Fantastical work from Lobo pops right out

Check out this Lobo work for The Ebeling Group. The pop-up images are composited beautifully into the hand-held, sun-flared footage. Not much else can be said, just a gorgeous compositing job.
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April 21, 2012 April 19, 2012
April 17, 2012
April 13, 2012
April 12, 2012 PUNGA/Not To Scale create organ-devouring worms for Red Cross Mexico. Check out the credits + animatic on PUNGA’s revamped site. April 11, 2012
Technical director Eli Guerron relaunches with loads of process work and a new short, “It Gets Better.” April 10, 2012 April 9, 2012 Us pressed, hand labeled, hand numbered, polished, and animated 960 unique records in their latest for Benga. April 5, 2012 April 3, 2012 Jeff Desom pieces together a killer looping installation of the Hitchcock masterpiece, Rear Window. Check out a timelapse of the composite. April 2, 2012
Lovely new ”Group Hug” MTV ident from Mate Steinforth of Sehsucht. (Check out making-of and be sure not to miss the previous “Close and Caring.”) [London] See No Evil’s April event will be on Tuesday, April 3, 7 pm, at The City Arts & Music Project. April 1, 2012
March 30, 2012 Christoph Heindl’s real time 3D model reconstruction program, ReconstructMe, looks promising.
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Check out this Lobo work for The Ebeling Group. The pop-up images are composited beautifully into the hand-held, sun-flared footage. Not much else can be said, just a gorgeous compositing job.
Mark Okon did some interesting work while interning with W+K Tokyo Lab this past summer. The following are introductory pieces for an eight-part series that is airing on NHK in Japan.
Episode 5 (My personal favorite)
Episode 4
Episode 3
Episode 2
For discussion on the work, check out this mograph.net thread.
Thanks to Seth for the tip!
Defend your Christmas dinner from attacking sprouts!
Director Koichiro Tsujikawa has outdone himself with “Fit Song” for Cornelius. It’s a mesmerizing manipulation of everyday objects that has me completely baffled about its making. I’m going to try finding out a little more about the process behind the piece, but for now, check out this article on Heavy Backpack for a nice catalog of Koichiro’s recent work.
Big thanks to Eric Edwards for the tip.
Okay, we’ve all seen several videos of robots wandering around urban landscapes, but this Sony spot from Fuel directed by Sydney Film Company‘s Josh Baker actually has a fairly nice concept behind it. Fuel’s Ben Kovar is the artist behind the robot design, blending an AIBO-ish likability with an industrial era melancholy that works really well for the spot’s message.
V&A and Playstation ® teamed up with United Visual Artists and onepointsix to present Volume, an interactive audio/visual installation. The colors are stunning and the interaction with the viewers is fascinating. This really pushes the definition of what exactly motion graphics is and how it can be used…and if you don’t buy that, at least it’s real purdy to look at…
Download the hi-res video here (72.2mb)