Prologue for Robin Hood

Make sure to visit Prologue’s site to see more of this project and others they have worked on, very inspiring stuff. [qt:http://motionograph.wpengine.com/wp-content/uploads/2010/06/robinhood_et.mp4 640 272] I… Read more

Capacity: “Upgrade + Mobilize” Q&A

Click to watch “Upgrade + Mobilize” on Capacity’s site. Upgrade + Mobilize In the words of Capacity’s Ellerey Gave, “Before we became designers and animators… Read more

Prologue: X Men

Director Simon Clowes shared some valuable insight on the title sequence with Motionographer: The majority of these big budget movies have elaborate visual effects and… Read more

Prologue: X-Men

The main sequence for X-Men: First Class, produced by Prologue, has a special retro/2D hand-made feel and serves as a strong example of how a… Read more

Brooklyn Digital Foundry Helps out OMA

I’ve always loved the field of architectural visualization. Traditionally, archviz has been dominated by static 2D and 3D representations of proposed structures, but it’s increasingly… Read more

Leftchannel Does East and West

Leftchannel has recently posted a couple very different projects for two very different markets. The first is an insane :30 spot for Japanese beverage-maker Kirin.… Read more

Amautalab: Tokyo.Now

It’s been a while since I’ve dropped by Amautalab’s site, and it looks like they’ve updated since my last visit. I’m particularly keen on the… Read more

Sehsucht inject music into the blood

Hamburg based motion house Sehsucht have created the mesmerising spot ‘Symphony in Red’ for Konzerthaus Dortmund through the agency Jung von Matt. There isn’t a… Read more

Sweeney Todd Opening Titles

The good people at SumarineChannel are hosting the Sweeney Todd titles. They’ve also put up an interview (on the left-hand side of the page) with… Read more

Stefano Dembro: Art Walk

I was strolling through the portfolio of Brooklyn-based studio Stefano Dembro, when I happened upon a piece that caught my eye. Their promo for the… Read more

Dreamers Ink Aesthetics Updates

Dreamers Ink Aesethetics (a.k.a. Mitchell Paone) has updated with an epic new reel and some sick new design work. I’m so impressed by Mitch’s range;… Read more

Interview: Garson Yu of yU+co

“300” main-on-end titles Storyboards for “300” main-on-end titles Animatic for “300” sequence “Bee Movie” end credit sequence Storyboards for “Bee Movie” end credit sequence “Enchanted”… Read more