interview
Crafting graphics for the Oscars: An interview with Henry Hobson
Like people who tune into the Super Bowl just to watch the ads, I turn on the Oscars just to watch the graphics. The opening… Read more
Kim Dulaney on going freelance and mastering her craft
If you’ve worked in the New York motion scene at all, you’ve probably heard of Kim Dulaney. Revered for her naturalistic yet meticulous approach to everything… Read more
Motionographer Podcast: Making “Anomaly”
Set against the space-race canvas of the 1960’s, Anomaly is inspired by the traditional Christmas Nativity and explores, through a modern-day lens, the events of… Read more
CypherAudio’s John Black reflects on 15 years of sound design for motion
Filmmaker George Lucas famously declared, “The sound and music are 50% of the entertainment in a movie.” Everyone I know who’s crafted a film or animation or game… Read more
Artist Profile: Fletcher Moules
Everyone blazes their own path into this crazy industry of ours. A few chosen ones march in a straight line from birth to a beautifully… Read more
What it takes to be “Original”
What is originality? Does it even exist? If so, how can we be original? Those are the questions that haunted Toronto-based designer Andrew Vucko as… Read more
Handmade with computers: H&M Conscious Films
At first glance, the H&M Conscious Films directed by photographer Bela Borsodi look like 100% hand-made creations. And they are. Kind of. While everything was shot in… Read more
Motion design in games with Ubisoft’s Wylie Robinson
Motion design in games? It's more important than you think. Our interview with Wylie explains why.
Q&A with Mikey Please: Marilyn Myller
Hornet's Mikey Please chats with us about making the darkly humorous short, "Marilyn Myller"
Jenny LeClue: A Handmade Adventure Game
From motion design to game development, Joe Russ is constantly challenging himself to learn more
David O’Reilly: Mountain Q&A
David O'Reilly shares some of his thoughts about his first game, "Mountain"
The Peach Kings “Mojo Thunder” [NSFW]
Kris Merc and Benjy Brooke talk about the deeply personal process of making a music video.
Bot & Dolly: “Box” Interview and Behind the Scenes
As a follow up to our earlier post regarding the debut of Bot & Dolly’s mind-boggling short, “Box,” (above) we’re sharing an interview with the… Read more
Q&A: Disassembling Assembly
New Zealand-based Assembly is an intriguing shop. Headquartered on a tiny (but beautiful) island nation, their portfolio ranges across character work, high-end vfx and interactive… Read more
Lauren Indovina: 10,000 Arrows to the Heart
Aside from being a Creative Director and Designer at Psyop since 2008 and collecting a number of top honors (Clios, ADC, BDA, AICP and the… Read more
Process: Psyop’s Prequels for Dishonored
Bethesda’s Dishonored (developed by Arkane Studios) was one of the mostly hotly anticipated games of the year. Thanks to nearly three years of pre-production, the… Read more
A Conversation with Mate Steinforth
Recently we’ve seen more and more of Sehsucht, and with good reason: they’ve steadily been building steam through the years, and it’s culminating in some… Read more
[Interview] Buck: Good Books “Metamorphosis”
From Buck’s website: “The Buck team dug deep, channeling our inner gonzo, to direct and produce this homage promoting Good Books, the online bookseller that passes… Read more
Tigrelab: Com Va la Vida, TV3 Video Mapping
Barcelona-based multimedia and design studio Tigrelab created an array of immersive visuals for Com Va la Vida: a recent video mapping project on TV3. Making-of… Read moreMarie-Margaux Tsakiri-Scanatovits: My Mother’s Coat
Marie-Margaux Tsakiri-Scanatovits shares her mother’s intimate ruminations with us in the touching My Mother’s Coat. Royal College of Art, 2010. For more lovely illustration, check… Read more
Mirada: 3 Dreams of Black Interview
Motionographer recently posted 3 Dreams of Black, the Chris Milk music video intended for exclusive viewing on a browser. When it’s running, the animation progresses… Read more