Lauren Indovina: 10,000 Arrows to the Heart

[…] about her experience in the industry and how the road traveled is not always paved with love.  It is titled “10,000 Arrows to the… Read more

Staff • 11 years ago

Modern Love: Beyond Years

[…] use of rhetorical figures to create a more abstract or poetic result in my illustrations and animations. I thought humanizing the trees would make… Read more

Joe Donaldson • 10 years ago

Gretel: IFC Rebrand

[…] Ryan Moore, Gretel had its work cut out for them. We recently caught up with Ryan to get the scoop on the studios network rebrand… Read more

Brandon Lori • 10 years ago

Profile: Tom Rainford

[…] me that’s what makes the handmade craft so beautiful, even if you are recreating it digitally. How does this work its way into your… Read more

Joe Donaldson • 10 years ago

Paul Trillo: Sarh “U and I”

[…] become one. For me, it’s about how you can lose yourself within someone else. The layered exposure technique had a certain emotional quality, which… Read more

Michelle Higa Fox • 10 years ago

How Google uses motion design to make tangible tech

[…] select phones and tablets near the end of 2014. Now, Material Design is making its way to more apps and devices — even on iOS,… Read more

Justin Cone • 10 years ago

LOOPIMAL Launches

[…] Featuring the same adorable character animation found in the other YATATOY apps, LOOPIMAL is an audio-visual sequencer, allowing users to create multitrack music synced with… Read more

Justin Cone • 9 years ago

Confirmation Bias, Motionographer and You

[…] represented or topics covered: Annotated screenshot of homepage taking Feb. 2, 2016 A: Vector style animation: 5 B: Stop-motion: 1 C: Industry focus: 3… Read more

Justin Cone • 9 years ago

Step by Step: Jake Armstrong

[…] of animation the original recording was over 5hrs long. We made some cuts and sped some of the more tedious sections up to give you… Read more

Joe Donaldson • 8 years ago

Understanding Patrick Clair

[…] rapidly from nowhere to everywhere? There is no simple answer to these questions, but let me mention two things that jumped out at me… Read more

Nol Honig • 7 years ago

Apple TV+ The Dark Matter Title Sequence: How We Created It Three Times

[…] and Daniella, moving like ships in the night, trying to connect but never quite making it. This all seen through a single camera, exploring… Read more

Staff • 4 months ago

Not to Scale Brings the Volvo Vox Popular to Life

"If it was up to me, I’d drop it in the sea." "I can see, like, a superhero driving it as a safe car." "I… Read more

Justin Cone • 18 years ago

Alberta oil-sand mining exposed: La Moustache for H2Oil

Happy Friday, Mographer fans! And what better way to celebrate the end of the week, than with a timely dose of ‘issue’ animation. La Moustache,… Read more

Simon Robson • 15 years ago

In-Depth: Comedy Central Re-Brand

Editor: The following post is a guest entry from JaegerSloan Inc., a new venture headed up by Doug Jaeger and Kristin Sloan. For our first… Read more

JaegerSloan • 14 years ago

EXCLUSIVE: Making of King and Country’s Motel 6 “Metamorphosis”

When King and Country’s Motel 6 “Metamorphosis” spot hit the web a while back (above), it made a big splash. With nearly 1,400 likes on… Read more

Staff • 12 years ago

GoldRunner, Vivian Rosenthal and Augmented Reality

I cut my teeth on motion design at turn of the 21st century, when the desktop computer revolution was in full swing. A handful of… Read more

Justin Cone • 12 years ago

Cosmos: A Spacetime Odyssey

The all-star crew behind the reboot of a classic TV series brings something sorely needed in science: art direction.

Justin Cone • 11 years ago

Database Marketing

[…] in your mailbox, for sure. More recently, Chris Milk and Google created the interactive musical experience The Wilderness Downtown for Arcade Fire, which utilized… Read more

Michelle Higa Fox • 13 years ago

Motorville by Patrick Jean

[…] details. Directed and Animated by : Patrick Jean patrick-jean.com Sound Design : David Kamp davidkamp.de/ All the vector map data used in this film… Read more

Elliot Blanchard • 12 years ago

Motion design in games with Ubisoft’s Wylie Robinson

Motion design in games? It's more important than you think. Our interview with Wylie explains why.

Justin Cone • 10 years ago

Destiny: Mars Opening Sequence, Q&A with the Directors

Prologue's opener for "Destiny" kicks off one of the most anticipated games of 2014. Motionographer goes deep with its co-directors, Ilya V. Abulkhanov and Simon… Read more

Justin Cone • 10 years ago

How to change the world (and get paid for it): Making SolarCity “How Energy Gets To You”

Learn how a group of passionate environmentalists used innovative production techniques to tell stories that genuinely matter to them — all while getting paid.

Justin Cone • 9 years ago

From motion design to game design: In-depth process behind Specimen

“I wanted to be a beginner again and feel like I was growing.”  Those words from designer/director Erica Gorochow encapsulate the primary motivation behind deciding… Read more

Justin Cone • 9 years ago

WeWereMonkeys: Land of Talk “It’s Okay”

[…] of a mini-van. Thankfully, Randy Rauck, the owner of the airstrip was really a cool dude — and he took Davide up in an… Read more

Matt Lambert • 15 years ago