Animade launches Boords storyboarding tool

https://motionographer. com/wp-content/uploads/2016/05/2016-04-26_16x9_capture_mg_v1.mp4 The wizards at Animade recently released Boords, a simple, web-based tool for sharing storyboards. Boords has a Free plan that allows for 1… Read more

Justin Cone • 8 years ago

Stardust Profile on Apple.com

While it’s not exactly news, Stardust is featured on the Apple Pro website. Interestingly, a lot of the article reveals the way Stardust pre-visualizes a… Read more

Justin Cone • 18 years ago

Kayak.com and Loyalkaspar

LK back again this month with some really fun work. Making some pretty rash stabs at the powers that be gives a unique perspective to… Read more

Tread • 18 years ago

Innuendo

[…] the use of characters was new and exiting. After tinkering with the concept and storyboard for three months, we used another five months of… Read more

Harm van Zon • 10 years ago

Best Tutorial Ever?

Wildly entertaining and incredibly practical, are these... the best tutorials ever?

Joe Donaldson • 10 years ago

How Google uses motion design to make tangible tech

[…] the Google Maps app. Why should you care? Material Design is the fist time I’ve seen a clearly written treatise on the interdependency of animation and… Read more

Justin Cone • 10 years ago

Motionographer Podcast: Making “Anomaly”

[…] up with a near feature length epic. Motionographer sat down with Dan and Byron to discuss the long short film that clocks in at… Read more

Brian Gossett • 10 years ago

Motion and code: Getting to know Lucas Zanotto

Italian-born designer/animator Lucas Zanotto’s career is as varied and playful as his creations.  Moving seamlessly between analogue and digital techniques, he’s created commercials, short films,… Read more

Justin Cone • 10 years ago

How to change the world (and get paid for it): Making SolarCity “How Energy Gets To You”

Learn how a group of passionate environmentalists used innovative production techniques to tell stories that genuinely matter to them — all while getting paid.

Justin Cone • 9 years ago

Dan Savage and the importance of community building

[…] Dan is an incredibly talented director, designer, and animator who is also the father of Yule Log and Mixed Parts. Outside of doing amazing… Read more

Joe Donaldson • 8 years ago

AI for Good | “Life Is Plastic”

[…] teams and creative directors, all shaping me into the creative person I am today. I felt it was time to take that experience and… Read more

Staff • 7 months ago

After Effects Seattle: “Pearls of Wisdom – VO to AE to C4D Lipsync” with Casey Latiolais

[…] macros to have After Effects drive keyframes that controlled an expresso rig in C4D. Plus a bonus quick tour of Octane Render! Check out… Read more

Justin Cone • 8 years ago

After Effects Seattle June

[…] and sub-dividing, to polypainting. Walk away with an understanding of how to use ZBrush to exorcise your demons with Quincy’s easy-to-apply process and practical… Read more

Justin Cone • 8 years ago

The Epic Doc Interview

[…] involvement? I am currently working as a filmmaker for Google Creative Lab in NYC. A few month ago, we helped the launch of Google… Read more

Lauren Indovina • 14 years ago

Lori Nix, Joe Sabia, & Vincent Peone: The Story of Sushi

[…] her lend her skills to this piece about sustainable sushi. More about the making of the film on Lori’s blog. Created by Four Story… Read more

Michelle Higa Fox • 12 years ago

Target and LA Live

Gentleman Scholar joined an impressive lineup of studios and directors to create content for Target’s screens at LA Live, the massive complex of entertainment venues… Read more

Staff • 12 years ago

Gergely Wootsch: Savages “Marshal Dear”

[…] camera/environment and drawn 2D textures. For more of Gergely’s work, check out The Hungry Corpse, This is Not Real and Ordæmonium. Credits Savages –… Read more

Michelle Higa Fox • 11 years ago

Gobelins: Annecy 2014

French school Gobelins, l’école de l’image consistently produces animation graduates of an amazing caliber, and their work rarely disappoints. Goblins has released their first crop… Read more

Justin Cone • 10 years ago

PES talks “Submarine Sandwich,” Garbage Pail Kids and the connectedness of things

Beloved stop-motion director PES is back with his most ambitious short film to date, “Submarine Sandwich.” With funding from both a corporate sponsor (Nikon) and… Read more

Justin Cone • 10 years ago

From motion design to game design: In-depth process behind Specimen

[…] a simple but addictive game that challenges players to match colors Working alongside collaborators Sal Randazzo and Charlie Whitney, Gorochow embarked on a new journey… Read more

Justin Cone • 9 years ago

School Profile: Ringling College of Art & Design

Our second school profile looks at Ringling College of Art & Design's Motion Design program

Justin Cone • 9 years ago

Blending the physical and the digital in “Building a Rocket”

While the painstaking stop-motion of “Building a Rocket” is charming in itself, it’s the beautiful compositing of digital characters and elements that imbues the spot with a special magic.… Read more

Justin Cone • 9 years ago

Making the Motionographer Patreon launch video

[…] INC in New York City, Erica not only contributed as a writer, she helped me re-think the value of Motionographer and believe in what… Read more

Justin Cone • 8 years ago

VR without goggles: “Field Trip to Mars” sends a souped up school bus to space

Here we are at the dawn of virtual reality’s triumphant comeback, and already we’re bored. But “Field Trip to Mars” isn’t the usual 360-degree branded “experience” that’s… Read more

Justin Cone • 8 years ago