space invader sprite has 52 pixels. 200 operations would move that sprite 4 times in the screen and that would be… Read more

Staff • 11 years ago

Modern Love: Beyond Years

[…] on more traditionally based projects do you find you are doing a good amount of pre-viz in 3D, or have you been diving more… Read more

Joe Donaldson • 10 years ago

Gretel: IFC Rebrand

[…] that impression over and over without things getting boring or predictable. Same for network branding, you’re trying to build a system of visual and… Read more

Brandon Lori • 10 years ago