IBM Think Conference Reel
Joe Donaldson • 6 years ago
Obscure
Joe Donaldson • 5 years ago
Prologue for Robin Hood
Make sure to visit Prologue’s site to see more of this project and others they have worked on, very inspiring stuff. [qt:http://motionograph.wpengine.com/wp-content/uploads/2010/06/robinhood_et.mp4 640 272] I…
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Jon Saunders • 14 years ago
Interview: 72andSunny and Fulltank
Fulltank recently created a beautiful spot for the Zune Arts Films campaign entitled “Dogfight,” the first of many done so far to break out from…
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Jon Saunders • 17 years ago
Capacity: “Upgrade + Mobilize” Q&A
Click to watch “Upgrade + Mobilize” on Capacity’s site. Upgrade + Mobilize In the words of Capacity’s Ellerey Gave, “Before we became designers and animators…
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Justin Cone • 15 years ago
Prologue: X Men
Director Simon Clowes shared some valuable insight on the title sequence with Motionographer: The majority of these big budget movies have elaborate visual effects and…
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Daniel Coutinho • 12 years ago
Prologue: X-Men
The main sequence for X-Men: First Class, produced by Prologue, has a special retro/2D hand-made feel and serves as a strong example of how a…
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Daniel Coutinho • 12 years ago
Process: Making the F5 Opening Titles with Block & Tackle
Over the last several years, conference openers have joined music videos, film titles and visual essays as ideal showcases for ambitious motion designers and visual…
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Justin Cone • 9 years ago
From motion design to game design: In-depth process behind Specimen
“I wanted to be a beginner again and feel like I was growing.” Those words from designer/director Erica Gorochow encapsulate the primary motivation behind deciding…
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Justin Cone • 9 years ago
What is web animation? Rachel Nabors explains it all.
Web design and motion design have been on a collision course since the early 2000s. Today, they’re finally merging, spawning strange new fields — and…
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Justin Cone • 9 years ago
Brooklyn Digital Foundry Helps out OMA
I’ve always loved the field of architectural visualization. Traditionally, archviz has been dominated by static 2D and 3D representations of proposed structures, but it’s increasingly…
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Justin Cone • 17 years ago
Leftchannel Does East and West
Leftchannel has recently posted a couple very different projects for two very different markets. The first is an insane :30 spot for Japanese beverage-maker Kirin.…
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Justin Cone • 17 years ago
Amautalab: Tokyo.Now
It’s been a while since I’ve dropped by Amautalab’s site, and it looks like they’ve updated since my last visit. I’m particularly keen on the…
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Justin Cone • 17 years ago
Sehsucht inject music into the blood
Hamburg based motion house Sehsucht have created the mesmerising spot ‘Symphony in Red’ for Konzerthaus Dortmund through the agency Jung von Matt. There isn’t a…
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Simon Robson • 17 years ago
The Making of “Get the Glass”
This post is kinda more of a super-Quickie. My friend Matt Ross sent me this making-of page for the Get the Glass online game I…
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Justin Cone • 17 years ago
Minivegas Creates Real-time Idents for S4C
Well, UK studio Minivegas has officially blown my mind. After a year brewing up brilliant ideas, crunching over 50,000 lines of code and shooting live…
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Justin Cone • 16 years ago
Sweeney Todd Opening Titles
The good people at SumarineChannel are hosting the Sweeney Todd titles. They’ve also put up an interview (on the left-hand side of the page) with…
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Justin Cone • 16 years ago
Stefano Dembro: Art Walk
I was strolling through the portfolio of Brooklyn-based studio Stefano Dembro, when I happened upon a piece that caught my eye. Their promo for the…
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Justin Cone • 16 years ago
SpecialGuest: AutoTrader “New Car Finder”
This bubbly spot from SpecialGuest for AutoTrader has a bit more to it than meets the eye. At first blush, it’s a beautifully rendered and…
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Justin Cone • 16 years ago
Dreamers Ink Aesthetics Updates
Dreamers Ink Aesethetics (a.k.a. Mitchell Paone) has updated with an epic new reel and some sick new design work. I’m so impressed by Mitch’s range;…
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Justin Cone • 16 years ago
Alex Trochut: Typodesignistrator
Semi-Permanent wrapped in Sydney this past weekend, and once again I missed it. Sometimes it sucks being on the other side of the planet from…
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Justin Cone • 16 years ago
Interview: Garson Yu of yU+co
“300” main-on-end titles Storyboards for “300” main-on-end titles Animatic for “300” sequence “Bee Movie” end credit sequence Storyboards for “Bee Movie” end credit sequence “Enchanted”…
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Justin Cone • 16 years ago