Closing the Gap Between Physical and Digital in the Metaverse
How motion capture technology, haptic feedback, and community experiences can make digital metaverse experiences feel truly real.
Brett Ineson • 2 years ago
Project Breakdown with Frame 48
The future is really just the impact of what everyone has scheduled in their calendar tomorrow or decides to do on a whim...
Staff • 4 years ago
Project Breakdown with Marc Eijkelenboom
The Iceman is the origin story of Wim Hof, a Dutch extreme athlete, and author. It’s a true hero’s tale of someone losing the person most…
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Staff • 4 years ago
Crystal Dolphin – The making of an Internet Sensation
We sat down with both Engelwood and Ardhira to discuss their influences in art and music, why the video took five months to make and…
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Stuart Groves • 4 years ago
Scale, Light, and Form: Finding Creative Inspiration in Architecture
By Vikkal Parikh, Founder and Creative Director, Ataboy Studios The practice of motion design is, as its title suggests, a thing that is constantly changing…
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OOY • 4 years ago
Project Breakdown with Dimitris Armenakis
The film explores the topic of overconsumption in the 21st century. Cartoon characters are used as products of postmodern society. The idea was to tell…
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Staff • 4 years ago
OOY Submissions now open
Since 2006, Motionographer has been the leading destination for all things Motion Design, not just because of us, but because of you. We have always…
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Carlos El Asmar • 4 years ago
10 Things I Wish I Knew About Animation & Design When I Was Starting Out
Now more than ever, producers are looking for remote artists. So, curate your work, put it on any social platform you can (IG, Behance, Dribble,…
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Luis Roca • 4 years ago
Steve Small details his collaboration with Ridley Scott while creating the titles for Raised by Wolves
In this Q&A, Steve Small describes regularly pinching himself as Ridley Scott sketches feedback amidst props from his most epic films. Steve both breaks down…
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Bevin McNamara • 4 years ago
Director Sam Southward reveals digital stop-motion techniques used for his Goodness spot for Milka Chocolate
In this Motionographer Q&A, we chat with director Sam Southward about the making of Goodness and how he got CG to charm like stop-motion.
Bevin McNamara • 4 years ago
The Lovers, The Dreamers & Me
Color is a powerful tool that can capture our attention and captivate the heart. The rainbow flag, a predominant symbol within the LGBTQ movement, is…
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• 4 years ago
Winning the render wars with Chad Ashley
With the everchanging landscape of render engines it can be hard to know which one is right for you. In this article, Sekani Solomon dives…
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Sekani Solomon • 7 years ago
Jumping into the unknown
Ash Thorp is a household name in our industry and beyond. In this Motionographer guest post, we're thrilled to bring you some insight from Ash…
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Joe Donaldson • 8 years ago
Trying to find a balance
In this powerful and honest Motionographer Guest Post, the amazingly talented Laura Alejo offers some perspective on what it's like being one of New York…
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Joe Donaldson • 8 years ago
Too old for mograph?
Ever wonder where all the old people are in the motion design industry? Don't worry, you're not alone. Luckily, in this month's Guest Post, Joey…
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Joe Donaldson • 8 years ago
Who in the world is Carlos El Asmar and why should I care?
Evil or Humble? Man or Myth? Nol Honig went out in search of the Mystery Man of Motionographer and lived to tell the tale.
Nol Honig • 8 years ago
The ethos of Giant Ant
What better way to start 2017 than with a new article in our Guest Post series by none other than Giant Ant? Please enjoy this…
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Joe Donaldson • 8 years ago
Dan Savage and the importance of community building
We are thrilled to bring you this month's guest post by none other than New York's very own, Dan Savage. Dan is an incredibly talented…
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Joe Donaldson • 8 years ago
