Motionographer® article

Closing the Gap Between Physical and Digital in the Metaverse

How motion capture technology, haptic feedback, and community experiences can make digital metaverse experiences feel truly real.

Brett Ineson • 1 year ago

Project Breakdown with Frame 48

The future is really just the impact of what everyone has scheduled in their calendar tomorrow or decides to do on a whim...

Staff • 3 years ago

Project Breakdown with Marc Eijkelenboom

The Iceman is the origin story of Wim Hof, a Dutch extreme athlete, and author. It’s a true hero’s tale of someone losing the person most… Read more

Staff • 3 years ago

Crystal Dolphin – The making of an Internet Sensation

We sat down with both Engelwood and Ardhira to discuss their influences in art and music, why the video took five months to make and… Read more

Stuart Groves • 3 years ago

Scale, Light, and Form: Finding Creative Inspiration in Architecture

By Vikkal Parikh, Founder and Creative Director, Ataboy Studios The practice of motion design is, as its title suggests, a thing that is constantly changing… Read more

OOY • 3 years ago

Project Breakdown with Dimitris Armenakis

The film explores the topic of overconsumption in the 21st century. Cartoon characters are used as products of postmodern society. The idea was to tell… Read more

Staff • 3 years ago

OOY Submissions now open

Since 2006, Motionographer has been the leading destination for all things Motion Design, not just because of us, but because of you. We have always… Read more

Carlos El Asmar • 3 years ago

10 Things I Wish I Knew About Animation & Design When I Was Starting Out

Now more than ever, producers are looking for remote artists. So, curate your work, put it on any social platform you can (IG, Behance, Dribble,… Read more

Luis Roca • 3 years ago

Steve Small details his collaboration with Ridley Scott while creating the titles for Raised by Wolves

In this Q&A, Steve Small describes regularly pinching himself as Ridley Scott sketches feedback amidst props from his most epic films. Steve both breaks down… Read more

Bevin McNamara • 3 years ago

Director Sam Southward reveals digital stop-motion techniques used for his Goodness spot for Milka Chocolate

In this Motionographer Q&A, we chat with director Sam Southward about the making of Goodness and how he got CG to charm like stop-motion.

Bevin McNamara • 3 years ago

The Lovers, The Dreamers & Me

Color is a powerful tool that can capture our attention and captivate the heart. The rainbow flag, a predominant symbol within the LGBTQ movement, is… Read more

• 3 years ago

Winning the render wars with Chad Ashley

With the everchanging landscape of render engines it can be hard to know which one is right for you. In this article, Sekani Solomon dives… Read more

Sekani Solomon • 6 years ago

Jumping into the unknown

Ash Thorp is a household name in our industry and beyond. In this Motionographer guest post, we're thrilled to bring you some insight from Ash… Read more

Joe Donaldson • 7 years ago

Trying to find a balance

In this powerful and honest Motionographer Guest Post, the amazingly talented Laura Alejo offers some perspective on what it's like being one of New York… Read more

Joe Donaldson • 7 years ago

Too old for mograph?

Ever wonder where all the old people are in the motion design industry? Don't worry, you're not alone. Luckily, in this month's Guest Post, Joey… Read more

Joe Donaldson • 7 years ago